Blast from the Past Thread #6, ep 78, pg 115 - Page 20

Originally posted by: supriya.arshi

Cyn🤗❤️ Thank you for lovin my VM...yep Damon nd Elena truly share somethin tht goes way beyond a sire bond 😳

Originally posted by: supriya.arshi

Ami...just saw ur pro pic...i remember...its one of my fav edits of yours 👍🏼

Originally posted by: BarunDiwani

@Supriya, how was this your first ever VM? i could never tell. its is sooo sweet, friends is my all time fav show, i grew up with it so it close to my heart, also a big HP fan, havn't seen the twilight stuff, but you did ha great job depicting the lovely friendship bond! if you had known Sarun back then, i'm sure there would be some great off screen and onscreen moments. btw love the song you chose.

did you make other VMs?

Originally posted by: supriya.arshi

I would hav definitely added Sarun to it...it is my first VM😊...yeah i just wanted to make somethin on Friendship...somethin tht every1 has.....tht special bond
Thank you for likin it 🤗

no m workin on the second VM...you'll knw abt it once its done...it'll take a while...

Originally posted by: supriya.arshi

I would hav definitely added Sarun to it...it is my first VM😊...yeah i just wanted to make somethin on Friendship...somethin tht every1 has.....tht special bond
Thank you for likin it 🤗

no m workin on the second VM...you'll knw abt it once its done...it'll take a while...

Alag ehsaas hota hai

Tumhare paas hone ka

Sanakti sarsarahat ki nadi

Mein reshami lamhein

Bhigone ka...

Thanslation: it's a different feeling to be near you,

Woh tere dhyaan ki khushboo

Main sar tak odh leta hoon

Bhatakti saans ko teri gali

Mein gungane chod deta hoon

Translation: I wear that smell of your memory on me from head to toe,

I heard this song from the movie Aarakshan (sorry for spelling) this morning and never much paid attention to the lyrics till today, this part of the song had been playing in my head since, all i could think of was a hotwa lover in denial...except all that he is aware of deep withing. Inspired by Chalhov, i'm making this quick post. hope you like😊 i think these lyrics try to capture his "ehsaas" "mehsoos"

@Chalhov, where are you girl? missing you and your vibe!

@Anita

Episode 69!!!!!!!!!

The episode starts off with bua ji trying to convince shyam to go to the house…she said it will be nice to see how they live…shyam is pissed off and said how can you go there after everything that has happened…bua ji the other person of the house sounds nice and it felt good talking to her…it will fun to go…shyam said he will wait for them to come back…shyam closes the door after they left and Anjali calls…shyam told her that he cannot come and made up some excuse…Anjali is walking all sad with the phone in her hand…arnav sees her and said jija ji…he knew what was troubling his sister…anji said that today is shyam's friend operation and he has to stay for that…while Anjali and arnav were talking khushi was explaining how krisha will come out of the cucumber after he is born…Anjali tells arnav what he did when he was little and was smiling…arnav said that he has a meeting and he will be back…khushi hears this and said look there he goes scaring more people…and arnav looks at her, like he can read her thoughts…Anjali hands arnav a kurta pajama as a gift and arnav was like you know I don't where it…Anjali was I know but I can hope…arnav takes it and tells jp to bring it to his room….before leaving arnav and khushi have another eye lock again…

Bua ji and Payal reached the RM…khushi introduced bua ji and payal to nani since she never saw them before….Bua ji saw Anjali and made a face like I know this girl..she better not mess with me…anjali was like since you are older and I am younger it is my right to apologize…I am sorry for what I did …the situation was like that…bua ji was like I will never understand what you are thinking but I can try…so all in all Anjali is forgiven…

Bua ji and mami ji have a war with words and bua ji was totally winning…bua ji has a new friend and it is laxmi….

