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rocker1 thumbnail
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Posted: 19 years ago
#41

By Joginder Tuteja, May 22, 2006 - 12:39 IST

Priyadarshan and Himesh Reshammiya come back together with 'Chup Chup Ke' after their association in 'Kyon Ki'. Though the music in the Salman-Karrena starrer was good, it couldn't go an extra distance due to the film failing at the box office. Times have changed quickly with Reshammiya being the hottest selling composer/singer today, Priyadarshan basking in the glory of twin successes in the form of 'Garam Masala' and 'Maalamaal Weekly' while Shahid-Kareena finally getting a HIT in the shape of '36 China Town'. All this combined with the comic power of Paresh Rawal, Om Puri, Rajpal Yadav and Shakti Kapoor along with Sunil Shetty and Neha Dhupia makes CCK a hot product this summer. Sameer, who is practically writing for more than 50% of the films releasing these days, is the lyricist for CCK too! Reshammiya's favorite DJ Akbar Sami takes care of the remixing department.

If a film's composer is Himesh Reshammiya then it is must for an album to have a song sung by him. 'Shaadi Se Pehle' has been the only exception in last few months and everyone knows what happened to its music sales! There is a certain expectation that a music lover has from his films now and CCK doesn't disappoint as Reshammiya pairs up with his favorite co-singer Tulsi Kumar for 'Shabbe Firaq'. It's the melody of 'Aa Re Aa Re' that sets the tune for the song that has Reshammiya going all out while crooning the opening lines. A great fusion of Middle-East, Indian and Western music, 'Shabbe Firaq' has chartbuster written all over it and has already helped the album take a good start at the music stores. A rhythmic dance track that goes at a decent pace rather than rushing its way through, this well written number with fresh lyrics has been picturized innovatively by music video director Kookie V Gulati with the help of some imaginative sets. With DJ Akbar Sami coming to the scene, the proceedings were always meant to become further engrossing and the result is there for everyone to be seen. Pace picks up, scenario gets livelier and it's time to hit the dance floors. A small piece of information here – all those who have accused Reshammiya of singing with a nasal twang would have to find some another reason to put him down after hearing him singing on a different note altogether!

It's Himesh Reshammiya himself who croons the title of the song 'Dil Vich Lagya Ve' twice before handing over the singing reins to Sonu Nigam who sings the number in a full throated manner and lots of energy. Newcomer Akriti Kakkar, who has mostly sung remixes in the past (notably being 'Rangeela Re' that was shot on Deepal Shaw) joins Sonu Nigam and comes across as a pro who has innumerous playback numbers to her credits in the past. Kunal Ganjawala appears after a while and does a great job along with the two singers to make 'Dil Vich' a smashing dance number set to an Indian contemporary tune. A rhythmic number that has Shahid Kappor giving his all while dancing along, it is THE BEST song in the recent times from Reshammiya that had some other singer than the composer himself. There have been some songs in 'Banaras', 'Shaadi Se Pehle', '36 China Town' and 'Phir Hera Pheri' in recent times that were sung by a singer other than Reshammiya but none of these songs had a potential to be a HIT. Hearing 'Dil Vich', it's quite sure that this should be the one that would go an extra distance. And why not when you have Akbar Sami's remixed version to add on to the original to present the song in an altogether different 'avtar'?! While the proceedings were completely Indian in the original, Akbar Sami adds on a Western effect to it to enhance the song's reach to pubs, discs and lounges.

Before Reshammiya himself had started crooning, one of his favorite singers was K.K. The talented singer arrives on the scene again with 'Ghoomar' that has Sunidhi Chauhan pairing up with him. Based on Rajasthani/Gujrati folk music, the song is given a different touch altogether to make it fit into the Bollywood scheme of things. A rhythmic number that may not be the most unique tune that you may have heard in the past, it is still good enough to keep you engaged due to its rhythmic approach and some loud musical arrangements that suit with the racy fun feel of the song. 'Ghoomar Re' is one of those songs that mostly remain unaffected even if presented in a remix version. Overall the song may not have a chartbuster appeal but its filler capability helps the album to sail on.

