Blast from the Past Thread #10, pg 45, epi 113 - Page 45

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shesherkobita thumbnail
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Posted: 12 years ago

Originally posted by: indi52

sabrina ^^^

thanks for reading 111 and liking. earlier you'd mentioned how without any vulgarity a fabulous physical attraction was portrayed in ipk, i just wanted to say, that is what i can't get over. had once seen a few episodes of this serial called gulal... a rather sweet story set in village gujarat, of a young widow and her much younger bro in law who fall in love. usual serial problems, too much of everything, didn't really watch regularly. but there was a little bit of that passion and fire minus bare skin and overt sexual things. the actors had something about them, especially the male lead.

but to present a pull between two people from day one through every single episode till 398 without even once resorting to any nudity, long sequences of physical intimacy, nothing, and deliver this extreme hotness that's something. also, somehow everything always felt chaste and beautiful, even while it drove you crazy, did you notice?

even 111. carnal but with soul.

the beautiful aspect of sexual desire, which we rarely speak of and definitely never show in our media, think that got explored? maybe the reason was the conservative environment of primary target audience, but the creative solution they found, uff.

just can't get over it, nor figure out how this got done.

Originally posted by: shesherkobita

Indie, this is answering to BLUE part above (rest was ans to another Q you asked before)

Actually I have NO answer for it... .I dont know how they pulled it off... the sensulity, hotness without vulgarity... did they curb it down to suit the conservative audience? Probably... but in the process we also found out that there IS a huge audience for it... and that's why it clicked and became the phenomenon that IPK is. ( I havent seeh Gulal, will try to find it on YT)
How they "presented a pull between two people from day one through every single episode till 398 without even once resorting to any nudity, long sequences of physical intimacy...even 111. carnal but with soul" ...????
Very good question indeed... I have another one... how did they manage to make ASR not look completey abusive requiring a "restraining order?" How they managed to dwindle between the dark and the light so effectively? The sexulaity and the dark ASR ... i cant figure out how they pulled it off...
I would like to believe that a LOTTT, I mean a L-O-T of work went behind these scenes.
I think the first 6 months of the show was carefully crafted. Someone went on a fantasy binge (probably Gul) about all her readings from M&B, Heathcliffe, Rochester, Don Draper (Mad Men), Christian Grey, even Edward Cullen (whose bite could kill)😉 But how she kept control and not go overboard with sexuality is a mystery. The artistic side of it belongs to the writer, cinematographer, director et al... BUT for everything to come together, at the right time and at the right point... you need some Divine Intervention (Arshihamesha style, love you Arshi)...
Wouldn't you have loved it if you were given a chance to be a fly on the wall when they created and wrote IPK? I obsessed over LOST for 4 yrs, dissecting every morsel with a rabid fan group. One of my fav photo (below) is where writers (Damon Lindelof and Carlton Cuse) showed the fans how StoryBoarding of LOST was done. Look at the details on the back... In my SKD I believe IPKKND had similar story borading and scene sequencing till the Kidnapping... they spaced it out (after 6 mo) with Swamiji and what not... but I do not believe they deviated from the plot till kidnapping. When Damon and Cuse were asked HOW their show became a World Wide Phenomenon... I remember they answered Stars were aligned right!
Same with IPK, Stars were aligned right... you can chose phenomenal actors, best writers, director ...still they may not click (look at Saraswatichandra...struggling to get a foothold). 4 Lions chose Barun, who played a silly childish character in Sravan, Sanaya, more "south bombay" than Khushi (according to Gul)...and yet they clicked... They are SOOO comfortable and so IN TUNE with one another ...its almost unbelievable that they are NOT a pair in real life...such consummate actors!
I could go on foreever trying to decipher the above questions...but I really dont have any answer except Devi Maya wanted it to happen..

