🏏T20 Asia Cup 2025: AFG vs SL, 11th Match, Group B at Abu Dhabi🏏
HEALING SHUROO 18.9
Nerdtastically Navratri (CC Game, Sign Up Open)
Akash Ambani constantly holding radhika's hand and waist
Deepika Removed From Kalki 2
Yeh Rishta Kya Kehlata Hai Sept 18, 2025 Episode Discussion Thread
Bigg Boss 19 Daily Discussion Thread - 19th Sept, 2025
The Ba***ds Of Bollywood - Reviews
VICTIM KAUN 🤧 19.9
Yeh Rishta Kya Kehlata Hai Sept 19, 2025 Episode Discussion Thread
🏏T20 Asia Cup 2025: India vs Oman, 12th Match, Group A at Abu Dhabi🏏
Buddhiya ki Nautanki
ABC Pulls Jimmy Kimmel Off Air for Charlie Kirk Comments
How quickly time changes
Anupamaa 18 Sept 2025 Written Update & Daily Discussions Thread
Pari's hate for Tulsi
Alia bhatt special topic
Armaan has always been the victim
Baseer rental house
Anupamaa 19 Sept 2025 Written Update & Daily Discussions Thread
| Indian Superstar Rahman Returns to Hong Kong |
| Source: hkfilmart.com I'm a big fan of Chinese films, said Rahman, who has composed scores for more than 50 films, including Warriors of Heaven and Earth , directed by He Ping. I'm open to the possibility of doing it again, he said. If they want my music, and if there's a good script. 21 Feb 2006 by magic8 Source: http://www.kfccinema.com/ |
| God Father's audio arrives |
| IndiaGlitz [Saturday, February 18, 2006] The audio was initially slated to hit the music stores on Thursday. Unfortunately it's release was delayed by a day. The movie had gone to the floors a long time back. Unfortunately it was delayed due to various reasons and it is expected to hit the theatres by next month. According to a music shop owner, 'there has been a tremendous response for the audio of God Father. Since Thursday there have been many enquiries for the album'. A couple of numbers including one rendered by A R Rehman are certain to top the audio charts, says music-lovers. Source: http://www.indiaglitz.com |
| A Look Inside the Mind and Soul of Composer A.R. Rahman |
| By LISA TSERING Source: http://www.indiawest.com |
| Patriotism, stirred pink & basanti - Aamir film's title track sweeps dance floors on Valentine's Day and night |
| ZEESHAN JAWED Pink was the predominant colour, but a splash of basanti bathed the dance floors on Valentine's Day. Patriotism, mixed and stirred with the party spirit, was the surprise flavour of February 14 as the city danced all day — and night. Rang De Basanti , the title track of the Aamir Khan blockbuster sung by Daler Mehndi and composed by A.R. Rahman, blasted at every major disc in town. It is the purity of the Bhangra number that is making it so big, feels the singer. " Rang de… has the Punjabi folk feel that has caught on. Punjabi songs nowadays are being punctuated with very funny electronic sounds. That is where this song has scored. It is doing well in nightclubs because it has a very catchy rhythm and catchy lyrics," Daler Mehndi told Metro from Mumbai. With no big floor-burner after Kajra re and Dus bahane , the top table-turners in town are raving over Rang de basanti . "Simply put, the urban youth is connecting with the track," says DJ Girish of Shisha Bar. "It's fast, it's got a good base line and a patriotic message." DJ Vicky of Venom is all for the pace of the track: " Rang de… has its own pace which should not be disturbed," he says, refusing to speed it up digitally. The last Tricolour track that went down well with the party people was Aa ye o sung by Adnan Sami. It hit the airwaves just before World Cup 2003 and the video featured everyone from Sachin Tendulkar to Amitabh Bachchan. "The track was played in the nightclubs whenever India won a match. The song lost its appeal as soon as India lost the finals," says DJ Akash of Fusion, at The Golden Park. Lyricist Prasoon Joshi puts down the popularity of the title track of the super hit film to the unrivalled impact that "popular culture" can have on people. That was quite visible on V-Day evening, as the young and the not-so-young cheered every time Rang de… punctuated the mush melodies at Shisha or Venom or Fusion. "A patriotic song is either very weepy or very slow. Rang de basanti is both feel good and fast," says party regular Randhir Ghosh, 28. Just what the love doctor ordered for Valentine's Day. |
| MADRAS PLUS - Interview |
| Riding the Waves |
| AR Rahman in conversation with Niladri Bose on radio |
| Swetha Aabhas |
| Imagine cooking in your kitchen or reading your newspaper and listening to a well modulated, baritone voice, some good music and living legend AR Rahman himself in conversation. R J Niladri Bose, well-known for his deep voice, caught up with A R Rahman last Saturday. ET Madras Plus listens in, and brings its readers a sneak peek. |
| Source: http://www.madrasplus.com/fullStory.asp?articleID=MADP7ART21 02006 |
| Mercury News - Interview |
| music |
| COMPOSER A.R. RAHMAN REACHES OUT ACROSS CULTURES WITH HIS TAKE ON INDIAN MUSIC |
By Glenn Lovell |
