The most expensive movie made in Malayalam so far( beats Pulimurugan).
A roll call of giants in the technical team
Allan Poppleton- stunt coordinator
Jeff Rona- musical score
Make up- Trefor Proud
Cinematography- S Kumar
Visual effects- Sanket Durgaprasad Agase
Vadakkan paatukkal have inspired a significant number of movies and indeed Oru Vadakkan Veeragatha has decieved a good number of people into thinking that that is truly the story of Chandu.
Veeram is Director Jayaraj's grand medley of Macbeth set to the context of Vadakkan paatukkal. Clearly he has put in monumental effort into the conception and amalgamation of his story line and got his technical team into the period as well.
You can call it a period drama or an adaptation, but he has indeed adapted the Macbeth plot to this theme quite nicely. Chandu ( Kunal Kapoor) is honoured with becoming the second for his illustrious warrior cousin Aromal Chekavar( Shivajith Nambiar), however he meets a lady oracle ( nude!) who foretells that he will become the main warrior and the chieftain of the 18.5 kalaris. His disillusion with being cheated of Unniarcha's(Himarsha Venkata Samy) hand in marriage, his innate sense of ambition and the influence of Kuttimani(Divinaa Thackur) are all factors that influence the way he betrays the trust in him.
There is a duel between Aromal and Aringodar (Aaran) where despite Chandu's betrayal, Aromal vanquishes Aringodar, yet spurred on by Kuttimani, he stabs a sleeping Aromal. One murder requires that many more need to happen to cover tracks and Chandu with Kuttimani as his Lady Macbeth slowly have a lot of blood on their hands. One by one, they become progressively insane and finally is the duel between Unniarcha's son Aromalunni and Chandu seeking vengeance after his uncle's death. It's another sleek duel, and even as one anticipates the outcome, the finale still knocks you out cold.
Jayaraj's adaptation and script are commendable, authentically in the Vadakkan dialect and incorporating some of the well known ballads, the stunts and sequences are impressive both ,the orchestration, cinematography and the sheer fitness and movements of the actors who have all undergone serious kalari training for their roles. The male roles are well defined and all of them truly embody the physical avatar of kalari warriors. Chandu seems to have been a little underexploited in his capacity to fight .
However Kunal has certainly carried off the role with the emoting to a fine standard and he offers us a different portrayal to Mammootty's Chandu which also still shines in its merits. Shivajith is impressive as Aromal and the others too are. However, I was disappointed with the portrayal of the key female protagonists who are such powerful figures in the original ballads. Both Unniarcha and Kuttimani's roles were not as developed as they could have been and both the ladies impressed the least in the cast . And we felt that the passion between Chandu and his ladies was more forced than palpably there.
But overall, a great adaptation, with clear parallels to the plot of Macbeth,great period settings and action and a wonderful script. Technically, this really elevates standards in Malayalam cinema.
Well worth a watch - on the big screen
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