Edited by shesherkobita - 12 years ago

Mysticaldivine thumbnail
Posted: 12 years ago
👏

Originally posted by: indi52

episode 111

before the owner could think or even knew it, the hand rose in a hypnotic arc slowly and touched the playful lock of hair on her cheek, her forehead, pushing it back slowly, wondering, caressing behind her ear. and then the hand stayed there, just holding her cheek, just wanting to stay there, not leave.
the preamble already made me madhosh


the other hand went exploring too, and ever so gently cupped her right cheek. he was holding her face in his hands, his eyes looking intently at her, at her quivering pearl pink lips, there was an air of such utter concentration on his face, his whole body, as though this is all that there was to life, nothing else existed in the whole universe.


she was alive to his electric touch, its effect coursing through her entire being, she clutched her sari... what was that, anticipation? and she never turned her face away. never said, "stop, no." she stood there her back against the wall, waiting, just waiting for him to finish what he had started.

maybe there was nothing else in the universe at that moment.


beside this very pool, on another night of festivities, he had asked her rough, abrasive, "tumne to kaha tha tum chali jaogi... hamesha ke liye," you'd said you'd leave forever? he'd never understood why it had thrown him asunder to think she was going forever... leaving, he would never see her again. he knew he'd never let any woman matter to him, not like that. but he didn't know perhaps it had already begun to be a little too late. he'd seen her sitting in his cupboard that day, a shattering meeting, his world rocked by the effect of her presence. she'd run away. but he'd found her here and made sure she couldn't escape. not again. the violence in the air was it a sign of something else, he refused to think as he jerked her to him and began his tirade... only this time he didn't let his insult about miney go all the way. when lavanya walked in she took the chance to escape, but not before a part of her had flung itself right here on the poolside as though it didn't want to leave.


do we do such things when our conscious and our subconscious argue? leave behind telling clues? he had left a key with her. she left back her payal.



he had spent many minutes that night alone, when all had gone to bed, here by the water... with that streak of gleaming silver, touch of her along its surface, sound of her in its tinkling, feel of her in the air. why had he never returned it? did he even know? but tonight he'd heard it was her amma's. the only sign of her mother and he knew what he had to do.


when he saw her amid that circle of flickering, inviting diyas, a resistance he'd worked on assiduously for years began to give way. it came on the back of so many feelings for her that the recent days had aroused.
her father was terribly ill, the fear of loss ravaged her, he knew about that fear, and wanted her never to feel it, he wanted to protect her, he wanted to lighten her heart's burden, he wanted to see her happy, he wanted to make sure her eye wasn't hurt, oh god, he did want to touch that lock of falling hair... then there was that crazy concoction drinking she did the other night, something about black magic... magic... what the. and there she sat now, innocent and lovely, and seductive in red. the last part she was completely unaware of which made it even more impossible to look away.

the party began but all he could look for, sense, yearn for was her, and only her. he could sense her, only her everywhere. and she him. when that became too much to bear, she left the room and went to the poolside... but he had to find her there.


why did he come?

before he could even begin to answer that, she fell; well he wouldn't let her. and he sat her down on his lounger, and lifted her foot and placed it almost reverently on his knew. part of her, her bare skin, her perfect arched foot on him, a beautiful gift almost, the way he touched her skin, her ankle, stroking, gentle. till that hurt had to be given. she clutched his shoulder and let out a small scream of pain. ab theek hai, he said. but he didn't let go of her foot.



he had the payal in his pocket, he drew it out and showed her. she had been riven by feelings she'd never felt before the whole evening, and now his silent offering of her mother's only sign left with her. one she thought she'd lost. she watched speechless, as he with complete right, put the ornament around her slight ankle. he lifted up her saree deliberately but with deference so he could reach around her leg... the absorption in him as he did this delicate task of hooking on a sliver of metal, surely arnav singh raizada doesn't do such things every day. is there anyone else in the world he'd do it for. but he just wanted to make her feel whole again perhaps, give her the joy, and maybe he just had to do it himself just because he had to... i want to put your payal on you, your bangles i will buy, maybe a bindi? i want to be with you, i want to be the one... primeval desire, put the shackles on my woman, keep her with me forever. you can't run away... ever.