The rhythm of 'RE' continues with 'Shabbe Firaq [Aa RE, Aa RE]', 'Dil Vich Lagya RE', 'Ghoomar RE' to 'Aaya RE'. A number with the kind of lyrics that only Sameer can write [Aaya Re Dil Tumpe Aaya Re Chaya Re Nasha Chaya Re], 'Aaya Re' is a kind of Reshammiya song that has brought him into limelight for last few years since he started composing for Salman Khan films. A song by Kunal Ganjawala, Sunidhi Chauhan and Arya that does well in both the versions, be it an original that has a distinct Reshammiya melody to the remix by Akbar Sami that changes its mood by moving at a rapid pace without giving you a breather at all, 'Aaya Re' is yet another good song in succession for 'Chup Chup Ke' that maintains a good standard throughout. After hearing the two versions, one feels that the essence of the song is more interesting in its original version and this is what one may be inclined to hear if looking for some good melody!

With singers like Vijay Yesudas and Shreya Ghoshal credited for a song, one expects the proceedings to mellow down a little and turn outright melodious. The beginning of 'Tumhi Se' promises just that and when Vijay Yesudas begins his crooning, you can't just help but admire the newcomer's singing prowess. Son of the great music maestro Yesudas, Vijay's voice does resemble his father's when it comes to depth but overall does well to manage an identity of its own. A soulful number that has peace written all over it, 'Tumhi Se' is a romantic number that has Shreya Ghoshal, one of the most suited voice today for songs of this genre, giving him good company. Reshammiya comes up with a tune that is so unlike his style, past or present, and should win the hearts of even his detractors. Kunal Ganjawala, who is now easily amongst the Top-5 singers in Bollywood today gets his share with an unplugged version of the same song and ensures that his effort doesn't go in vain. If there is any song that comes with a 'SURPRISE' tag associated with it, it is 'Tumhi Se'. The song may not be an instant coffee but is definitely a 'lambi race ka ghoda'!

The only song in the album that has only one version associated with it, 'Mausam Hai Bada Qatil', is a Sonu Nigam single and has its opening tune set to the 60s fashion. On hearing closely, one realizes that the rhythm has some resemblance to Reshammiya's own 'Aa Meri Life Bana De' [Kahin Pyaar Na Ho Jaaye] but he arranges the music in such a manner that it comes across as a number that could have made none other than a Rajendra Kumar or a Shammi Kapoor sing it along. From someone like Sonu Nigam, the least that you expect is a good rendition and he (obviously) does well here too! A good song to end the album!

After '36 China Town', Himesh Reshammiya can easily assure himself yet another popular soundtrack that is worthy of entering the Top-5 charts in a couple of weeks to come. NOW is the time to up the tempo of the music promotion and bombard the music channels with all the songs for getting the album its due.



bunbutt_too thumbnail
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Posted: 19 years ago
#42

Originally posted by: shadyhtown

Qwest ji.. these look like Rediff Reviews.. I'll provide alternate reviews from other sources for the same movies, so people can get different perspectives.



Shadybhai kya aap Alag ka koi alag review post karneki jehmat karenge. Bahut bahut shukriya.
Qwest thumbnail
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Posted: 19 years ago
#43

shadyhtown Wrote.
Qwest ji.. these look like Rediff Reviews.. I'll provide alternate reviews from other sources for the same movies, so people can get different perspectives.

shadyhtown ji,
Thank you so much these what i am looking for you and all please come and participate not only with these 6 movie that been posted please do post and write your personal opinion on it one thing we all need to try not to attack in personal level to any one either it is (IF) member, singer or any Music Director. Thanks Shady good post.

Edited by Qwest - 19 years ago
Qwest thumbnail
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Posted: 19 years ago
#44

Originally posted by: paljay

Thanks Qwestji for all Music reviews.

I heard Fanna's Music and i liked it also Aryans music is not that bad too.

paljay ji, looking forward from you to add some of your thought and some review if possible.
Qwest thumbnail
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Posted: 19 years ago
#45

Originally posted by: Awww

My personal favorite 😊

Z ji this is the only one is the best in the movie and for some reason it did not punch me in the heart.
bunbutt_too thumbnail
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Posted: 19 years ago
#46

Originally posted by: Qwest

shadyhtown Wrote.Qwest ji.. these look like Rediff Reviews.. I'll provide alternate reviews from other sources for the same movies, so people can get different perspectives.


<!-- Signature -->shadyhtown ji,Thank you so much these what i am looking for you and all please come and participate not only with these 6 movie that been posted please do post andwrite your personal opinion on it one thing we all need to try nottoattack in personal levelto any one either it is (IF) member, singer or any Music Director. Thanks Shady good post.



