The Embodiment of Mohan Bhatnagar: Kunal Karan Kapoor
Looking at his career before NBT, it almost seemed as if Kunal was used. It seemed as if he was given a part, but never the lead part, even when he possessed the very ability to overshadow co-actors with his mere performances. The important people seemed to understand that he contained incredible talent; that he had something which pulled at something within the viewers. They retained him. They provided him with a bit more space and a bit more character depth, but they never allowed him to run a show, because despite his awe-inspiring talent, despite his inexplicable ability to draw viewers into the very skin of even a villainous character (such as Angad from Mann Ki Awaaz Pratigya), they did not believe in him enough to hand him a lead part.
I found it upsetting that someone with so much talent had been held back for years because people refused to look past his exterior. In a TV industry imbued with models, you have to look like an Abercrombie & Fitch commercial rather than carry actual talent. Indeed, people will ignore your lack of skill, but not your supposed lack in appearance - an appearance measured by some grand scale in the inhuman world also known as the model industry.
However, Kunal redefined beauty, in my opinion.
Kunal as an actor is flabbergasting. Watching him perform is like watching a painter paint on a blank canvas - colours blend, shapes emerge, lines connect, but the painter continues to paint and the painting continues to change. Kunal manages to wring out his character and expose every shade of it. Even as Angad, he twisted the black shades. There was more to the character. One could see the potential. The writers would not make him a stronger part of the story. They would not allow his character to grow out of the darkness and leave a mark.
Something that I found admirable was how Kunal never feared that people would hate his character. Perhaps hating is the same as caring. I do not know. But I do know that Kunal is gifted. It is as if he perceives more than the overall design. It is as if he sees the nuances and details and manages to draw them out. Comparing Angad with Vasu, they had only one thing in common; they were both criminals. Kunal made certain that the similarities ended there. The characters did not share the same dialect, attitude or body language, tone of voice or facial expressions.
My sister said something interesting about Kunal bagging NBT. She said that she wondered exactly when the channel/creative heads realised that they were in possession of an actor who was capable of a whole lot more than they had actually anticipated. She wondered when it occurred to them that he was not just any actor, but the embodiment of Mohan Bhatnagar; that he could take the character beyond the script.
Having watched both seasons twice, I doubt that they ever fully realised it. Or if they did, they continued to use his talent as everyone else had without providing him with anything more than his limited space. I believe that Kunal, even on NBT, was not given much screen-space or story; that even though he proved what he was capable of in season one, they still went on to restrain his character in season two, making it all about the love stories rather than Mohan's very journey - especially the emotional one. I find it disheartening that an actor worked 12-14 hours a day, gave his all for a character, and yet in some episodes he had one scene that lasted no more than three minutes while others had half episodes dedicated to them. Perhaps if it had not been for the director understanding Kunal's talent and meticulously capturing his every shot, then even the few minutes of him might have failed to show the depth of Kunal's performances.
Despite his limited screen-space, it was Kunal who overshadowed entire episodes with his one/two-minute frames. And at the end of every episode, it was his performance that I recalled. It was his expressions that burned into my memory. It was his face that left an impact.
For instance, on February 20th 2013 and February 21st 2013, his character had a sequence in the office with Nanhi and Anupama. In the sequence, he raged on about how Nanhi had put herself in danger for a story (even though he used to do the exact same back in the day). During his rant, he paused to ask Anupama for Nanhi's name. When Nanhi answered with Navika, his eyes went from narrowed-in-hell-fury to completely vulnerable, hopeful, and tormented. It would be an understatement to say that I was in shock. I had never, ever, seen any actor's (or human being, for that matter) eyes become so emotionally exposed, so naked. It was astonishing. It was beautiful in the most painful sense of the word.
The episodes were about Nanhi and her hunt. All I remember is Kunal in that single shot. I remember that I kept telling my sister: He is not human. That is not humanly possible.
I could list numerous examples of how Mohan as a character was quite oppressed in both seasons, how his journey was never given much space, and how Kunal's scenes would be shown mid-conversation and cut before they were even completed (while others would have long stretches of time for their characters). However, not much can be done about that now. Personally, I am relieved that I was not a part of India-Forums when NBT was still on-air. I would have driven people insane with my posts, including myself.
Before moving on to the character study, I would like to point out that I do not consider myself a fan of any actor. I become a fan of characters, yes. And I admire some actors such as Kunal. I support them in their work. I enjoy their performances. Thus this character study will focus on Mohan Bhatnagar as in the character, but through Kunal's flawless portrayal of him, of course. It will not focus on Kunal as an actor alone.
Furthermore, the links added in the study are, in fact, short videos that show a glimpse of Mohan Bhatnagar as well as the relationships in his life.
By Anastrophobian.
Kyunki Saas Bhi Kabhi Bahu Thi 2
Taarak Mehta Ka Ooltah Chashmah
Tum Se Tum Tak