when he was done, he paused and gathered himself a bit, a sweet innocence in him, didn't she want to reach out and stroke his hair, there at her feet, a powerful self made tycoon known for his arrogance, his gussa, yet so tender so gentle so respectful just for her. but she wasn't thinking of course, how could she? and then looked up at her. in her eyes such a storm, so many questions, and that thing however hard you try to deny you can't.


he thought he was done, he got up and stepped back, one two steps, but he had to stand there just staring. no choice, he just had to. she slowly came to her feet, a heat was rising around the cool cool water. and it wasn't from the lamps.


she couldn't bear it perhaps, so she turned away, a conversation ending? he perhaps took it as a cue, thinking he could indeed escape and made his way toward the stairs. yet he did have to stop, have to turn around, have to look at her and let himself go, go and take in all that beauty into his heart, into his gut, into his every single part, somewhere along the way.



had to just be there in that moment. where time will stop having any meaning... this was pure unadulterated chaotic mind altering magic.


and intoxication. of innocence of lustre of beauty of sheen of a hidden burning flaming untried unspoilt unmarred desire. how her gaze hid its truth, how her fidgeting hands, her heaving bosom revealed it anyway, how he yearned to gather it all close to him, against him, all of it, only his.

he was drowning in it, but was he alone?



he had to walk back and right up to her, no words were needed to make his intentions clear, she had a choice to walk away, but she couldn't, instead backward she stepped, almost pulling him along with her, no one had any thought or volition in this matter. she had to go further back, he had to go wherever she went.



swirling winds and stirring music mixed with the first notes of "jadoo hai nasha hai," and desire as we'd see it onscreen got redefined in one long take and what was to follow. my ears feel their heat, my hands tremble almost touching their passion. my head loses all thought as theirs do too.

long time ago in a movie called poltergeist, they had this story of a creature from television coming out and grabbing a kid. well, one may laugh at this, but honestly, this scene has had that effect on me every single time i have seen it. poltergeist. that's what it is.



the incredible detailing, the framing of shot, the magnifications played with, the direction, the choice of shots, the lighting, camera, sound, and of course those two people, it all has created a classic scene that spells desire and passion and the losing of one's mind to it like nothing i've ever seen before. deserves an award. a massive mention in the history of indian tv when that gets written finally.


a few fairly cliche things: woman in red, night, flickering lights, water, two good looking people, the right kind of music, passion being drawn by a director and his actors. we have seen this before. but ever like this? i am full of admiration for the art and complete understanding of a moment by each and everyone involved.


a man and a woman and a sensation that is too powerful to even begin to describing. tonight it broke limits and the ocean breached the shore flowing over and the shore melted, merged and said, submerge me.

when she came up against the wall, she stopped. and quivered, and trembled and waited. the longest moments of desire burgeoning, just with eyes emoting, a face swooping, eyes losing focus, getting inebriated, lips half open asking, begging, yes frightened. something unknown something unbelievably exciting on the way.



satyr ears, mesmerizing eyes, a set of pearly lips, a hand clutching red.

and the phone rang.

she is startled. his eyes flash. return to here and now. and its trauma. its unending questions.



in classic asr inflection, he closes his eyes, when they open and he turns his gaze on her you can already see the fear, the disbelief dawning...

if aman hadn't called tonight, the kiss would not be where it would have ended, it would have gone all the way to him lifting her up and taking her to the bed visible through the glass doors, and her holding him tight, close, fingers running through his silken hair, never ever dreaming of saying no.

perhaps that thought also rattled them so.

"yeh kya hua... hum iss tarah kaise? aur... arnavji ke paas humari payal? matlab kya hua ye sab ka... hume pata lagana hoga... poochna hoga hume." what happened now... how can i?... and my payal is with arnavji? what is the meaning of all this... i must find out... i will have to ask. she is determined to know what's up. about the payal, but more about all that... wo sab.