"attack on a personal level" in this holier than thou, sanctimonius place? Tohba, tohba kaun aisee hurkat kaar sakta hain?
Edited by bunbutt_too - 19 years ago
Qwest thumbnail
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Posted: 19 years ago
#47

Originally posted by: bunbutt_too



"attack on a personal level" in this holier than thou, sanctimonious place? Tohba, tohba kaun aisee hurkat kaar sakta hain?

bunbutt_too ji,

Thanks for your courtesy.

Qwest thumbnail
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Posted: 19 years ago
#48

by Tanushree Saha



It's a soft and sober begining for 'Sabse Alag' that has as many as 5 singers (Kunal Ganjawala, Shaan, Hemachandra, Nihira Joshi, Gayatri Ganjawala) lending their vocals.

HAUNTING is the word to describe the song that maintains a smooth pace throughout and is sung at a low decibel from start to finish.

Musical instruments in the background too are minimum hence allowing the composer, lyricist and singers to hold the center stage for the music lovers to cherish the final product.

Those who love to hear this genre of music would love hearing the song repeatedly, especially when the solo version by Kunal arrives after a gap.


Music Review: ALAG
by Tanushree Saha

When there are singers like Shaan and Vasundara Das and the song's title goes as 'Hai Junoon', you expect a foot tapping dance number.

Also the man is now passionate about living life after finding his love.

The song falls in above average category but is not the kind that could take a nation by the storm.

As expected, DJ Suketu adds on further zing to the remix version and gives the song a chance to find a place in the Top 10 charts on the basis of its choreography and picturization that should help it gain some eye balls!



Music Review: ALAG
by Tanushree Saha

It's as 'tapori' as it get with the arrival of 'Apun Ki Toli' and there is just one term to describe the number – "Forgettable"!

When singers like Kailash Kher and Aadesh Srivastava join the scene with Shaan and Vasundara Das, one would have imagined a rioting outing.

The singers try to do the impossible while Aadesh incorporates sound from day to day utility items but to little avail.

A situational song that may prove to be a popcorn break for the audience!



Music Review: ALAG
by Tanushree Saha

Music belonging to similar genre and lyrics boasting of near similar class make a good melodious outing for music lovers when 'Saanjh Ki Pighalti' plays on.

After all the pop, rock and desi music comes a soulful love song that reminds of the musical score of nothing less than 'Utsav'.

She is well supported by Krishna and Anand Sharma who are heard giving background vocals.


Music Review: ALAG
by Tanushree Saha

When one reads the title as 'The Soul Of Alag', the impression is that this would be a theme track.

The Soul Of Alag' engrosses you thoroughly with its haunting appeal and as soon as heavy drum beats are heard, one realizes that this is a true Aadesh Srivastava composition!

Towards the latter half Hemachandra arrives on the scene to create a sound of pain and isolation that befits the mood of the lead protagonist.



Music Review: ALAG
by Tanushree Saha

Aadesh Srivastava comes up with a decent score for a film that promises to be unconventional and first of its kinds.

To sum it up, the musical score of 'Alag' doesn't have a single number that one could take home and sing along.

At most a couple of numbers can be heard and enjoyed to an extent but there is none that makes you rush to the nearest neighborhood music store.


Edited by Qwest - 19 years ago
rocker1 thumbnail
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Posted: 19 years ago
#49

By Joginder Tuteja, April 25, 2006 - 14:03 IST

'Alag' is one of those rare albums that have hit the stands without much pre-release publicity of songs happening on the small screen. Also there has not been much hype and hoopla behind the music release which is a rarity for a movie with decent credentials. A Subi Samuel production, 'Alag' is touted to be a 'truly different' movie that comes from Ashu Y. Trikha who has earlier directed 'Deewanapan' and 'Sheesha'. After 'Deewanapan', the director repeats Dia Mirza to star opposite 'Popcorn Khao Mast Ho Jayo' hero Akshay Kapoor in this adventure-drama film! Aadesh Srivastava, who has recently come up with a decent 'Rehguzar – The Road To Destiny' is the composer at the helm while Rahul Seth and Nusrat Badr write. Surprisingly the lyricists have not been credited for their individual contribution to the songs which make one wonder if the two have jointly written all the tracks, though it seems unlikely!

