Posted:
Dearest Archana, I was looking forward to this one, although not as much as your previous vm part two, but still excited :)
The tone of the song is very serious almost sacredly serious. So I loved the opening scene the moment destiny brought them face to face. Wonderful. Then followed by the moment Mayank decides to take a step towards the serious intentions of being her lover, that first Dil se hug of his in the college room, her returning it from her heart, though it was still alienated to her own self. Then that past 'golden memory' of their first hug, her first Dil se hug where Mayank was the recipient in denial to himself, that reluctance to understand the movement in his heart. Excellent symmetry. ⭐️
I loved that haunting look of Mayank's for the first "tumhare hain, kaho ek din" it matched perfectly, choreographing perfectly that hug for 'Sab kuch tumhara hai' Beautiful! ⭐️
Then Nupur's first Dil se hug, that hug I know you love, 😛that moment she relents to her own heart and says 'I love you' I want you in my life even though you push me away by forcing me to turn away. I loved that enveloping hug of Mayank, finally hugging her back with all his heart, that he could not do in the Jungle, and did in the college room, BUT now she was hugging him back too, that relief and happiness of that answer to 'kaho ek din' unsaid and yet spoken. Beautiful layering of meaning! ⭐️ Then that final dil se hug from one heart to the other and back again, so we do not know who began and who returned, just an all embracing, enveloping hug surrounded by love. ⭐️ Just excellently done to perfection! 👏
Then those 'serious moments' from after their confession that brought them closer, their first date, their first reconciliation, and Mayank's first step's to something more 'adult' 😳😳😳, that moment Mr strictly no PDA stole for just him and her, and again in college, followed by that truly serious pre morena fight where Mayank began to understand upon a more delicately serious standard, himself, Nupur and their relationship. Excellent ⭐️
The next verse's lyrics reminded me of Mayank's Bangalore poem. Really very well chosen song. I loved the corresponding scenes, perfectly chosen moments of Nupur! Her hatke mannerisms that stole not only Mayank's heart but ours. ⭐️ Again well chosen. ⭐️
Then that 'guitar' part for PBM, that Romantic Spanish guitar sound, That moment Nupur gives herself freely and openly to Mayank, for 'Agar sab kuch yeh mera hai to,Sab kuch bakhsh do ek din" Wonderful. I loved that moment for 'Wajood' an echo back to that sign of affection from Mayank that he declared his love in front of his mother, an tying her to his family by its heirloom. That most sincere and heart felt kiss from Nupur, for Mohabbat do ek din, beautiful! ⭐️ Well timed editing! ⭐️
I loved the scene you chose for "Mere haathon pe apne haath rakh ker, Ruh khench lo ek din" Mayank reminding her that he is always there for her, just one moment, one step, one thought from her , ALWAYS, again excellently edited in, ⭐️👏
Then that serious tone of the song, pulling us back to those moments when everything seemed upon the brink of abyss. Beautiful. ⭐️
I loved the edited part for 'Ke jo kuch bhi hamare paas hai" for what is more precious that Mayank Sharma's heart, that one vessel he guarded so well, that Nupur's love has compelled him to give give most openly and freely for eternity, 'Kal ho na ho'. Just heart wrenching and warming! Beautiful! ⭐️⭐️⭐️
Then my favourite part of part two of your vm! 😳 I loved that you ended it on that scene where Nupur's Mangalsutra gets caught to Mayank, an echo to that scene on their 'first' wedding night in the college, that you edited in earlier. Excellently woven into this vm and serious song's end. That sacredness of marriage that ties two people together, that final answer to the song, that last unsaid yet spoken response. ⭐️⭐️⭐️
For when you say I love you, it is a verb, a 'doing' word, there has to be a consequent action, a movement of the heart. There is no greater action than vowing to the one who created you, who holds you to this plane, in whose hands is all your future paths, who could destroy in a flap of a butterfly's wing, that you intend to love, safeguard and honour this person with all your heart OR risk his wrath. There is no greater action of love. No grander response to the song's request.