"kaise kar sakta hoon main ye... kya ho gaya tha mujhe... kyun... kyun kamzore pad gaya main." how can i do this... what happened to me... why did i become weak. he has sworn never to let a woman matter, never let her anywhere near her heart. he walks away to seeking a sanctuary, find his calm, feel strong... not so kamzore. in his eyes this is hell, how could this happen.

if only she had let him be. but then again, she needed her peace, and she thought that was in those answers, the ones only he could give her. a relentless pursuit started.

he avoided her eyes, he disappeared from her sight, but she found him by the place of emotions that are just so theirs. the poolside.

"hum jaante hain ki iss waqt aap phone pe nahin hai..." i know you are not on the phone, she said standing behind him, as intense as he was only minutes ago.

"hume aapse kuch baat karni hai," i need to talk to you about something.

"mujhe tumse koi baat nahin karni," i don't want to talk to you, in his clipped, contemporary lingo.

aap... tum. two worlds... two mindsets... one driving need.

"karni padegi... aapko humari payal kahan mili... kabse yeh aapke paas thi (he swallows, but resolutely quiet)... aur.. aapne hume pehle wapis kyu nahin diya... sirf aaj hi kyun" you have to tell me, where did you get my payal... why didn't you return it to me before? oh, that innocent childlike lilt in her voice at the end...

"bataiye.. jawab dijiye...
," tell me, answer me... she is insistent, peremptory almost... it's all getting too much for him...


'ek baar kahi hui baat tumhe samajh nahin aati hai? just leave me alone,' he snaps, with a nasty twist to his lip... don't you understand what's been told once to you?

"in fact, tumhari shaql bhi nahin dekhni hai... do you understand." in fact, i don't want to see your face, do you understand?

she's hurt, shocked at his vicious clipped tone, but still persistent.

"nahin understand... aap samjhaiye hume," don't understand, you make me...

"nikal jaao yahan se..." get out of here...

he wants to leave... she stops him. aggression in her, picked up no doubt from him, and from all the burning sensations within, the fire moving from desire to rage. changing energy, growing bigger at every stage... pure physics.

"humne kaha samjhaiya hume... bataaiye kyun aapne humari payal apne paas rakhi... kyun ab tak wapas nahin diye.. iss sab ka kya matlab hai..." i said make me understand... tell me why did you keep my payal... why didn't you return it till now.. what's the meaning of all this? her voice is rising voice rising, strident...

"aur wo sab," her voice loses edge, lost suddenly... and all that?

pause...

music gets dense, his face, half turned away, he raises his eyes to her face

"aur usska jo... kuch der... pehle..." and that ... which.. a little while back...

unbearable for him.


"i said just leave me alone..."
he is struggling. he needs her to stop this inquisition, he is way outside his place of ease, he is breaking, badly... yes,

she doesn't read the signs, for she is beside herself too, everything is roiling within... what's going on...

"hum..."


and he lunges forward grabbing her shoulders, teeth gritted, hissing in anger almost...

"ek shabd bhi ekbar bola na toh..."
if you say even one word now... i think that's what he rasped out, so angry so helpless.

the tears form in her eyes... he just stares, melting breaking ending falling shattering inside... rabba vey, the saddest most forlorn call to the eternal... two people going under, no fault of either, just that it had to be so.
.


she is crying, squirming at his roughness, his eyes can't watch this any more, they close, a storm of emotions in him... he lets go of her shoulders... he steps back... he can't meet her eyes, maybe he won't , maybe that's when in that agonised state of mind he would take a decision that would lead only to heart break.

this was the evening of decision, after all.

"aap iss tarah bina humara sawal ka jawab diye nahin ja sakte." you can't laeve like thsi without giving me an answer...

"jawab? mujhe tumhe koi jawab dene ki zaroorat nahin hai..." answer? i don't need to give you one.

