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Originally posted by: Rashmi81
Can you make this more simple?😲
Divy I haven't seen the Sujamal track except for the JJ part.
I thought you had watched the Maham Anga scene and thought it was good?so I'll use crescendo for the Adham Khan death scene. It was blood and fury. After that, Jalal has set the tone for the whole show. But instead of him being a more deliberate and sober individual they've turned him into a carefree baby loving guy.
That was a jump , no? 😆
Jo and the others have turned to girl child issues with a vengeance.
Yes, where has Jalal gone? Hardly in the realm of issues 😆
Ruks has maintained some semblance of audha and general feel. She hasn't changed and that's about the only positive. Because when a story moves very fast very abruptly, somebody needs to keep the same-ness going and Ruks has done that. She's like that one steady base note now while JJ are re-inventing themselves.
You know ... I was thinking ... the CVs have kept only the negative characters the same ... it is ironic
I think the next crescendo will be the twins
I added a description above - did it help. Sorry, it is my fault if I have written it so complicated.
Jodha-Jalal are both jumping emotions too much.
Let me take Jalal - one day he is ready to run away, then we are told he is back, then he is lovey dovey about kids, then he is ready to wage war, then he negotiates instead of war- that is jumping from one emotion to another. What do we connect with?
The only time they kept one emotion for a while- of new love- was the Badal-Kajri track.
And the crescendo , is when they start with a calmer emotion and it intensifies over time- the CVs use it with Jalal a lot. I wish they would use it with Jodha more - as I feel Jodha / Paridhi deserves a better screenplay.