..::Doubts & Discussions about Historical facts::.. - Page 85

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Paradise_1 thumbnail
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Posted: 10 years ago

Originally posted by: avika444

Interesting post
Thanks for sharing SONA


my pleasure di!!
Vtui thumbnail
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Posted: 10 years ago

Originally posted by: PutijaChalhov

Very interesting story about the construction of Allahabad city and fort by Akbar and Akbar Birbal reincarnation story This is from a book and the @ copyright rests with the original book

ILLAHABAS
It fell to the great Mughal emperor Akbar(r.1556-1605) to build a new city . His biographer,Abul Fazl records the emperor's fervent wish to locate this city beside the confluence,a spot sacred to the country's sadhus and sanyasins.Akbar who officialized the name





Will post more later about the history of the city during Mughal regime😊


Gr8 to share
PutijaChalhov thumbnail
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Posted: 10 years ago
welcome
harshu27 thumbnail
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Posted: 10 years ago

Originally posted by: PutijaChalhov

<div align="center"><font color="#CC0000" size="4">Very interesting story about the construction of Allahabad city and fort by Akbar and Akbar Birbal reincarnation story This is from a book and the @ copyright rests with the original book

ILLAHABAS
<font color="#0000FF"><font size="2">It fell to the great Mughal emperor Akbar(r.1556-1605) to build a new city . His biographer,Abul Fazl records the emperor's fervent wish to locate this city beside the confluence,a spot sacred to the country's sadhus and sanyasins.Akbar who officialized the name


<img src="http://i1017.photobucket.com/albums/af296/ramsun/Jodha%20Akbar/pg-25_zpsfu1m6kaz.jpg" alt="" />

Will post more later about the history of the city during Mughal regime😊
</font></font>

</font></div>


thnx fr sharing such a wonderful info...
ame7 thumbnail
Posted: 10 years ago
hi everyone...
I just found this forum and really love it. . so many new information here.. thanks for sharing 😊
harshu27 thumbnail
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Posted: 10 years ago


HI, I JST HAPPENED TO GO THRU YAHOO WEBSITE AND FOUND THIS ARTICLE RATHER VIEW OF A PERSON ON HIS BLOG SO TGHT OF SHARING IT HERE...ITS REGARDING DARA SHIKOH...


ART & CULTURE
| Inside Track | 5-minute read | 22-04-2015
Rajiv 'Bobby' Saigal

I recently watched Dara, an adaptation of a Pakistani playwright's script at the National Theatre in London, about two brothers, one murders the other and goes on to become emperor Aurangzeb of India. The heir apparent to the Mughal throne, the older brother, "Dara Shikoh", hardly remembered in Indian history was a unique and marvellous personality among the Mughal royal family.

I couldn't help being captivated by his beliefs and revisit his life. Dara had a mystical turn of mind and loved the company of Sufis, mystics and Hindu mendicants. He was deeply interested in comparative religions, universal brotherhood, humanism and peace between Hinduism and Islam and the fusion of different religions, cultures or philosophies. Dara's mind was influenced by Akbar and Humayun and he spent his early years in studies and came out with an extremely remarkable book known as Majma-ul Bahrain, or the mingling of the Two Oceans. It was a pioneering attempt to find out the commonalities between Sufism and Hindu monotheism. Dara believed that the "great secret" of the Upanishads is the monotheistic message, which is identical to that on which the Quran is based. He had the 50 Upanishads translated from Sanskrit to Persian, but was a true Muslim who prayed regularly and chanted Allahs' name.


The play therefore had an awful lot of ground to cover in two-and-a-half hours, history, religious arguments, romances including a scene between Aurangzeb and his Hindu lover "Hirabai". The play grapples with disputes between the strict and puritanical approach to Islam (Salafi) and the Sufi forms and explores the extremist mullah ideology. The play does not shy away from the issues of ISIS, Lashkar-E-Taiba and other such extreme organisations currently overshadowing much of the Arab and Asian Muslim world. The action in the play flits between eras. As Shah Jahan falls ill, a power struggle ensues between the sons and the play opens with a scene where "Dara" is on the run after losing to Aurangzeb at Samugarh in 1658. He seeks refuge under Malik Jiwan an Afghan chieftain, whose life he had saved more than once, from the wrath of Shah Jahan (Dara's had lost in Samugarh because he inadvertently descends from his elephant's howdah during battle. The elephant flees and Dara's troops mistook that for his death and surrendered to Aurangzeb).

Dara is brought to Delhi, placed on a filthy, sick elephant and paraded through the streets of the capital in chains. His fate is then decided by the political threat he poses as a prince popular with the common people - a convocation of nobles and clergy, is then called by Aurangzeb in response to the perceived danger of insurrection in Delhi. Dara is declared a threat to the public peace and an apostate, or one who had renounced Islam.

The central and finest act in the play is "the sham trial". Dara is tried for and sentenced for apostasy, due to his beliefs and writings, in a Sharia court. He gives a hugely passionate and compassionate speech on why all religions are but paths to god: "Who cares which door you open to come into the light?" With eyes flashing, Dara preaches tolerance, love and understanding of our shared humanity. It is an invigorating scene and a wonderful message. Dara is imprisoned and is then assassinated by four of Aurangzeb's henchmen in front of his terrified son, on the night of August 30, 1659. His severed head is served on a platter to Emperor Shah Jahan, who is in prison along with his daughter Jahanara Begum. Aurangzeb went on to rule from 1659 to 1707, a period of violence and division in India, which led to the decline of the Mughal empire.

