👏Dearest Ishita,
One of my favourite VM makers (if not favourite) 😳 on one of my favourite actresses, how can I fail to fall in love?
You begin with your trademark move; that colour photo shot, movement, then black white enhancement, with layering upon layering. That 'blink and you'll miss it, tones and hues (wonderful choice of blues and purples here) upon the black and white images, those twists and turns of the movement. However what makes it truly 'Ishita' is the timed to perfection synchronization of those cuts to the beats, here the plucking upon the strings of the guitar. A metaphor for the elegant manner in which Sanaya plucks upon our own heart strings. 😳
Has it really been so long that I have forgotten the depth of your talent? Just as I was about to slip into my comfort zone of Sanaya beauty, you take my breath away at your sheer brilliance! ⭐️
@0:12, that opening close up shot of her eyes, to time with the opening lyrics, but also pulling you into the 'windows of her soul.' For it is not only for Sanaya's beauty that we love her so much, but that inner light, that shines so bright. An excellent choice of song for Sanaya. 👏 I love how that opening close up shot, prepares you for a change in the melody, the song and your 'montage' of pictures into action. It also highlights that lull in the song, then 'bam!' you knock us over with that perfected synchronized magic, 'the stars' moment at 0:14; that 'her hair, her hair' repeat in synchronization with her head bobbing left and right, plus that wonderful 'falling' matched to the falling of those flowers. Ishita, what can I say? You are a genius! ⭐️
The song, your style and Sanaya, all embody that subtle beauty that seems so simple but is suffused with delicate details that bind you forever, longing for just one more moment, forever!
I LOVED!!! just loved that moment at 0:22, that elongated pause of 'she's so beautiful,' sung so yearningly by the singer, that you illuminated by that 'echoing' shot of her turning around, from the previous one, just subtler, a little bit more closer. So cleverly done and the effect devastating! ⭐️
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I LOVED! the way, you include Mohit for the moment the lyrics bring in 'I' as opposed to the 'she' pronoun that had been used in the lyrics until then! Ishita, just wonderful! 👏⭐️ I loved the way you faded out, with that fade out of the line. (side note: really interesting choice of song, I love the unique, unusual melody, those almost awkward pauses and long notes, as if he is about to stop, or start again. Just like love, that hesitation and yet once open, the eternal gaze into one stop, one moment, one person,)
I loved the scene you chose for 'when I compliment her' again Mohit with her, segueing beautifully, and like the song, almost sporadically and yet profoundly into that moment at 0:36, 'she don't see what I see' that disbelief, sly look of Sanaya, again echoing the close ups of her eyes from the preamble that came before. Ishita, just excellent. Really truly, wonderful! ⭐️⭐️⭐️
My favourite moment, @)0:43, just after those 'modest' shots of Sanaya, and the shy question 'Do I look ok?' That masti Mohit response, that upon the surface seems so shallow in masti BUT is always, almost always a 'cover' for a deep, deeply felt, love! Ishita, I loved it, I almost cried in happiness! 😳👏⭐️
Then for the 'meat' of the song, that melody finally coming in, that just like love teased us by keeping us guessing if it would ever come, BUT that is ok, because the journey until there was more than enough to keep me warm and afloat. I LOVED, the way you too change the pace, subtly, in that the actions become more animate. The song and melody , Mohit and Sanaya ALL opening up! Wonderfully done! ⭐️⭐️⭐️ From the opening hugging, that closeness of Mohit, from the previous masti; Sanaya more heartily laughing, from that 'sly' smile of before, (i love that echoing you use in your vms, which bind the clips and scenes together, giving them depth BUT also profundity as you highlight moments in moments, that one pause, turn of the head, one word and the same scene changed into a million different meanings!) [Here, that sly disbelief of Sanaya, upon a precipice of an eruption of violent anger, just one moment later, as highlighted by you, in another section, illuminating her 'cheeky side,' that is why the singer, lyrics, Mohit and we, ALL can not help but keep our eyes upon her, for we TRULY do not know what the next moment will bring with her, but nevertheless we can say with all certainty it will be BEAUTIFUL!
I LOVED how you highlighted Sanaya's innocence in that scene from the beginning of MJHT, but that 'cutest' head tilt, that makes your heart hum and soul go ah!!! at 1:01, with the b/w change. Again just subtly caught, like capturing dew. Ishita, only a master like yourself could have done it so effortlessly and beautifully! ⭐️⭐️⭐️
Normally I wouldn't say something so boldly, for fear of unintentional offense, but Ishita, you are my favourite VM maker, and I say this openly BECAUSE anyone who has seen your vm's would easily understand why i said so. Ishita, honey, you make me fall in love with you over and over.😳
Just beautiful!👏 Love Sabah😳
Edited by a little faith - 14 years ago
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