| A triple-threat artist who combines the popularity of Elton John and the prodigious output of film composer John Williams, India's A.R. Rahman must check the mirror constantly to see which hat he's wearing. This afternoon, he's composing for the musical theater, rushing to complete arrangements for a Toronto production of ''The Lord of the Rings.'' Tuesday, he'll be feted by Stanford's Pan-Asian Music Festival, where excerpts from his hit CD ''Vande Mataram'' will be played along with his rain song from the Indian film ''Lagaan.'' Rahman won't be performing himself but will be onstage to take questions about his work. Then, it's back on tour as singer-keyboardist. In this incarnation, he leads an exuberant, Vangelis-like fusion of sitar, synthesizer and traditional Sufi music. Saturday, Rahman the pop star will be in Hong Kong. If he could pursue only one of those disciplines, which would it be? ''I like the way I'm going -- a bit of this, a bit of that,'' Rahman, 39, replies. ''It's very satisfying doing all three. Film has its charm, but so too does the stage. My CD and video for 'Vande Mataram' allowed me to reach out to a much younger audience in a very personal, spiritual way. I'd love to do another album like that.'' ''Vande Mataram,'' Hindi for ''Hail to the Mother,'' commemorated the 50th anniversary of Indian independence. Rahman's take on the national anthem, at first considered risky, even disrespectful, wound up on pop charts, selling in the millions. ''I was at first skeptical that it would reach out,'' Rahman recalls. ''But it went well beyond the city to the country, and became popular with Muslims, Hindu and Christians. Those who were not listening to my music started listening to my music.'' His ''Bombay Theme'' was used in the Nicolas Cage movie ''Lord of War.'' In March, another Rahman song will be featured on the soundtrack of Spike Lee's ''Inside Man'' starring Denzel Washington. ''Although his music is rooted in traditional Indian classics, it borrows from other cultures and reflects his European training,'' notes Jindong Cai, founder and artistic director of the Pan-Asian festival and director of orchestral studies at Stanford. ''This makes the music very fresh, very compelling, especially to young people.'' Rahman stands out among the festival lineup, which includes sitarist Kartik Seshadri (billed as ''foremost disciple of Ravi Shankar'') and, today, the Farid Ayaz Qawwali Ensemble from Pakistan. ''We're getting many calls from people, especially in the Indian community,'' reports Cai. ''They can't believe Rahman is coming here.'' Cai and his co-organizers are surprised themselves. During a brainstorming session for the festival, Cai suggested they go more mainstream and invite someone who reflects popular new trends. ''We have to look at the bigger picture in South Asian music, the traditional as well as the contemporary,'' he reminded the committee. He then dropped the B-word: ''Bollywood.'' And that led to composer Rahman, who sets his prodigious output at ''75 to 100'' movie scores. But how to nab the superstar? The assumption was that his asking price would be more than the festival's entire $30,000 budget. ''But he surprised us,'' Cai says. ''He was excited about coming. You know, he's a very profound person who often dedicates his music to Allah. He's also down-to-earth. Besides air fare and lodging, he doesn't ask for anything.'' Rahman says he's excited about the Stanford tribute, which will include film clips and performances by campus groups. He is also looking forward to setting the audience straight on the breadth and richness of Indian music. ''There is much more to our music than sitars and tabla drums,'' he stresses. ''If you listen, you will see there is so much happening. I want to go beyond traditional music -- but without only writing for the here and now. You must also be true to what is within you, the spiritual side.'' |
| Netru Indru Naalai : Report and broadcast timings | ||
| Vijay TV's Samsung Netru Indru Naalai: Yesterday, today and tomorrow was the theme of the unique musical created by Mani Ratnam and his team of technicians, Vasanth, Rajeev Menon and Sabu Cyril, and a host of actors, in aid of The Banyan, a home for the mentally challenged. A large crowd of over twenty thousand was assembled on February 05, from 6.30 pm onwards, at Jeppiar Engineering College campus, to see the first and the foremost 'Broadway musical" type of live show in Chennai. It was a magical journey through the past, present and future of Tamil cinema. It began with actress-dancer Bhanupriya and an ensemble of dancers dancing on top of huge drums. What followed was a spectacle that made the audience ask for "MORE!!" and they were not disappointed. Shobana performed a remarkable dance, dancing around the stage like a startled gazelle. It was pure undiluted magic. A song sequence from the movie Kathalikka Neramillai recreated on the state with a touch of Eastman colour including the balcony was astounding. Ramesh Arvind, who came on stage wearing white pants and black shirt, with a whip in his hand, imitating MGR, performed the most famous song Naan Aanaiyittal, and was rewarded by the audience's applause and calls for encores. Actor Shaam entered the stage