Originally posted by: MoronsKiMallika
"Mere sang toh chal zaraa, kyun dikhe daraa-daraa?"
- Hold my hand and walk with me. Don't be scared because i am with you. Nothing will happen to you.
It takes a lot of strength, risk and blind faith , vulnerability to take off your veils and let someone see how ugly , scarred and helpless you are. You place hope and faith in someone that they will heal you , they will not judge you, they will embrace you so hard that they will explode into your soul, cause a supernova and fill you with a glow to an extent that you will no longer be afraid of caves and gorges.
THIS. This was Rudra's situation today. He is at an extremely vulnerable stage and he can swing either way - for the best or for the worst. He is buckling under Paro's powerful and peculiar love, he is feeling suffocated with the onslaught of emotions that he is feeling for her. And this buckling, cornering and suffocation causes cracks even in mountains. What Rudra confessed to Paro in his vulnerability is what he is feeling and what is killing him. He may feel a lot of things for Paro, he even loves her with whatever heartbeats he is capable of - but...he does not see himself as a 'man who could love a woman as a woman'.He feels petty, inferior , small and ugly when he sees the purity of Paro's love and its greatness. He feels the damage that his mother and his upbringing have done to him have made him so ugly that someone as beautiful and pious as Paro cannot be the haute couture of his love life. The more Paro loves him, the more he crumbles into the reality of his Antarctic heart. He wants to leap out and hug Paro, take that LEAP OF FAITH and love Paro but his Philophobia doesn't let him move an inch. He knows that if he doesn't embrace Paro, he will invert all those emotions of love and turn them into whiplash that will be love concave-d into its ugly black swan version - frustration of pent up emotions rather than peace of love.
He was apologetic , actually apologetic that he was destroying Paro's life by not loving her back - but at the same time, he held on to her hand and showed her his septic in his COMPLETE SENSES. Its like - Look at me. I want to be in love, experience every shade of it , but am ugly and love is too beautiful. You cannot weave jute into silk without making silk look ugly.
Paro understood where he was coming from and like always, she embraced him, shushing him, telling him that he is not ugly. Love is a genesis in its own and its mystery is the same as the mystery of the universe. How the Milky Way came into existence is none of our business, Similarly, why someone loves someone without measuring their worth in teaspoons is an equally stupid question. Rudra is desperate to make her understand that his mother pulled the plug on all his chances of leading a normal life. But Rudra doesn't understand that Paro is not even ASKING him to love her back. I love you and I love you so much that its enough for both of us to last a lifetime. And since when love became a barter item? Its OK not to be loved back. Yet, Rudra doesn't get it at all - he is too engrossed in the misery of not being able to love Paro . One may feel that the boy was wallowing in self-pity.Yes, he was. Why? Because life gave him no chances to pity himself and heal himself when the wounds were fresh. Today, they are septic and septic works the way Rudra's misery does.
That said, Rudra may feel he is too ugly for Paro and too small an entity to deserve her love... but his need for Paro only escalates with each passing day. Typical human nature - you always find refuge and comfort in someone stronger. Paro is the emotional Goliath here and she is Rudra's tunnel to emotions - this is why he complains about his mother to her like a baby. That is why he seeks her physical support to support himself. That is why he holds Paro's hand when he thinks he is about to face his mother... In a way, Rudra has surrendered to Paro's warmth, if not her womanly love. He CANNOT function without her at an emotional level at all...and that is a matter of grave worry.
Paro is Rudra's fort that stands between him and emotional scavenging. But... Rudra is Paro's fort that stands between her and death. Minutes ago, Rudra sought solace in Paro. Minutes later, Laila appears on the door and Paro seeks refuge in Rudra by hiding behind him. Rudra further cements this by standing between Paro and Laila. Point being, that anyone who is a threat to Paro and has been Bon Voyage-d from his life is not welcome back ashore. Rudra's humanity is in sync with his brains and is not emotional like Paro's. He listens to Laila patiently, even tries to buy her story , thanks to Paro's Florence Nightingale shades... but he knows what he wants - Laila must go. Rudra is practical in the sense of the world and not viscous emotional like Paro and i guess that is the right balance. Rudra cares about Laila as a human-being but his gut instinct and his intelligence has to be convinced that the human-being is asking for that care for the right reasons, unlike our Paro.
Anyway, am not in favour of Paro, emotionally arm-twisting Rudra into allowing Laila to stay at the Haweli. Its not right to use someone's soft spot for you to an advantage.Its disrespecting the innocence of the emotions that one feels for you. I prefer Paro telling Rudra categorically that Laila is gonna stay here until she is safe, instead of using the " If you don't listen to me..." card on him. This reminds me of a scene in the film Kabhi-Kabhi. Neetu Singh's character had made some demand from in a sway of emotions and he had smiled at her helplessly and told her - I love you and you know it. Don't use it to an advantage.
Rudra is sticking to his use of brains and letting Paro do all the TLC of Laila. That's a better situation than both Rudra and Paro being nurses and nannies.