Just beautiful, Archana. I loved it. Love Sabah😳
The tone of the song is very serious almost sacredly serious. So I loved the opening scene the moment destiny brought them face to face. Wonderful. Then followed by the moment Mayank decides to take a step towards the serious intentions of being her lover, that first Dil se hug of his in the college room, her returning it from her heart, though it was still alienated to her own self. Then that past 'golden memory' of their first hug, her first Dil se hug where Mayank was the recipient in denial to himself, that reluctance to understand the movement in his heart. Excellent symmetry. ⭐️
I loved that haunting look of Mayank's for the first "tumhare hain, kaho ek din" it matched perfectly, choreographing perfectly that hug for 'Sab kuch tumhara hai' Beautiful! ⭐️
Then Nupur's first Dil se hug, that hug I know you love, 😛that moment she relents to her own heart and says 'I love you' I want you in my life even though you push me away by forcing me to turn away. I loved that enveloping hug of Mayank, finally hugging her back with all his heart, that he could not do in the Jungle, and did in the college room, BUT now she was hugging him back too, that relief and happiness of that answer to 'kaho ek din' unsaid and yet spoken. Beautiful layering of meaning! ⭐️ Then that final dil se hug from one heart to the other and back again, so we do not know who began and who returned, just an all embracing, enveloping hug surrounded by love. ⭐️ Just excellently done to perfection! 👏
Then those 'serious moments' from after their confession that brought them closer, their first date, their first reconciliation, and Mayank's first step's to something more 'adult' 😳😳😳, that moment Mr strictly no PDA stole for just him and her, and again in college, followed by that truly serious pre morena fight where Mayank began to understand upon a more delicately serious standard, himself, Nupur and their relationship. Excellent ⭐️
The next verse's lyrics reminded me of Mayank's Bangalore poem. Really very well chosen song. I loved the corresponding scenes, perfectly chosen moments of Nupur! Her hatke mannerisms that stole not only Mayank's heart but ours. ⭐️ Again well chosen. ⭐️
Then that 'guitar' part for PBM, that Romantic Spanish guitar sound, That moment Nupur gives herself freely and openly to Mayank, for 'Agar sab kuch yeh mera hai to,Sab kuch bakhsh do ek din" Wonderful. I loved that moment for 'Wajood' an echo back to that sign of affection from Mayank that he declared his love in front of his mother, an tying her to his family by its heirloom. That most sincere and heart felt kiss from Nupur, for Mohabbat do ek din, beautiful! ⭐️ Well timed editing! ⭐️
I loved the scene you chose for "Mere haathon pe apne haath rakh ker, Ruh khench lo ek din" Mayank reminding her that he is always there for her, just one moment, one step, one thought from her , ALWAYS, again excellently edited in, ⭐️👏
Then that serious tone of the song, pulling us back to those moments when everything seemed upon the brink of abyss. Beautiful. ⭐️
I loved the edited part for 'Ke jo kuch bhi hamare paas hai" for what is more precious that Mayank Sharma's heart, that one vessel he guarded so well, that Nupur's love has compelled him to give give most openly and freely for eternity, 'Kal ho na ho'. Just heart wrenching and warming! Beautiful! ⭐️⭐️⭐️
Then my favourite part of part two of your vm! 😳 I loved that you ended it on that scene where Nupur's Mangalsutra gets caught to Mayank, an echo to that scene on their 'first' wedding night in the college, that you edited in earlier. Excellently woven into this vm and serious song's end. That sacredness of marriage that ties two people together, that final answer to the song, that last unsaid yet spoken response. ⭐️⭐️⭐️
For when you say I love you, it is a verb, a 'doing' word, there has to be a consequent action, a movement of the heart. There is no greater action than vowing to the one who created you, who holds you to this plane, in whose hands is all your future paths, who could destroy in a flap of a butterfly's wing, that you intend to love, safeguard and honour this person with all your heart OR risk his wrath. There is no greater action of love. No grander response to the song's request.
Just beautiful, Archana. I loved it. Love Sabah😳
