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Dilwali89 thumbnail
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Posted: 14 years ago
#11
http://www.dnaindia.com/entertainment/review_review-dil-toh-baccha-hai-ji-is-mostly-juvenile-comedy_1499813

Review: Dil Toh Baccha Hai Ji is mostly juvenile comedy

Film: Dil Toh Baccha Hai Ji (A)
Director: Madhur Bhandarkar
Cast:
Ajay Devgn, Emraan Hashmi, Omi Vaidya, Tisca Chopra, Shruti Haasan, Shraddha Das, Shazahn Padamsee
Rating:
**

You might have been looking forward to watching Dil Toh Baccha Hai Ji as it is Madhur Bhandarkar's first comedy venture and the filmmaker has claimed that while it is a funny movie, it is just as real as, say, Chandni Bar (2001) or Page 3 (2005). But we agree only partially.

A voice-over by one of Hindi cinema's funny men Paresh Rawal introduces us to the three protagonists: in-a-mid-life-crisis Naren Ahuja (Devgn), idealistic poet-lover Milind Kelkar (Vaidya), and playboy Abhay 'Abby' (Hashmi).

Milind and Abby end up as paying guests of Naren. All three men are at interesting points in their lives, with 38-year-old Naren falling helplessly for 21-year-old intern and bimbette June Pinto (Padamsee), Milind in love with ungrateful, opportunist radio jockey Gungun Sarkar (Das), and Abby deeply involved with ex-Miss India and desperate housewife Anushka Narang (Chopra).

Naren and Milind are unable to express their feelings to their respective love interests, while Abby's life is jolted by NRI social worker Nikki (Haasan), step-daughter of Anushka. Abby is finally in love. But will these men end up with the women they desire?

A romantic comedy should ideally have a good deal of romance and at least a few lucid funny moments to make it an interesting watch. While DTBHJ has an impressive star cast harping on (and cheering) their love interests in every second frame, there is a serious need for humour in the film. Moreover, the wafer-thin plot hardly moves, so there is not much to look forward to either.

Ahead of the film's release, Bhandarkar looked like a man with the mission of shaking off his 'serious filmmaker' image and making the world laugh. But with DTBHJ he seems to have tried so hard to make his characters and their lines funny that they all fall flat. The film may have got an 'adults only' certificate from the censors, but the humour remains forced and shamefully juvenile.

If not for accomplished actors like Devgn and Hashmi (last seen together in Milan Luthria's Once Upon A Time In Mumbaai), the film would have looked like one big ham. Though Devgn is not up to the mark you normally expect him to be at, Hashmi is lovable and gets to mouth some good dialogues. Vaidya (Chatur Ramalingam of 3 Idiots fame, if you couldn't remember) has his accent intact. This time he even speaks a bit of Marathi to show that he has been working hard. Some of his poems are unintentionally funny.

DTBHJ is definitely male-centric, very contemporary and relevant, but the girls are not bacchis who can be shortchanged.

Chopra, the best of the female leads, is cast perfectly. Das is bearable while Shruti is so fake that she offers only disappointment. Padamsee looks cute. If only good looks could cover up for bad acting. Her theatre background does not help much and she hams her way as the bubbly June Pinto. Moreover, you just cannot come to terms with June's relationship with boss Naren.

Unimaginative, corny and cheap dialoguebaazi ruin Bhandarkar's comic baby. Most of his jokes require explanations, thus ceasing to be funny.

Bhandarkar's ability as a director cannot be questioned. He has proved himself time and again, but the writing (comedy here) needs a lot of work. Judging by DTBHJ, being funny is not Bhandarkar's forte. If this is his idea of comedy, perhaps he should stay secure in his comfort zone of serious cinema.

A visit to the theatre may well not be worth it. A television premiere might be a better option.

Note: Madhurji, please take time to let the comedy baccha in you grow up a little. Until then we will be happy with the Traffic Signals and Chandni Bars.

MissIffiy thumbnail
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Posted: 14 years ago
#12

Dil Toh Baccha Hai Ji Review By Komal Nahta

23 mins ago by Komal Nahta

Business Rating:

Star cast: Ajay Devgan, Emraan Hashmi, Omi Vaidya, Shahzahn Padamsee, Shruti Haasan, Shraddha Das, Tisca Chopra, Rituparna Sengupta, Mukesh Tiwari.