on a motor-cycle imitating the famous Kamal song "Ilamai Itho Itho" from Sakala kala vallavan. Just as in the movie, "Adi Raakamma kayye thatu" began with a bang with huge sets. The little super star Simbu and Simran danced together for the gala song. This is Simran's first stage show after her marriage and childbirth. Actor Reema Sen and Simbu danced for the song "Thillana Thillana" from the movie Muthu, another famous number from Rajnikanth's movie. Both Simbu and Reema Sen sizzled on stage. With Bollywood star Shilpa Shetty doing the Chayya Chayya number (choreographed by dance master Kalyan), the crowd went shaking their legs for the song and dancing with all the energy of Shah Rukh Khan. Kamalhaasan sang a song from Maniratnam's Nayagan; even before Kamal Haasan entered the stage, the music was played and the crowd cheered the actor - a sight that had to be seen to be enjoyed. The star of the Netru Indru Naalai show was undoubtedly Art director Sabu Cyril. Whether it was the hotel room of the early 60s, the ship in the sea, the fort in the song from Thalapathi, or the train from Dil Se, Sabu created something that was never seen before on stage. It was pure magic. For a song from Alaigal Oyvathillai, he created a field with sunflowers swaying in the breeze. The choreography of dance masters Kala and Brinda, needs to be appreciated. Click hereto see exclusive pictures of the event on galatta.com! For those of you who want to see the show again, and for those of you who missed seeing the live show, here is the good news! Vijay TV's Samsung Netru Indru Naalai will be aired as two half hour specials leading up to the airing of the full show in a mega three hour show! The show timings are: "The making of Netru Indru Naalai 2006" - curtain raiser 1 will be aired on February 18, at 7.30 pm. "The making of Netru Indru Naalai 2006" - curtain raiser 2 will be aired on February 25, at 7.30 pm. The event will be aired as a 3 hour special mega show on March 3, 2006 at 7 pm. Source: http://tamil.galatta.com
|
| Taj Mahal in Hollywood |
| BOLLYWOOD REEL Many want to film the essence of this love story. The real Taj Mahal has fascinated Hollywood for years. There have been umpteen attempts to convert this tribute of love for Mumtaz Mahal into an epic feature film. In the mid-fifties, Indian filmmaker Mehboob Khan had approached 20th Century Fox with a Hollywood version of Taj Mahal. He stayed in Los Angeles for over six months to pursue the project and even planned to get Elizabeth Taylor to play Mumtaz Mahal. Then there was writer and journalist Kamran Pasha, born in Pakistan, who had announced that he had set up his first feature script at Warner Brothers – a historical epic on the timeless and tragic love story of Shahjahan and Mumtaz Mahal. The English language epic movie was being pitched as Gladiator meets The Last Emperor. Warners were to team up with Trilogy to bring this project to the screen. The film has yet to see the light of day. In Hollywood, filmmaker Krishna Shah – the first Asian-American writer/director/producer who has won critical acclaim both on Broadway and here – had announced his plans to produce and direct a mega film on Taj Mahal. The financial backing for the project fell through at the last minute. Meanwhile, in India, Taj Mahal has been successfully completed as a feature film numerous times. The first film on Taj Mahal was made in 1941 followed by M Sadiq's Taj Mahal in 1963 starring Pradeep Kumar and Bina Rai. In recent years, India has witnessed three battling Taj Mahal films based on the Mughal emperor's undying love for his wife and the monument he commissioned as a tribute to their union. The three are: Bharat Bala's IMAX that has not been released yet, Robin Khosla's English film on Taj Mahal which went into theaters in 2003 and the recently released Akbar Khan's Taj Mahal – An Eternal Love Story. Robin Khosla's film was first previewed at the American Film Market in 2000. Robin, son of the film's producer Ramesh Khosla, claimed he researched the subject for three years before deciding upon making the film. It sank without a trace. At the Cannes Film Festival last year Akbar Khan launched his version "Taj Mahal – An Eternal Love Story" and it was screened at the film market twice for special invitees. The film opened to a feeble response globally. In the year 2000 in Hollywood, US-based Indian technology tycoons including K B Chandrasekhar and B V Jagadeesh, co-founders of Internet infrastructure firm Exodus Communications, Gururaj "Desh" Deshpande, chairman of optical networking firm Sycamore Networks, and Kanwal Rekhi, former chief technology officer of Novell came together to fund an IMAX movie on the Taj Mahal. The film is titled "Heart of India", and made by film-maker Bharat Bala who has Formerly known as Taj Mahal: The Eternal Love Story, Heart of India celebrates the many thousands of years of unbroken cultural heritage of the mystical country. The film travels across mysterious and striking India; through its ancient cities, misty mountain passages and vast desert kingdoms. Source: http://www.business-standard.com |
