Originally posted by: punjini
I am still here. 😃 Got 4 hours more to leave for airport but looks like Barnali and Anol want me to miss my flight.
Barnali has written exactly what I would have if I had ever come around to doing it! How I wish Kishore Bhakta could give his inputs here.
Our minds identify ragas at a sub-conscious level. You are 100% right when you say "In case of a raag, perhaps the process is that of perceiving common rules/guidelines/patterns among renditions of a raag, conceptualizing the observed rules/patterns into some kind of a loose framework, and storing it. And of course, retrieving it when one hears a melody that is essentially following the same framework."
I am sure our Hindi film songs would have helped so many people to get introduced to the world of ragas. These songs condense the raga into a 2-3 minute composition, which to my mind is a fantastic achievement. Many of our music directors are no less than Mozart or Beethoven, they might even be better than them in versatility!
However, there are many pitfalls in using the film song route to identify ragas, as many would have found out. Firstly, the instrument interludes in between often do not follow the main raga of the song. Secondly, the differences between closely similar ragas like Gara and Pilu or Marwa and Puryadhanasri may not be highlighed in film songs. In the short span of 3 minutes, it might not be possible to bring out the uniqueness of a particular raga. Thirdly, the music directors are not obliged to stick to just one raga, so they mix 2 or 3 and confuse lay-listeners like me further! Have a look at the listings in asavari.org. You will find some songs listed under 2 ragas.
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