Plot: Three friends are in search of soul mates. Ajay is seeking a divorce from his wife and, therefore, needs a new companion even if the friend (Shahzahn) happens to be almost half his age. Emraan is a playboy but ultimately, falls in love with Shruti and wants to spend the rest of his life with her. Omi believes in true love and he thinks he has found that when he meets Shraddha. But what do the girls think?

What's Good: The comedy; the dialogues; the performances of the actors.

What's Bad: Nothing really!

Verdict: Dil Toh Baccha Hai Ji is an enjoyable slice-of-life film which makes you laugh and smile.

Loo break: A couple when some things get repetitive in the first half.

Watch or Not? Definitely! You will feel entertained.

Wide Frame Pictures and Bhandarkar Entertainment's Dil Toh Baccha Hai Ji (A) is a romantic comedy about three friends and their search for their respective life partners. Naren Ahuja (Ajay Devgan) is in the process of divorcing his wife (Rituparna Sengupta). He moves out of his house and into the ancestral home which is fairly large. Lonely, he looks out for paying guests and gets two in the form of Abhay Suri (Emraan Hashmi) and Milind Kelkar (Omi Vaidya).

Naren has a very young, new intern in office, June Pinto (Shazahn Padamsee), whose easy-going nature and childish innocence is misinterpreted by him as love overtures. Since he is very fond of her, he soon starts accompanying her to parties and generally spends more time with her in spite of a huge age difference. Abhay is a confirmed Casanova and his full-time job is to woo rich girls who can help him maintain a rich lifestyle. He gets a new catch in Anushka Narang (Tisca Chopra), an erstwhile beauty queen who uses him as a toy boy. She provides him all the luxuries as a bait and Abhay is thrilled but only till he meets Nikki (Shruti Haasan), the step-daughter of Anushka, and herself a social worker. He falls in love with Nikki and also has a fling with her. He is sure, Nikki too loves him. Milind, who works in a matrimonial services company, is a romanticist and an amateur poet. He values love and is in search of a girl whom he could selflessly love all his life and who could love him likewise. He finds Gungun Sarkar (Shraddha Das), a radio jockey, who is desperately trying to get a break as an actress in films. Gungun uses Milind but the latter is so madly in love with her that nothing else matters to him.

Days pass by and the three friends think, they are lucky to have found their soul mates. But what about the three girls? Are they also equally serious about the three guys? Do the three love stories have a fairy-tale ending?

Story and Screenplay
Madhur Bhandarkar, Neeraj Udwani and Anil Pandey have penned the story and screenplay of this slice-of-life film, infusing a lot of humour in the drama. The jokes and comedy are more city-centric but they are very entertaining. The first half is slightly long and doesn't move too much because of which a bit of boredom creeps in. The second half has quite a lot of drama, which is both, engrossing and entertaining. The emotional under-current in the three love stories may not draw tears from the audience's eyes but it does create an impact. In other words, the sentimental part of the drama is not a tear-jerker, yet it helps make the film more weighty and prevents it from remaining a frivolous comic fare. The climax, though predictable, is lovely and leaves a big smile on the faces of the viewers.

In fact, the film in its entirety is a feel-good one and keeps the audience smiling and/or laughing. Sanjay Chhel's dialogues are witty and enjoyable, going perfectly well with the screenplay and the mood of the film.

Star Performances
Ajav Devgan does a marvellous job. He gets into the skin of the character and comes out with flying colours. His awkwardness at falling in love with a girl almost half his age has been portrayed brilliantly by him. His costumes – he wears formal clothes – give him a distinct and endearing look. Emraan Hashmi acts with effortless ease and makes him- self lovable in no time. He is splendid. In spite of his bed-hopping habit, the audience mentally roots for him and feels bad when he is let down. Omi Vaidya is very good and wins the audience's sympathy with his simplicity. Shazahn Padamsee is a revelation. She is cute and her free acting is commendable. Her childish innocence has been beautifully exploited. Shruti Haasan leaves a mark and does well what is required of her. Shraddha Das, whose character has shades of grey, does justice to her role. Tisca Chopra stands her own and gives her cent per cent to the role. She is excellent. Aditya Kapoor is average as her husband. Mukesh Tiwari is comical and evokes laughter when he comes on the screen. Rituparna Sengupta lends able support. Daisy Irani is alright as June Pinto's grandmother. Howard Rosemeyer, Imran Khan, Javed and Shveta Salve provide the desired support. Kamlesh Ojha, Girish Sachdev and Sachin Parekh (as the three office colleagues of Naren), Shikha Talsania (as Naren's assistant, Aisha), Pratishi Mishra (as lawyer Sunanda), Oliver Pereira (as lawyer Shirke), Mukesh Tyagi (as owner of the leaking flat), Dhruv Bhandari (as Chris), Parth Malhotra (as June Pinto's friend), Arun Kadam (as florist), Neha Janpandit (as Gungun's friend), Priya Marathe (as the girl whom Milind meets at the airport), Chetna Pandey (as the girl whom Abhay meets at the airport) and Neha Pendse (as the lady whom Naren meets at the airport) are all effective. Paresh Rawal's commentary in the beginning, to introduce the three protagonists, is laced with fun-filled dialogues.