Before the pooja started…the police came and said are you KKG and khushi was like yes…lavanya called us here for a background check…La said it is just for precautions…poor khushi was in tears and bua ji is on fire….Nani comes in and said that we know khushi is from a nice family so no background check is required but since you are here you can do one for miss kashyap because she is a guest here (you go nani!!!!!) la gets mad…and at this time arnav came and la said look I am getting insulted thinking that arnav will yell at nani…. And he asked nani what is going one and she said don't ask me ask Lavanya she did this…arnav turned to la and his face said is this true (he did not need words...his eyes are so expressive) la saw his face and walked off in anger because asr did not help her out… Arnav turns to to the police said your work is done and I do not want a habit of police in shantivan (well too bad the house will have a habit of police that magically appear after the villains confess)…Everyone goes to the prayer…and bua ji, payal and khushi stand in the same spot…nani was like I am sorry for what happened…the young ones make mistakes (I hated the way nani said that…they were freakin insulted). Khushi is crying and arnav sees this and feels bad…he was fighing with himself not to go comfort her…he just walks away and as he goes up the stairs he looks at her again…feeling bad…the episode ends…Will the pooja go right??? What will la do next???

La's plan was not a bad plan but she did not realize that nani loves khushi and will defend her like crazy…she just did not factor in that issue

Hi Anita, nice take dear, all in blue stuck out and loved your witty way of story telling in purple, pruple bold ❤️d it. you last sentense, you are so right, La didn't think it through, atleast they are consisten with her character😆

Originally posted by: indi52

tell me you're not feeling what he's feeling.

after watching episode 68, i was a bit surprised at my own response. i remember the first time i saw it, being completely enamoured of the krishna story telling by khushi. leaping around, on top a table one second, basket on head the next, everyone watching mesmerised, nature reflecting her recounting, crack of thunder, gust of wind, sound effects on cue, a feeling of ballet and dance drama, a play within a serial... the story of a father taking the eighth son of his wife to safety through calamity and miracles, his own uncle waiting to kill him... his protector... sheshnag... the behemoth serpent. oh i have heard this story so many times as a child, but nothing beat khushi's telling of it. sanaya irani, a zoroastrian, possibly never heard this story growing up, yet who'd believe this was not a part of her, so innocent her khushi, so into the moment, ready for the birth of little krishna. excitemen gleaming in her eyes, even lavanya's comlete lack of knowledge and interest not bothering her.

i was really looking forward to it, thinking that would be the high point of my 22 minutes of therapy. but somehow, while i enjoyed it, it didn't give me the zizz i remembered. happens i guess, even the best of scenes loses a bit of its glory as time goes by.

but not a bit seems to have dissipated when it comes to watching asr. in fact, i feel he is getting stronger every watch. that shot of him walking into the house, and sensing her. how corny if i describe it to someone. yet, how absorbing if you happened to look at the television at that moment.

we call it acting, but with barun it seems to be a case of becoming. i am not a television watcher, nor a major movie buff... yet this young man's portrayal of his material just takes me to another place. which is why i come here even now, why i joined something called a tv serial forum in the first place.

saw him years ago in shraddha. thought he had something about him. but the serial was too raw, too clumsy to really show us the qualities that ipk and asr finally brought out. i now go back and watch scenes from shraddha, bhph. he actually becomes swayam khurana in the sketchily drawn character, and then the better drawn but still not all the way there shravan jaiswal. have a feeling in all three cases, i include asr here, the actor really filled out and completed the character. of course, guided to a lesser or greater extent by the writers and directors, but the final push came from him. when i see swayam, i see this element more and more now. it always fills my heart. i can feel the ah growing inside. a certain sense of satisfaction. one might even call it happiness.

yes, hot damn sexy he is, and terribly awfully attractive, but what keeps me here, has me in withdrawal, is that becoming. an example in the shot above. i could feel what he felt.

he was sensing this girl. and somehow the flying strands of hair, so filmi and the language of another era of film making, the gust of wind swirling, studied pause in story telling, everything felt natural, normal, perfect. lasted a few seconds... made the episode for me.

the phone rang and she picked it up. her hello got a rude "kaun?" why were his eyes so bright, did he know that at her very thought he came alive? sanaya had the perfect come back, "kans??!" a really clever actor, she is one of very few women actors that i've seen who really has a sense of comedy. she seems to not be "acting" at all when doing this kind of thing. deadly timing, at times sharper than barun's. if only our serials had a space for an intelligent, cool female character. this eternal bahu playing, traditional, modern, whatever but clearly labelled and marked "bahu" or wanna be bahu, most tiring. especially for a pretty scary bahu like me. some day i would like to see these two togeher doing something totally different and opening up the world of characters some more for me.

