'Ramayana' First Glimpse: Why It Might Finally Heal The 'Adipurush' Wounds

Adipurush Trauma Still Lingers. Ramayana Knows It. And It Responds With Precision

Let’s not sugarcoat it. The ghost of Adipurush still haunts the Indian audience. That film was supposed to be the game-changer. It had the star power, the budget, and the legacy of Ramayana behind it. But what it delivered instead was a crash course in how not to approach mythology with juvenile writing, shoddy effects, and visuals that felt more like a glitchy video game than sacred storytelling.

So when Ramayana dropped its glimpse, the first few seconds already told a different tale. No overcompensation. No trying-too-hard posturing. Instead, a calm but confident visual language kicked things off, beginning with the trinity that rules the cosmos. Brahma. Vishnu. Shiva. The Creator. The Protector. The Destroyer. And then comes the line that signals it is war. When their creation threatened to take over the three worlds, the war to end all wars began.

That is not just exposition. That is a promise. The war of Rama versus Ravana is not merely a plot point. It is positioned as a cosmic reordering of balance. The teaser smartly focuses not just on the battle but its roots, what led to the legendary face-off. That choice alone elevates the storytelling above spectacle.

From Zimmer to Rahman, from Kapoor to Yash, This Is Mythology With Firepower

It is hard not to marvel at the scale. The teaser, mostly comprised of CG-driven sequences, manages to evoke grandeur without drowning in it. The visual style feels composed, painterly, reverent, unlike the garish overkill of some recent spectacles. You listening, Ayan Mukerji? Every frame feels like a moving mural with just enough texture to suggest scale without shouting about it.

Then there is the music. Hans Zimmer and A R Rahman on the same project sounds like the kind of thing Reddit makes up at 2 am. But here it is, actually real. Zimmer’s signature sonic gravitas marries perfectly with Rahman’s rooted, devotional textures. If Baahubali had Keeravani’s war drums, Ramayana has thunderclouds waiting to burst with score.

And of course, that casting. Ranbir Kapoor as Rama looks like he was carved out of restraint and resolve. Rocking Star Yash as Ravana, seen only briefly, is already commanding. Sai Pallavi as Sita brings a serenity and strength that is rare. Ravi Dubey as Lakshman feels like a breakthrough moment, and Sunny Deol as Hanuman might just be the wild card Indian cinema never saw coming.

Director Nitesh Tiwari, known for his emotional intelligence as much as for his scale-handling, seems to be orchestrating an ensemble that is not just stunt casting. This feels carefully curated, like someone put thought into legacy rather than just likes.

The Last Look: A Flash of Ranbir, a Glare from Yash, and a Tease That Actually Works

Just when you think it is all going to be digital renderings, the teaser slips in a blink-and-miss live-action moment. Ranbir’s Rama, darting through trees and releasing an arrow mid-air. It is not just an action shot. It is choreography rooted in scripture. It is poetic, not performative.

And then there is Yash. Or rather, his eye. Draped in a shawl, the Ravana reveal is limited to a single stare, a look that carries more weight than a paragraph of dialogue. It is exactly how you tease without spoiling. A trailer masterclass in minimalism.

That restraint is perhaps the biggest flex. In a time when trailers are edited like full-length summaries, this glimpse refuses to hand out everything. It whispers where others scream. And that, in a mythology-laden narrative like Ramayana, might be the smartest way forward.

Hope With a Hint of Caution Because We Have Been Burned Before

Of course, we have been here before. Hopeful. Hyped. Then burned. So the hesitancy is valid. The instinct to not get carried away is well-earned. But if there is one thing the teaser makes clear, it is this. The people behind this film understand the weight of what they are holding.

They are not just making a movie. They are handling memory. Belief. Reverence. And even though we are still a long way from release, the intent seems rooted in the right place.

Ramayana might not just be about vanquishing Ravana. It might finally be about redeeming mythological cinema itself.

What did you think about the Ramyana glimpse? Let us know in the comments below.