Direction and Music
Madhur Bhandarkar's direction is very good. He does full justice to the script and keeps the mood of the drama light and fun-filled. Also, he has extracted wonderful work from his artistes. Pritam Chakraborty's music is engaging but a couple of super-hit songs would've added to the box-office results. Abhi kuch dinon se is an appealing song (beautifully rendered by Mohit Chauhan). Tere binand Kya palak are also good songs. Lyrics (Neelesh Misra, Kumaar, Sanjay Chhel and Sayeed Quadri) are good. Ravi Walia's cinematography is of a good standard. Sets (Priya Suhas) are fair. Editing (Devendra Murdeshwar) is sharp.

The Last Word
On the whole, Dil Toh Baccha Hai Ji is an enjoyable entertainer. It leaves a smile on the viewer's face and that is its biggest victory. The youth will love it and a section may even repeat it. Its business is expected to be the best in the big cities and the multiplexes. The producers have already made a profit by selling the various rights, and given the merits, the distributors will also make comfortable profits.

MissIffiy thumbnail
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Posted: 14 years ago
#13
Dont know if i should watch this film or not non of the promos interested me I might just see it for Ajay & Emraan 😊
wida thumbnail
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Posted: 14 years ago
#14
ahh i cantw ait to go and watch this movie.. hopefully next week hehe
Dilwali89 thumbnail
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Posted: 14 years ago
#15
http://ibnlive.in.com/news/masand-dil-toh-is-occasionally-entertaining/141797-47-84.html

Masand: 'Dil Toh...' is occasionally entertaining

Rajeev Masand , CNN-IBN
Updated Jan 28, 2011 at 11:56pm IST

Cast: Ajay Devgn, Emraan Hashmi, Omi Vaidya, Shazahn Padamsee, Shruti Haasan, Tisca Chopra, Shraddha Das

Director: Madhur Bhandarkar

With Dil Toh Baccha Hai Ji, Madhur Bhandarkar may have ditched those voyeuristic, expos themes to try his hand at comedy, but his jokes are mostly packed with sexual innuendo and needless homophobia.

In an early voice-over we are introduced to a character who we're told is only interested in the 3 Fs of life: fun, flirting, and the last one we're asked to guess ourselves. In another scene at a funeral, a young chap introduces himself to the person standing beside him. "How do you do?" he asks. "Any way you like it," the flaming gay man replies, rolling his eyes and licking his lips.

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Not nearly as bawdy as The Hangover, and missing the innocent charm of a film like Chashme Buddoor, Bhandarkar's Dil Toh Baccha Hai Ji is an occasionally entertaining comedy about three single men and their misadventures with the ladies. Ajay Devgan is an introverted banker on the verge of divorce who becomes besotted with a young intern at his workplace. Emran Hashmi is a playboy gym instructor who must dump his rich girlfriend when he falls for her stepdaughter. And Omi Vaidya is an innocent virgin who has his heart set on a friendly radio jockey who's shamelessly using him.

Subtlety isn't one of Bhandarkar's strengths, and he isn't exactly known for writing layered characters either. Everyone acts according to type in Dil To Baccha Hai Ji. So the Catholic intern (played by Shazan Padamsee) enjoys wine with every meal and offers free salsa lessons to her boss. A former supermodel trapped in a loveless marriage (played by Tisca Chopra) picks up toy-boys to keep herself engaged. And an NRI 'today's girl' (played by Shruti Haasan) doesn't attach love or commitment to sex.

Despite relying on familiar tropes, Bhandarkar does create some lovely moments. The track between Devgan and Padamsee, for one, is surprisingly tender. His awkwardness at mingling with her younger friends, the heartbreaking discovery he makes at her grandmother's home, even his initial efforts to draw her attention are played out nicely by Devgan, who makes the part his own.