| THE LORD OF THE RINGS THEY LIKE IT, THEY REALLY LIKE IT |
| MICHAEL POSNER The critics' reviews are still several weeks away, but for the 2,000 people who constituted the first public audience of the most ambitious theatrical project in history, the verdict Saturday night was a decisive thumbs up. No matter that the first preview performance of Lord of the Rings -- at Toronto's Princess of Wales Theatre -- suffered a couple of technical glitches that forced the show to stop for 15 minutes or so. And no matter that, when the curtain finally fell on the $27-million musical adaptation of the classic Tolkien novels, nearly five hours (including 50 minutes worth of intermission, accompanied by drinks and snacks on the house) had elapsed. Although there were a handful of walkouts when the clock neared 11 p.m., interviews with audience members conducted before, during and after the show -- the Globe and Mail was the only media organization invited to actually watch the show -- suggest that this epic production will go a long way toward satisfying the enormous appetite for the inhabitants of Middle Earth. "It's a thing of great beauty," said entertainment lawyer Brian Wynn, after the show ended with a standing ovation. "But the world needs to know what the concept is. It's not a musical. It's not a Stratford production. It's somewhere in between. If you come expecting a new Les Miz or Oklahoma -- it's not. But I think they've pulled out the poetry and the themes better than the movies." "Very good," said Toronto teenager Andrew Buchanan who came with his father and brother. "The length didn't bother me at all. I want to see it again." "It will be brilliant," said one woman who requested anonymity. "They have work to do, but I think it will be our next Phantom [ of the Opera ]," the Andrew Lloyd Webber musical that ran for 10 years in Toronto. Although the Globe agreed not to review this first preview, it's fair to say that the world created by director Warchus and his creative team is unlike anything anyone has ever seen in conventional commercial theatre before. The gnarled forests of Middle Earth thrust out to embrace the audience. The automated, cantilevered stage turns, twists, rises, falls and tilts in myriad and extraordinary ways -- at one moment, a winding forest path, the next, a soaring battlefield promontory, while wind and smoke swirl through the auditorium. Menacing orcs leap and tumble like pre-historic Raptors. A dozen Ents --14-feet-high humanoid trees (actors on stilts) -- conduct a council of the forest. Frodo and his fellow Hobbits run in fear of the ominous Black Riders. Michael Therriault is Gollum made animate, a writhing, wheezing, gymnastic incarnation of creepiness. The music -- jointly composed by the Finnish folk ensemble Varttina and India's A.R. Rahman -- owes more to opera than musical theatre, an almost continuous score that includes lush ballads, a rollicking drinking number (at the Prancing Pony Inn), a powerful anthem song, as well as the stirring, discordant strains of the battlefield. Indeed, the show's sets, lighting (designed by Paul Pyant) and special effects (by Graham Meeh and Paul Kieve) were mentioned by many theatregoers as the single most stunning aspect of the production. New York financier John Halle, who flew up for the preview, said the central question for him was whether audiences would tolerate a show that even at its optimum is scheduled to run three hours and 30 minutes with intermissions. Halle apparently couldn't; he left toward the end of Act II. "Awesome," said Bruce Lovitz, an emergency room physician from South Carolina who flew up with his eight-year-old son, Carl, for the show. Calling himself "almost the world's biggest fan" of the novels -- he's read each of them every other year for 30 years. "It absolutely meets my expectation. I like the originality of the songs. My concern was that they would borrow too much from the movie versions, but they use just enough. . . . The books are so global -- they encompass the entire human experience, different facets of the human personality. It's a wonderful escape for us on this earth to escape to Middle Earth." In his pre-curtain remarks to the audience Matthew Warchus explained that this was his second delivery in four weeks. A month ago, his wife had given birth to a Canadian son. "Births can be scary, unpredictable, painful and messy," Warchus said, "but there's nothing like being there at the beginning." |
| AR RAHMAN Live in Concert 2006 | |||||||||||||||||||||||
Ticket Price does not include Customer Service Fee AR RAHMAN Live in Concert 2006 A.R. Rahman A R Rahman is the man who has redefined contemporary Indian music, is the pride of the nation and a role model for millions around the world. He has sold more than 100 million copies of albums comprising of music from more than 50 movies. Performing with A.R. Rahman: Alka Yagnik, Hariharan, Shankar Mahadevan, BlaaZe, Kailesh Kher, Madhushree, Sadhana Sargam... PLEASE NOTE: Source:http://www.hkticketing.com/ |
Ye Hai Mohabbatein