The play's script doesn't deal with this enough and it ends on a rather disappointing and abrupt note. Good direction, plush costumes and live music with brilliant lighting and sets design of slick "jaali" screens conceal and reveal the space and characters, the corners of marble arches typical of Mughal architecture allow for rapid scene changes and move the play at a fast pace - credit goes to the National Theatre for attempting this play and trying to depict a story from India and Pakistan. Was this the big turning point in India's history? The Mughal empire had thrived, in part, thanks to its acceptance of its colonised peoples' varied religions. What if Dara had become emperor instead of his fundamentalist brother Aurangzeb? Would a Sufi form of Islam have spread over India with the view that all religions can offer a way to the awareness of God? Would Hindus be learning the Gita and the Quran, and Muslims appreciate the concept that one universal God precedes there arrival here?

If the Mughal empire had remained, would India have been colonised by the British? If Aurangzeb was not revered in Pakistan would the Taliban or Lashkar be less relevant? Would there have been no partition between India and Pakistan had the leaders representing India in discussions with the British been grassroot politicians instead of lawyers whose focus was on winning briefs? Would grassroot politicians have focussed more on the aspirations of the people rather than of those educated in Western ways, which the British felt more comfortable with?

Would India and Pakistan be divided on religious grounds?

#Dara Shikoh, #Indian History
-aady- thumbnail
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Posted: 10 years ago
DEK: Can someone pleas explain how this structure works? If Akbar sat in the middle and the courtiers on the side, where did the women sit?


Charaiveti thumbnail
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Posted: 10 years ago

Originally posted by: -aady-

DEK: Can someone pleas explain how this structure works? If Akbar sat in the middle and the courtiers on the side, where did the women sit?


a question that I always wanted to make. and also were their any staircase system to climb that high? And what the floor was used for? Its such a complicated and beautiful structure
PutijaChalhov thumbnail
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Posted: 10 years ago
Dont know how far it is true


Diwan-i-Khas Fatehpur Sikri

Diwan-i-khas or Hall of Private Audience is situated in the northeast corner of the royal complex with a huge and richly carved pillar in the center. The central platform attached to the pillar was the seat of the emperor while the diagonal galleries are believed to be the seat of ministers and nobles that were entertained here. However, since the galleries were too narrow to accommodate all ministers of the court at once, some people think that this building was actually the storehouse for the gems and jewels of the royalty and emperor used to come here only to inspect his jewels. According to Abul Fazl, Akbar had three treasuries that were close to each other and one of them was used to store gems and jewels only.

Since, this building is also close to Ankh Michauli or the treasury for gold and silver, it is quite probable that this place is used as a treasury for jewels. This square red sand stone building has four double-storeyed faades. Though, there is no superstructure or dome here, the four beautiful kiosks at each corner of the building that are octagonal in shape and have a circular dome with an inverted lotus on the top, providing a superlative altitude to the building. The main hall has a most elegant capital composed by joining 36 brackets arising from the pillar in three tiers, in a circular shape. Though, the building lacks much ornamentation yet the pillar in the center is certainly one of the masterpieces of Mughal architecture.

Diwan-i-Khas:

the Diwan-i-Khas, or Hall of Private Audience, is a plain square building with four chhatris on the roof. However it is famous for its central pillar, which has a square base and an octagonal shaft, both carved with bands of geometric and floral designs, further its thirty-six serpentine brackets support a circular platform for Akbar, which is connected to each corner of the building on the first floor, by four stone walkways. It is here that Akbar had representatives of different religions discuss their faiths and gave private audience.

Diwani-khas and its backyard
Diwani-khas and its backyard
Interesting design of Diwan-i-khas&amp;nbsp;: emperor sits on the central pillar while courtiers sit all around on the elevated path
Interesting design of Diwan-i-khas : emperor sits on the central pillar while courtiers sit all around on the elevated path
The central pillar of Diwan-i-khas is spectacularly designed
The central pillar of Diwan-i-khas is spectacularly designed

The Diwani Khas, an outstanding structure was meant for the Emperor to sit in audience with his ministers and listen to disputes and discussions. A novel structure, it is a large hall with a giant monolithic pillars in the centre with a circular railed platform on top like a cup which is supported by a circular array of beautifully carved brackets. From the Central platform branch out four diagonal railed galleries symbolizing Akbar's supremacy over his dominions. The gallery is continued on all four sides of the hall. The audience sat in the galleries and in the hall below giving it the effect of a two-storey building. Sitting in the centre, Akbar heard discourses and discussions on religions.


I read in somewhere now I dont remember where😕 that AKBAR sat in the middle and if anyone had to reach him it was through these four passages so narrow that they had to bow to reach him and also for safety



Edited by PutijaChalhov - 10 years ago
RadhikaS0 thumbnail
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Posted: 10 years ago
Thanks Sona and Putija for the interesting articles. 😊

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