Dil To Baccha Hai Ji is too long for a light-hearted comedy, and the dialogue is pedestrian. Still it's not a complete waste of time; there are some laughs to be had. I'm going with two-and-a-half out of five for director Madhur Bhandarkar's Dil To Baccha Hai Ji. Don't go in expecting too much, and perhaps you won't be too disappointed.

Rating: 2.5 / 5

Dilwali89 thumbnail
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Posted: 14 years ago
#17
http://www.rediff.com/movies/review/dil-toh-baccha-hai-ji-review/20110128.htm

Dil Toh Baccha Hai Ji: Wannabe sex comedy

January 28, 2011 10:43 IST

Sukanya Verma reviews Dil Toh Baccha Hai Ji. Post YOUR reviews here!

You know what's funny? That Madhur Bhandarkar [ Images ] actually thought he'd get away with this.

You know what's not? The film.

To warm up with, what sort of a tag-line is 'Love grows, men don't' anyway? Maybe it's a coded metaphor to indicate Bhandarkar's limitations as a filmmaker or a warning sign that urges us to dispel any hope of intelligence. And intelligent Dil Toh Baccha Hai Ji is not, by any shred of imagination -- yours, mine or borrowed.

Speaking of which, snagging Gulzar's [ Images ] lyrical prowess to headline a mediocre script or decorate the backdrop of bland sequences hardly qualifies Bhandarkar and his flimsy sense of humour as novelty or realistic. Then again, aesthetics are not the strong point for a filmmaker who has build his repertoire sensationalising the stark segments of society.

The man made some engaging fare before he resigned himself to the monotonous circle of self-designed formulas. This practice of one-dimensional prototypes continues with Dil Toh Bachcha Hai Ji. And so you have the divorcee (Ajay Devgn [ Images ]), the womaniser (Emraan Hashmi [ Images ]) and the virgin (Om Vaidya) living under the same roof in pursuit of affection.

The women are just as cursory -- a young 'n' hot secretary (Shazahn Padamsee [ Images ]), a self-seeking Bollywood struggler (Shraddha Das), a bored socialite (Tisca Chopra [ Images ]) and the NRI-goes-NGO heiress (Shruti Haasan [Images ]).

The premise shows promise initially, following a peppy introduction in Paresh Rawal's [ Images ] familiar baritone, a presence you miss all the more as the sham begins to unfold.

A wannabe sex comedy in the garb of a trivialising rom-com, DTBHJ is about three men wanting to get laid at the audience's expense. Even more agonising is Bhandarkar's talent for handpicking astonishingly bad actors to play bit parts. Among his several pathetic efforts to fish laughs, the ones that strike most offensive involve a homosexual caricature mouthing crudities like Agle janam mohe gudwaa hi kijo, another effeminate bloke rolling his eyes to blurt out his sexual preference or a divorce lawyer making a creepy pass at Devgn.

That's another problem with the movie. It's oversexed. Everyone wears a constantly aroused ex-pression and delivers the simplest lines with the intent of an innuendo. Ribald humour is amusing as long as the joke displays some levity or impudence to make it work. Instead Sanjay Chhel's sloppy lines revel in lame mischief and insipid wit.

Even the romance is constructed around foreseeable plot points. Like a lonely boss (Devgn) acquiring a hip makeover to score with his twenty years junior colleague (Padamsee), the kind that gets all wound up assembling trivia like, 'I was three when you lost your V (definitely not vada pav).' Devgn maintains a plausibly stumped ex-pression through most of the ordeal.

While Omi Vaidya pursues his disinterested girl with an expertly bargained bouquet (the haggling sequence is quite a droll) and corny poetry (another absurd ploy to tickle the ribs), Emraan plays the least gag-friendly character with The Graduate-inspired twist to no avail. The latter's essayed a convincing skirt-chasing lout in so many movies now; it's a stale stereotype. Vaidya, most genuine and spontaneous of the troika, employs his amusing accent and gullible presence to produce DTBHJ's scarce lightheartedness.

Considering the plot revolves around these three, the ladies have precious little to do. If Tisca's intensity is completely out of place against the ensuing mockery, Shruti is reduced to post-interval surfacing, last-ditch glamour.

On the unbearable side, there's a cantankerous Shraddha Das dilating her pupils through every single scene and Shazahn at her could-I-be-any-more-annoying? best. Armed with an enormous supply of lip-gloss, a painful reminder of how often she squeaks 'Sir, please,' the youngster goes overboard doing earnest. The result is, without question, the film's worst performance.