"aap..."

and he leaves.

layer upon layer, word by word, feeling by feeling his discomfort and anger is rising... he has lost complete control over his feelings. this hasn't happened before... ever... kamzor... kissi ladkise koi faraq nahin padta,.. then what was this? had she left it alone and walked away things might have gone a different way. but just as she was perturbed so was he... both in difficult places, the more she pushed him, the more he had to hurt her... she had to be told she was of no consequence... he had to tell himself that... no he had to convince himself... his very life seemed to depend on it... so many years' resolve... a decision that had helped him survive... that said, pyaar bakwaas hai... for he had seen its consequences on his mother... he would never let that happen to him... no girl would ever matter, then why... why was this happening, why was he becoming weak... he had to push her away... stop it... but she isn't going away...where did you get the payal.. why did you keep it, why are you returning it, why today... he had turned back at the pool without any thought, as he'd looked at her, lovely lissome arms in bright diwali bangles, fingers clutching, a tremulous air making her even more lovely, her smooth girlish bosom covered in deep passionate red, now heaving as she breathed heavily looking torn, questions in her gaze, her long throat, a gold necklace enhancing its beauty even more and those lips, small, innocent, glistening in pearly pink, a little parted trembling as she tried to come back to reality, he couldn't stop himself, he just walked back to her, and as she took her steps away, backing away, he followed as though a magnet pulled him... when she came up against the wall and stopped, he just stood their gazing, eyes riveted to her sweet innocent face, it's sensuality seething underneath, his hand came up when he didn't know, oh the touch of her hair, her gentle curve of cheek, he just wanted to be here forever, the other hand soon followed, her cheek rested in the cup of his palm, innocence against knowledge... he could only stare into her eyes and go near... she didn't stop him, he didn't stop himself, he wanted to just tonight he just so wanted to feel those lips against his, this once, now here now... all sound cut out, he began to swoop toward her, to make her his, to become hers.


how could he lose control like that?

and now she is saying make me understand... he can't... he must push her out out of his life.

how?

and he walked straight in to the bustling diwali party to the girl who felt safe, with whom he never lost control, who'd always put him first and take what he can give... lavanya. he held her hand and said... "shadi kar raha hai," getting married... he looked at no one as he said the words. he'd turned his entire position on marriage, but it wasn't because he loved his girl friend and wanted her to be part of his life... it was because he lost his bearings entirely on the issue of letting anyone, any girl matter to him in his life, yet there she stood outside the glass door and all he wanted was her her and just more of her. how could such a thing have happened.


her world shattered as she saw him do what he did... 18, in love, with a mysterious, broken man, who aroused her as she never knew one could be, kept her payal safe, put it on for her like a lover would, made her want to be held and smothered with hard passionate kisses, confused woh sab.


and now he is marrying the girl he said he never would. a girl who had become a friend of hers...

tu hi bata mere maula..

his eyes never left her, her tears just flowed on.


this was a night like no other night.


Indi, this is a really, really really really beautiful write up!👏⭐️❤️

love it. You captured their emotions, the urge of their desires, the passion where they want their guards down intentionally to go flushed by these arousing hormones which left an awkward trauma and fear on both sides... you captured the real essence the real feel and above all took me there right besides them !

My favorite parts...seriously no need to everything is perfect.I need to read twice as I was not wanted myself get disturbed by these colors so first time read it and then did again for coloring.

The direction,the actors, directors, camera tricks, lightening , effects ,sound ttacks name it everything is just perfect.

The only thing which broke my heart is trampled on when the man became Rakshus for her the man she tried so hard to not fall in love with, suddenly that Rakhshus snatched her heart and crushed it under his feet the way in Sheesh Mahal and that heart where she resides as his queen gave it away as he declared his marriage to La.

Poor Khushi, she must have felt so used,he gave her respect ,gave her the reason of her Dhakan and took her Dhakan away like that so suddenly and put her in misery.

Here are my thoughts'''''

She was in it with him as her quavering lips with heaping breathe always turns him on and he can't think or care about anything else after all he is a man what you expect.Some how men always adore you when you are not watching them at least they think because women' radar system is stronger than men because of mothery nature but certain things remain in "parda" secret .They claim by themselves its impossible to know the layers of a woman.I read the article recently about it if I found it I will pm you ,u will like it.Quiet inquisitive.

