It has become a sort of chain of reactions, a kind of a never ending circle. A tried and tested formula for years. It reminded me of an old Ekta Kapoor show "Kutumb"and I discussed it with Annu.
It has become a bit boring but still it has its own high points too.
Somethings that I didnt find logical:
1. Vaibhavi was researching about ammunition factory right there in college till late in the evening, why? what if somebody had caught her going through that material?
Wasn't it wise for her to take all the material home and do it secretly?
2. How did Veer know that Vaibhavi would be staying alone in the college?
3. Where was the security people when Vaibhavi was screaming and shouting?
4. Isn't it security staff's responsibilty to lock the classrooms after the college is closed? Why were all the classrooms open and security people didn't even know that a girl was sitting alone in a classroom?
High points
His scenes with his father reminded me of Arjun (Cant help comparing). But all in contrast. Both are sons of influential rich men and both were neglected on a personal level by their fathers. But one chose the path of duty and helping others get justice and the other succumbed to the depression and lonliness and became violent towards anyone who tries to cross his path. And both characers are brilliantly portrayed by Shaleen. He looks convincing as both Arjun and Veer.
Another thing that reminded me of Arjun was the way he was twirling the car keys. He used to do it with a pen.
Swati too has improved but still she needs to work hard to match Shaleen's performance.
Rest of the cast and the parallel track between Natasha and Kabir was just fine.
And the national integration kind of thing is something that i found ab it funny. Jabalpur is in M.P., where the CM is of Haryana, his son speak the Haryanvi dialect and his friends talk to him in Bihari accent.
Blooper:
In the news clip of "Haseena ka Thappad" The news reader had said "Veer Pratap Singh" instead of "Veer Chautala".
Hope to see some more variations in the show.
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