Today's episode have nothing much to analyse but I just want to give a huge round of applause to the Art directors , cameraman and costume designers for making sure that RaGa marriage turns out to be lavish and almost like a dream ššš ... Drashti and Sid both looked gorgeous in their respective outfits and I must say the camera simply loves capturing their close ups š³...Also the whole mandap design was beautiful and classy āļø...Though Ranaji dint like the design for obvious reasons š but as a viewer I felt it was like a visual treat .. The lotus structure of the mandap , lightings , flowers everything simply looked stunning and elegant ...In short a total visual delight...It indeed looked like a shahi wedding only ..So well done to all ššš
Coming to the episode , now it makes sense why Ranaji looses his cool seeing the mandap and walks out from there .. Its because Kokila designed the whole mandap exactly the way it was designed during his first marriage to Sulakshana .. Obviously seeing the same mandap , all those memories of his first marriage with Sulakshana flashes in front of his eyes and in that state of mind its really difficult to get married again keeping a straight unaffected face .. So today I can related to Ranaji's outburst in the last scene when he screams and asks who did this ... I wish Rajmata or someone just told him that its done by that damn Kokila š” .. Wonder why all went in mute mode when he repeatedly asked who did this ? š...
Having said that , I dont really agree with Ranaji's decision not to marry in that mandap as per precap šš¼ .. Did Ranaji forget why this marriage is happening or what he himself told Badi Ranima about doing this marriage for the sake of his kingdom and its people ?? So how suddenly his emotions for Sulakshana again takes the centerstage forgetting about the bigger interest of his praja ? .. I can understand his pain when he sees that mandap and so that instant outburst and walk out was fine too but later he could just calm himself down by venting out his frustration somewhere and return back to the mandap for the sake of his praja na š¤ ..

Sometimes I feel Ranaji forgets that he is just not a lover or husband but a King too who has to take tough decisions sometimes even if it hurts ... He should hv guessed it that someone in this Rajmahal only deliberately created such a mandap to stop this marriage .. If he can sense someone is trying to kill him , then I m expecting him to sense this mandap fiasco too and go ahead with the marriage so that plans of his enemies backfire .. In short CVs need to keep Ranaji's character consistent .. Sometimes he behaves like a king and sometimes like a hopeless lover .. CVs need to strike a balance between a lover and a king somewhere ... Show his emotions in private like when he sees Sulakshana's picture and puts that sindoor on her photo out of emotions which is all fine as he is doing it in private when noone is watching him but in public he should not make such a big spectacle that a king's dignity itself comes under scanner
Rajmata threatening to slit her wrist in precap so that Ranaji comes back to the mandap was a bit filmy but then I feel for Rajmata .. She has no other option left to convince Ranaji .. sighhh .. Thats why I want Ranaji to act a bit more mature in such situations especially when they r a public figure and has an image to keep ...
Did anyone notice Badi Ranima's little smirk when Ranaji walks out of the mandap in anger š¤...She knew that Kokila will do something that will disrupt this wedding , reason why yesterday she gave Kokila permission to design the Mandap against Rajmata's wish ... Today Kokila finally succeeds in her mission and so I could see that smirk on Badi Ranima's face as if she is thinking Kokila dint let her down this time ... Poor Rajmata looked quite helpless between all because almost everyone r planning against Ranaji to stop this marriage and his own son Ranaji himself is not co-operating either ..This is where I see Gayatri in future becoming Rajmata's strong pillar of support making sure she is not left along in this Rajmahal
Also Badi Ranima doing that rasam before Ranaji comes downstairs was nothing but again a hogwash from Badi Ranima to give the impression that she is so involved in this marriage and wants to do it with all the rituals ...But her main intention was to make sure Ranaji has a good glance at the marriage mandap from upstairs itself reason why she stops Ranaji exactly at a position from where he can hv a clean glance at the Mandap ...Thats what happened too ... Ranaji got the upward view of the mandap design and lost his cool
In all this ,I m just happy that Ranaji was once a very romantic person if those flashbacks r anything to go by š³ .. I mean the way he carried Sulakshana in his arms while taking those shaadi pheras sort of indicates how his love for his wife was so damn possessive š³ .. This gives me hope that in future too when he will fall in love with Gayatri , he will show similar passion and possessiveness for her too which will b worth waiting for