The screen is cluttered with secondary characters that pop in and out without bringing anything to the story other than add to the mess. And that's what Dil Toh Baccha Hai Ji is, a silly jumble of misspent potential and hollow creativity.

Rediff Rating:


Dilwali89 thumbnail
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Posted: 14 years ago
#18
http://www.apunkachoice.com/content/article/sid100004449-dil_toh_baccha_hai_ji_review/

Dil Toh Baccha Hai Ji review

Like a one-night stand gone wrong
By Naresh Deoshi
Fri, Jan 28, 2011 23:20:21 GMT
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The Dil Toh Baccha Hai Ji review on ApunKaChoice.com movies. Film-maker Madhur Bhandarkar's Dil Toh Baccha Hai Ji, his maiden plunge into the rom-com genre is like a one-night stand gone wrong.

One laps it up for the moment, let it play footsie, knock back a few shots of one's favourite beverage, giggle at silly jokes, fidget through stretched conversations and boredom, just waiting impatiently for that one sought-after climactic moment that tragically never comes. What rather comes is the grogginess of the morning after and an itching for hair of the dog.

Seriously, it isn't funny when you see a middle-aged Naren (Ajay Devgan), a divorcing 38-year-old bank manager coiffed and perfumed to appear younger, happily foisting himself as an oddball in a bunch of twenty-somethings just to woo the cutesy 21-year-old intern June Pinto (Shazahn Padamsee) he has a crush on.

Nor is it amusing to earhole Milind Kelkar's (Omi Vaidya) inventive poetry. A true-blue romantic at heart and still a virgin at thirty, Milind falls for a brutally ambitious radio jockey Gungun (Shraddha Das) and spouts poetic gems like "usse dekhte hi ghantiya baji dil mein, woh bhi Dolby Digital sound mein." Trump that, anyone!

Slightly amusing are the shenanigans of the playboyish Abhay (Emraan Hashmi), a blissfully out-of-job gym instructor who woos a millionaire and much-married former beauty queen Anushka (Tisca Chopra) for money and material comforts but ends up falling in love with her step daughter Nikki (Shruti Haasan). Juggling the mother-daughter duo like a jockey astride two mares, he goes to woo the social activist Nikki in one sequence and willy-nilly ends up on a cot, doing not what he wanted, but donating blood.

It's these little funny crackles that make Dil Toh Baccha Hai Ji worth sitting through once. The movie isn't a laugh riot it might have been, but it has some engaging moments - like the one where Naren waits in the car outside his office to give a lift to June, but she is zipped away on the motorbike by a young dude. Or the ones where a thrifty Milind haggles with a flower-seller to put extra lilies and roses in the bouquet for his unloving premika Gungun. Or the one in which he reads the farewell letter from her.

Dil Toh Baccha Hai Ji review

Like a one-night stand gone wrong
By Naresh Deoshi
Fri, Jan 28, 2011 23:20:21 GMT
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The film is also saved by its actors. Ajay Devgan, playing the embarrassingly-in-love Naren, braying out the karaoke "Koi hota jisko apna, hum apna keh lete yaaro" and turning mealy-mouthed in front of the pretty girl he loves, is a delight to watch. Omi Vaidya as the self-sacrificing lover is creditable while Emraan Hashmi could have played the role of a philanderer even in half sleep. What particularly works is the chemistry between the trio, living together under the same roof they consider lucky for their love lives.

Among girls, Shazahn does look appealing and performs well, at least better than Shruti Haasan, who appears just before the interval and is mostly busy spouting idealistic spiels about charity and debunking the 'India Rising' myth. Tisca Chopra and Shradda Das come up with best performances of the fairer lot.

At the end of the day, Dil Toh Baccha Hai Ji is a film about unrequited love, heartbreaks, and renewed hopes. A virgin territory for Bhandarkar, it does pack in some crass gay gags and ribald humour with dialogues about losing one's 'V' (you know what). But it all patches up tolerably in the end.

Give it a shot only if you are in the mood for some ticklish fun.

Rating: 2.5 stars out of 5

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Posted: 14 years ago
#19
Saw the movie in theater today...lovely movie, better than what I expected from the "critics" reviews. Comic scenes are really funny, they don't look forced unlike in the movies like Golmaal 3 (bakwas).
wida thumbnail
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Posted: 14 years ago
#20
i had decided to go to this one and ahd chekched if it would coem out in holland
and it did
but i checked today to go whis week it was removed...
dammit im soo angry that it didnt come out here

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