Thank you for the post.It is this brilliant job produced the makers, script writers, directors and the actors that is keping us glued to the show, and engaging us eagerly to looking forward for the next upcoming episode - so far!
Must mention here few instances/details of IKRS's world class direction:
1. The recent act where Dhani was sitting in her room and was deciding to turn down Viplov - the camera, colored lighting, camera technique and the direction was awesome. It really expressed the pain of a young widow in deep turmoil between accepting/ rejecting her love ... the scene has really touched the hearts and minds of the local and international viewers.
2. The scene where Dhani was tied to the tree - Where Dhani leaves with her mother and Dhani with V blood on her maang and face- VIplov looks at each other ... (please re-visit the scene) it is brilliantly directed, produced and acted - it could not have been expressed any better.
3. The second episode (please revisit it)- After Viplov throws color at Dhani, and then the shattered Dhani comes down the stairs calling Viplov "Ay Dhongi", and stops him to speak her mind ... was brilliantly executed by the script writer, director, and of course by Eisha ( the new actress on the block).
One can watch the episodes 1 and 2 several times and yet not feel bored.
These are some of the very special moments that have touched the audiences hearts while watching IKRS. The makers are sincere about their original concept "Widow remarriage" - so far. To make these moments so special one can see at the uncut shootings - the amount of energy, patience and time is spent by the team to make every act so perfect... ð
These lines are specifically for the makers and directors of the show:
"GOD IS IN THE DETAILS"- These devine details will always be remembered by the viewers, and a standing ovation for producing such a magnificent piece of art! ððŒ