Posted:
Liked the talli RK parts very much, but damn annoyed that his partner in drunkenness was not Madhu this time.
DVD's ability to play 'cute drunk' is exponentially cuter when they are together.
And what in the world were the CVs thinking of when they gave such dialogues to Bittuji and Madhu?
Were they trying to remind mass-audience of just what sort of support and understanding RK got from both these apney of his - very much against their actual characterization - for his feelings when he was paralyzed or sidelined or when the two people who best know his ego both remained conveniently uncomprehending while 'jokes' were cracked about his eclipse and only his wife was glorified for a film that he suffered most for?
Was it the understanding of 'apney' when they were shown uncharacteristically and conveniently not advising against the backfiring uselessness for his star career of a heroine-oriented film with his fortune staked on it, or how much understanding he got when he was paralyzed and sidelined and then treated as if he were suffering from a fracture or a sprain?
Why the heck were Bittuji and Madhu given such engineered dialogues, when the very fact of such things needing to be said at such length indicates that mass-sympathy and such understanding of the situation is perhaps not adequate to qualify as support for the CVs any intended tracks?
One understands that the CVs are in the habit of backfiring dialogues evoking the opposite mass-reactions to what they require, but could they please scapegoat some of the other characters to mouth such dialogues instead of scapegoating Madhu and Bittuji for such engineered extolling so starkly reminding of the same stratagem used extensively in the previous tracks?
Mass-audience does not have a good track-record of reacting malleably in the manner suited to what CVs require. But to emphasize that their sympathy is not inclined where it would be preferred is a discomfiting admission of poor writing of the tracks.
Anyway, was already expecting Bittuji, Radha and every other character to give such speeches about RK's insensitivity and Madhu's goodness in maybe every episode since there was apparently no backing for a separation track after the convenient miscarriage, but was a bit startled that Madhu was also given dialogues to participate in that process.
No idea whether Pabho will be out soon or not. She serves no major purpose, but has presumably been a useful filler for screentime, her character remaining without nivaarans - whereas the amputee choreo left the series - seeming to indicate that there was perhaps more acceptance and utility for her presence in the story thus far than the latter's.
Either way, Pabho staying or leaving is immaterial.
Had the character succeeded, it may have been expected to be a draw for majority-audience to potentially get required amount of viewership for the heroine-track.
But the character failed, with the serial's uniquely demotivating record that a vamp or villain against either or both of the leads will succeed until the last few moments of a track, making any such track safely skippable for the next few weeks until its culmination might be at hand.
And the character's failure to draw mass-audience left the track with its intrinsic viewership, without the needed buffer.
It would be nice if Pabho, Mehul and Roma all disappear from the track.
Maybe we could instead get less budgeted sets and at least one extra as 'domestic' in the background for the millionaire lead-couple's home in each episode for ambiance even if there's no ensemble scene where 'servants' end up adding up some of the numbers to make the sets look more peopled.
DVD's ability to play 'cute drunk' is exponentially cuter when they are together.
And what in the world were the CVs thinking of when they gave such dialogues to Bittuji and Madhu?
Were they trying to remind mass-audience of just what sort of support and understanding RK got from both these apney of his - very much against their actual characterization - for his feelings when he was paralyzed or sidelined or when the two people who best know his ego both remained conveniently uncomprehending while 'jokes' were cracked about his eclipse and only his wife was glorified for a film that he suffered most for?
Was it the understanding of 'apney' when they were shown uncharacteristically and conveniently not advising against the backfiring uselessness for his star career of a heroine-oriented film with his fortune staked on it, or how much understanding he got when he was paralyzed and sidelined and then treated as if he were suffering from a fracture or a sprain?
Why the heck were Bittuji and Madhu given such engineered dialogues, when the very fact of such things needing to be said at such length indicates that mass-sympathy and such understanding of the situation is perhaps not adequate to qualify as support for the CVs any intended tracks?
One understands that the CVs are in the habit of backfiring dialogues evoking the opposite mass-reactions to what they require, but could they please scapegoat some of the other characters to mouth such dialogues instead of scapegoating Madhu and Bittuji for such engineered extolling so starkly reminding of the same stratagem used extensively in the previous tracks?
Mass-audience does not have a good track-record of reacting malleably in the manner suited to what CVs require. But to emphasize that their sympathy is not inclined where it would be preferred is a discomfiting admission of poor writing of the tracks.
Anyway, was already expecting Bittuji, Radha and every other character to give such speeches about RK's insensitivity and Madhu's goodness in maybe every episode since there was apparently no backing for a separation track after the convenient miscarriage, but was a bit startled that Madhu was also given dialogues to participate in that process.
No idea whether Pabho will be out soon or not. She serves no major purpose, but has presumably been a useful filler for screentime, her character remaining without nivaarans - whereas the amputee choreo left the series - seeming to indicate that there was perhaps more acceptance and utility for her presence in the story thus far than the latter's.
Either way, Pabho staying or leaving is immaterial.
Had the character succeeded, it may have been expected to be a draw for majority-audience to potentially get required amount of viewership for the heroine-track.
But the character failed, with the serial's uniquely demotivating record that a vamp or villain against either or both of the leads will succeed until the last few moments of a track, making any such track safely skippable for the next few weeks until its culmination might be at hand.
And the character's failure to draw mass-audience left the track with its intrinsic viewership, without the needed buffer.
It would be nice if Pabho, Mehul and Roma all disappear from the track.
Maybe we could instead get less budgeted sets and at least one extra as 'domestic' in the background for the millionaire lead-couple's home in each episode for ambiance even if there's no ensemble scene where 'servants' end up adding up some of the numbers to make the sets look more peopled.
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