Book Review: Latest Potter yarn spins betrayal
By Tom Treweek
Harry Potter and the Half-Blood Prince, by J.K. Rowling, Scholastic, 652 pages
It is a common theme in books and movies, especially those portraying war, that things will get worse before they get better. The newest installment in the Harry Potter series is no exception.
Potter and company suffer their most damaging loss yet, as author J.K. Rowling sets up what fans have long expected. The ultimate battle between good and evil, between white and dark magic, and between Potter and Lord Voldemort is coming.
And with only one book left in the seven-book series, it is coming soon.
But before that time comes, Rowling treats readers to a much softer story than in "Harry Potter and the Order of the Phoenix." In that book, the plot begins and ends lightly, while its center is dark. This is its exact opposite.
"The Half-Blood Prince" begins with a dark, back-room deal and a possible betrayal of trust. It ends so darkly that many readers will not want to believe what they are reading.
Readers are also given a glimpse into Voldemort's past. Potter learns of the events that shaped the dark lord's perceptions of the world around him and the reasons why "He-who-must-not-be-named" may be harder to destroy than anyone previously believed.
For those, however, who enjoy the lighter side of Hogwarts, the majority of this book will fill that need. Similar to the early volumes, this Potter book is much about love. The subtle change is that, instead of forming friendships, as in the early books, the students are now forming romantic bonds. At age 16 - Hermione Granger and Ronald Weasley turn 17 before the book ends - Potter and his friends are getting in touch with their romantic side, which does not go entirely smoothly.
This time, however, Rowling does not address the methods of performing magic. She includes the teachers' instructions for such things as apperation and non-verbal incantations, but did not delve into the way that the characters finally accomplished the tasks or why they could not.
Along with the magical storyline, Rowling offers some political commentary in this edition, specifically denouncing, through her characters, the use of propaganda by government agencies to mask failures during a time of war. This is nothing new for Rowling, who previously wrote against government interference in the school system.
As in many books, there are typographical errors (missing words and punctuation) and grammatical mistakes that will surely be fixed before the printing of the paperback versions. Overall, however, the story is easy to read (slightly easier than the average newspaper article), good for developing young minds and adults who would rather read something less challenging.
An added bonus to reading the Harry Potter series is the opportunity to watch a writer's skill improve. Most notably, in "The Half-Blood Prince," Rowling's use of exposition is remarkably better. References to past books are kept brief and are more often used within the context of the story. Rowling has finally chosen to assume readers of her newest book have read and remember the previous works.
As with all books in the series, "Harry Potter and the Half-Blood Prince" may include imagery too violent for young children. Older children and childlike adults will find the book entertaining, encouraging readers to look forward to the final chapter in the Harry Potter saga.
TOM TREWEEK is a staff writer for The Rio Rancho Observer.
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