Indeed poltergeist,

Way to go that movie send goose bumps though I am not fan of scary movies but some of em are reall very exciting ones but if they use too many graphics I avoid that.

Love your ponderings about key and payal yes now he returned the payal she will retuen the key but can they return to themselves from each other as they have penetrated within each other so badly.No way.It exactly feels that snatching in this part.

This scene may be make billions on viewers but not a Holly or Bolly can come close to it regardless if they come nude.No way again "parda" hidden intensities are always stronger than the other way.

Khushi and her valiance inquisitive nature always puts things out of order but it was quiet natural from her side as a girl like her has innocent questions but she has no idea or can't picture his unstable state either .I found both of them are right at their positions.He did hurt her feelings though and she did feel his character dheela.No offense to ur feelings for this Bong but Arnav was way too much

Like your transformation of energy from one form to another by Newton's and Einstein's theories.

Indeed

This was the night like no other night



Edited by ArshiHamesha - 12 years ago
Mysticaldivine thumbnail
Posted: 12 years ago
@Indi

beautiful, arshi. pleasure to read your thoughts, symbols, significance. 👏 👏 👏 for chakravyuh, circles of protection, significance of the festival and how it parallels our story.. if you see my 109, i had the same chakravyuh thought, but didn't elaborate. somehow, la saying, arre what have you done, surrounded yourself with diyas, had a sense of danger in it. entrapment. said my mind. then him walking in to get her. the way in, the way out, you must know both to break the chakravyuh. i remembered abhimanyu's heart wrenching death. but no, as you say, this is arjun, the one who knows the way. beautiful.

i love these references and allusions to deecient literature and mythology through out ipk, in situations, in characters. very clever, very astute use of this aspect. gives depth to tale and telling. makes marks in our minds.

we must talk chakravyuh some more. you know, though they show him finding his way out without even having to look for the way, yet in the story, he got trapped.. and try as he might, he couldn't see the way to light. just that his heart finally relented and just took her in, letting everything go. is there a hint from creatives that says precisely what it shows? the way to truth is through the heart? aaah i am getting lost in circles now.

loved your take. was reminded of first red saree day as well, yes, much has happened since then.


Thnx Indi for such over whelming response .I just read the other one .Yes These circles are something as I see all these elements for a reason .I completely explained in your analysis which you just read.

Yes you understood right Anjali is a very sweet character and I think kk or may you were discussing her the other day and I did ponder my thoughts too .Such a pillar in bro life but a shaky one for herself.Its called Fate.
Mysticaldivine thumbnail
Posted: 12 years ago
@samin
Very well said ARSHI. Welcome back. The lines I liked are in blue, my most favorite in grey to get rid of the depression like Arnav after watching episode 113. My comments are also there.

Thnx samin I know its really heartbreaking to see these souls.I just saw your SULK post ,That happened to me at their forced wedding night.I did come back next day but couldn't see those epis the way I am watching now as in our parallel brains we know they are living happily after forever"Hamesha" Glad I made you feel better.😊

I know they changed their character at the end and it felt strange and awkward.

Their mehsoos is gradually increasing as we are seeing from the beginning and now at this point circle has to close as we are in circles so both know each others presence and mehsoos strongly either in the same frame or not which is going to lead all the way up to Telepathy
Edited by ArshiHamesha - 12 years ago
Mysticaldivine thumbnail
Posted: 12 years ago
@wiwy
Aawww! Arshi! The analysis is marvellous in all departments!⭐️ 👏The write-up with its symbolisms whether circles, colours or numbers and then the connecting points is simply amazing!👏The reference to Khushi as the bride and Arnav as groom, I agree with totally!😉Every word, especially in pink is touching and thought-provoking!👏The gif, the collages are superbly done! 👍🏼The Moment of the day is a very special moment in my life!😃 Thankyou so much Arshi!🤗 What more can a reader ask for!

