Tracker - Page 2

Originally posted by: WaveTeal

Mention not, it was long due. Falling under a similar trope yet all of these scenes are unique and have their own flavor, and distinct elements. It's always the poignant tone where Geet is in danger and the fear of losing Maan or herself. Just like those in reality too consequences exist when people commit crimes, sooner or later everything comes to light. The truth always reveals itself. Messing with the wrong people is equally costly! Even the most patient sage has their limits. 

Thanks for your kind words & gifting us such precious jewels. It's not everyone's cup of tea to write with such finesse like you do & that too on multiple stories. 🥰🤗💜

Yeah, songs are certainly one of the fine ways to express. Am glad you liked the choice. They add a flavor. Like that song Mehbooba from kgf which I had listened to some 107 times!  Goes well with this very particular trope!

Hello Iptida

waiting for next

Wonderful scene and beautifully incorporated in the story. Ohh wow.. the care of Geet and authority of hers for taking his care here is so natural and Maan ka jhuta gussa is so cute and the effect just enhances in the end by him pulling her to him. 

Hayyyy... for me

The chemistry can be felt because it came out so natural and as it fell so organically in the story, it leaves the lingering effect. 

Highlighted scenes - they again have their effect here as incorporated organically in the storyline.

Had the same scene been inserted in story for the heck of it, it will never bring the effect it brought.

Scene 4 

Beautiful Indeed !!!!

I loved that Geet was adamant on treating Maan's hand 

though he showed her rough behavior but again he was pulled by her

persona and wow he pulls her into his arms 

Will support you anu .. 

always there to support you

We will Support you Anu

PW please Anu!!

All of these scenes are very beautiful @WaveTeal and @tellyme

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Thanks for this. Shall be back to this soon. And with that the 4-digit username which everyone is anticipating.

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