"di ko phone doh!" that rough, abrupt grating thing in his voice. i could dunk it in a hot cup of tea and eat it up happily. my perception and sensory abilities do crazy stuff around this fellow's work.

khushi is eating again. this time to get some courage, if not equanimity. she makes it to bravado, tries to talk to him. he of course is witheringly rude. my knees are turning to water.

have a feeling so are hers, only that her experience and sheltered life with very staid views of what's a good man, etc., just don't let her understand this is not kans, this is the man whose flute she hears, who rings her bell. again across episode played nat khat nand kissore. who is kans, who is shyam, come ons, tells me tells me, he seemed to ask us all.

when khsuhi thought she had the upper hand, she tried to go into the offensive with a nicely twistedm, turned, "suna aapne," eyes narrowing, voice getting testy. but before she could warm to the themes, a clear "beep," he's switched off the phone. one of the sexiest things i've seen in a while. ah this mistaken notion that sexy is taut muscles, bare bodies, visible skin. all some people have to do is switch off he phone with a certain look... fully clothed in, far away from object of desire, surrounded by loud, loads of not considered very sophisticated marigold garlands.

little krishna was in a seriously playful mood today, so he made sure some of his favourite butter fell just where he knew two people would cross each other's path. i will digress for a moment, have i ever said before how proud i am of the creatives and the mindset of thsi household thatrahim chacha, clearly not hindu, is often seen handling food for the temple, entering the prayer area, etc.? no heavy discussion on this theme, but this clear message that one can value tradition and still be open minded, not segragating people on the basis of cast, creed, religion, gender, i love it. naniji was truly a woman who desreved to have a woman's day. this character made me super proud. dadi was her opposite... forget someone of a different religion, she wouldn't let a "servant" in to prayer space. she obviopusly knows nothing of meera, "mohe chakar rakho ji, " her song to krishna. somewhere, we are all serving, all servants of the eternal... that's the ultimate job meera seeks. as you can see krishna is playing with my mind too.

but far more engaging, the rabba vey he has organised. asr walks into the house, khushi walks out of the kitchen, again lavanya becoming a cause of her reaching asr just then, just there. both know the other's nearby, only not exactly where. and two people stride toward each other at right angles... she slips on bal gopal's stolen butter and lands in kans's arms. another pretty ridiculous to describe, but impossible to look away from or not feel, embrace. drink to me only with thine eyes, and i will pledge with mine (to celia by ben jonson). i sat and got tipsy watching the two, a smile easing onto my lips. i mean, shouldn't i be reading shakespeare or something or maybe saving the world? at 53 surely there's a nobler pursuit. what can i say? i was happy, hope that counts in some way toward all good things.

then that yellow veil floated down.


why, i wondered. later when akash came and proceeded to look sweetly smitten he clutched a yellow material in his hands. why, again i wondered. maybe yellow has some meaning, something to do with ties... yes, of course colour of haldi (can't say that word now without thinking of a cheek coming close, stubble in nat khat mood)... and haldi is an essential part of wedding. or maybe, the director simply liked the red/green/ yellow colour combination. needs a ponder.

he was mad at her, how lovely. and was about to start of, "tum..." but di interrupted them and they went their own ways. but when khushi asked di to give her a mo, he just had to turn back and look at her. for. no. reason.

maybe that look back got him even more gussa. when talk of khushi staying back started, he appeared out of nowhere to just insult her for no reason, "overtime ke double paise offer karo... shak se rukegi," offer her twice the money in overtime, she's stay back.

khushi was in no mood to take it, so hurt though shew as, she shot back via anjali, everything can't be bought with money.

yeah right, har cheez, par tum. not everything, but you...

this is full frontal attack. she has riled him... neither she knows why, nor he... but she can feel it, and he, oh yes, he can so feel it.