❤️Hey wiwy thnx for so many likes with dancing smileys.Glad made your special moment more special but don't you feel these circles are circling us way too much and we are thinking too much for these two souls or may be we see what we want to see or may be the creators unintentionally had created a monster which they had no control or the audience which is still going BONG BONG.Just love IPK and everything about it.
Edited by ArshiHamesha - 12 years ago
PutijaChalhov thumbnail
15th Anniversary Thumbnail Visit Streak 180 Thumbnail + 9
Posted: 12 years ago
Arshi take care of yourself and take rest, rest your knee and follow doctors advice missed you
Mysticaldivine thumbnail
Posted: 12 years ago

Originally posted by: shesherkobita


Sabrina if you don't mind can I call you that but couldn't resist reading this beautiful piece which is making me laugh hysterically but at the same time putting my mind in this inquisitive and cognitive thoughts.I am glad I am convincing ppl about Divinity but you are saying it more than d about IPK in Purple.So true the things just clicked so well together as I was answering wiwy the same thing ,things just happened and yes 1st 6 months after God knows and Gul knows and I don't know who knows .
Indeed Sanaya and Barun are true match and yes Barun is fully experienced one .

Love in pink reminding me my sons and their new rising questions about femine parts which put me in the question state and I made them spin around the clock we had this discussion in somewhere 5or 6th thread.

Mysticaldivine thumbnail
Posted: 12 years ago

Originally posted by: chalhov

Arshi take care of yourself and take rest, rest your knee and follow doctors advice missed you


Thnx chahlov thats what I am doing in my bed reading all of you.Swelling is down but as you grow older pains become severe too.Did you write anything new about Chan Chan.😊
indi52 thumbnail
13th Anniversary Thumbnail Stunner Thumbnail + 6
Posted: 12 years ago

hi,

while chatting chakra vyuh with arshi vis a vis episode 109, i had this insane urge to go check it out. the visual freaked me out a bit.

chakra vyuha is a circular, lotus like battle formation referred to in the mahabharat. here key warriors are used strategically to cause maximum damage to the adversary. beautiful tale of arjun's son abhimanyu, born to his wife subhadra, krishna's sister (am i right?), and the chakra vyuh.

the kauravas and pandavas will fight the battle of kurukshetra, a war between right and wrong. only krishna and arjun on the pandava's side know the art of cracking the vyuha. but abhimanyu has some knowledge too. he was in his mother's womb when arjun told his mother the secrets of the vyuh one night. abhimanyu heard how one could get into it, but before he could learn of the way she fell asleep.

and so it was that on the thirteenth day of the war, sixteen year old abhimanyu was given permission by his uncles to enter the chakra vyuh and take on the kauravas, his father was away at the time. abhimanyu went in, but the kauravas managed to hold off the warriors following him and he went in alone, fought valiantly, unstoppable, fearless. till the decision was taken by some of the most valorous fighters, drona, kripa, karna among them to attack this young boy simaltaneously, flouting the rules of dharmayuddha. adharma was opted for and abhimanyu died, only 16, and utterly brave.

now i read this and of course thought of the circles of diyas; khushi at the centre, asr leading her out, abhimanyu and arjun?

i also thought of the counting of days during kidnap. can't remember exactly how many days later that battle with lallan took place, nor the blind folded fights, but oh boy was there flouting of the rules of engagement, sheer utter adharma. but this time abhimanyu didn't die. bits of krishna, arjun, abhimanyu, duryodhan in these parts of the ipk tale. the similarity between the vyuh image and diya quite striking, don't you think? might be just a coincidence, might not.



PutijaChalhov thumbnail
15th Anniversary Thumbnail Visit Streak 180 Thumbnail + 9
Posted: 12 years ago

Originally posted by: ArshiHamesha


Thnx chahlov thats what I am doing in my bed reading all of you.Swelling is down but as you grow older pains become severe too.Did you write anything new about Chan Chan.😊

Welcome Arshi No did not as real life kept me busy some days back posted one thread on a simle love story

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