Posted:
tht "Adishakti ki Leela" was in Jalandhar track.. and throughout the track i simply wondered tht why is Mahadev so much insisting on Adishakti's presence to kill Jalandhar when all her powers were vested in him during her gajni medical issue... and since then Mahadev so much so moved his feet a little unless Parvati did nt come..
and as regards Andhak.. all Mahadev did was to give lecture.. and who scared Andhak to realisation?? it was Kali.. and Veerbhadra,God only knows watever he was doing when he had no role except to scream and shout and get trolled by UN...
God bless Brijmohan Paandey for atleast rectifying Andhak issue... if only he wud have written the complete track...!!
as regards to Adishakti's portrayal..i belive that they have (especially fascinated UN) has failed to portray the Shiv Shakti as joint unit.. thereby crushing one to eulogise the other
also I have noticed that DKDM has presented a different concept of Shiv and Shakti.. and to be very frank i never found Shakti's portrayal being degraded except for Raktabeej, Mahishasur and Arunasur tracks..which were clearly Shakti centric stories and shud have been kept thus..
from the beginning (before Jalandhar.. from where begins Shiv's stories) the prime focus was Shiva the householder.. threfore Parvati the housewife... their conficts and Parvati's tantrums are very much a part of the popular myths.. therefore i never found anything degrading.. Kali's nature in Malla Mani was another interesting turn.. Kali was presented as the surrounding Nature itself.. when it goes violent due to extreme pressures..[the whole track was allegorical] and wat happnes wen people seek to control Nature... because Gods represent not only the Individuals..they denote the surrounding nature too...
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