Title song 'Sabse Alag' comes at the very beginning of the album and as soon as it starts you are sure to have a soulful outing. A smooth and sober track that moves at an extremely slow pace and makes you hear it along carefully, it helps in establishing the character played by the lead protagonist and how he and his world are completely different from the rest if the mankind. This appears to be the promotional number that features the likes of Shah Rukh Khan, Arjun Rampal, Bobby Deol, Abhishek Bachchan, Priyanka Chopra, Lara Dutta, Bipasha Basu, Sushmita Sen and Preity Zinta and would be seen on the small screen soon. The track comes in two versions, first where husband wife pair of Kunal Ganjawala and Gayatri Ganjawala come together with Shaan, Hemachandra and Nihira Joshi and later when Kunal renders a solo. A fine haunting number to kick start the album, it should help the film's promotion but isn't of the kind that one sings or hums along the town!

When there are singers like Shaan and Vasundara Das and the song's title goes as 'Hai Junoon', you expect a foot tapping dance number. That's exactly the case with Shaan crooning for the character who questions the world about what is wrong if he is 'alag' i.e. 'different' from the rest! Also the man is now passionate about living life after finding his love. The track sounds more like an Indi-pop song rather than a conventional Bollywood number and is more suited for a dance floor/club outing. The song falls in above average category but is not the kind that could take a nation by the storm. As expected, DJ Suketu adds on further zing to the remix version and gives the song a chance to find a place in the Top 10 charts on the basis of its choreography and picturization that should help it gain some eye balls!

It's as 'tapori' as it get with the arrival of 'Apun Ki Toli' and there is just one term to describe the number – "Forgettable"! A 'basti' number with terms like 'bindaas', 'dhinchaak', 'shaanpatti', 'haiyya-balle balle', 'lagey raho' etc., it takes you back in time to the 80s and that itself is not a pleasant feel to have. Shaan, Kailash Kher, Aadesh Shrivastav and Vasundara Das are simply wasted in the number. The last time when one felt so repulsive while hearing a track of this genre was in small time flick 'Praan Jaaye Par Shaan Na Jaaye' that had music by Daboo Malik and Nitin Raikwar!

Krishna does the 'alaap' for 'Saanjh Ki Pighalti' that makes you wonder that when Aadesh can make a song like this then why did he really have to come up with something like 'Apun Ki Toli' earlier? A 'raga' based number sung by newcomer Ujjaini with Anand Sharma's voice in the background, it has a poetic feel and is track that would have required some real hard work before its final cut would have been out. A song that has a peaceful effect on you while it is being played, it is one of the better tracks composed by Aadesh in recent times.

Ujjaini and Hemachandra do 'aalap' for the 'The Soul of Alag' that should be a part of the film's background score. A full length theme score that comes with some variation in it, it also has shades of classical touch to it.

To sum it up, the musical score of 'Alag' doesn't have a single number that one could take home and sing along. At most a couple of numbers can be heard and enjoyed to an extent but there is none that makes you rush to the nearest neighborhood music store.



manjujain thumbnail
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Posted: 19 years ago
#50

Daizy here for you

mere haath mein tera haath ho saari jannatein mere saath ho - 2
tu jo paas ho phir kya yeh jahaan tere pyar mein ho jaaun fanaa
mere haath mein tera haath ho saari jannatein mere saath ho
tu jo paas ho phir kya yeh jahaan tere pyar mein ho jaaun fanaa
mere haath mein tera haath ho saari jannatein mere saath ho

tere dil mein meri saanson ko jagah mil jaaye
tere ishq mein meri jaan fanaa ho jaaye
jitne paas hain khushbu saans ke
jitne paas hothon ke sargam
jaise saath hain karvat yaad ke
jaise saath baahon ke sangam
jitne paas paas khwaabon ke nazar
utni paas tu rehna hamsafar
tu jo paas ho phir kya yeh jahaan
tere pyar mein ho jaaun fanaa
mere haath mein tera haath ho saari jannatein mere saath ho

rone de aaj hamko do aankhen sujaane de
baahon mein lene de aur khud ko bheeg jaane de
hain jo seene mein qaid dariya woh choot jaayega
hain itna dard ke tera daaman bheeg jaayega
jitne paas paas dhadkan ke hain raaz
jitne paas bundon ke baadal
jaise ?sahaq? sa chanda ke hain raat
jitne paas nainon ke kaajal
jitne paas paas saagar ke lehar
utne paas tu rehna hamsafar
tu jo paas ho phir kya yeh jahaan
tere pyar mein ho jaaun fanaa
mere haath mein tera haath ho saari jannatein mere saath ho

adhoori saans thi dhadkan adhoori thi adhooren ham
magar ab chaand poora hain falak pe aur ab pooren hain ham

Originally posted by: DAISYRABLE

I like the other song of Fanaa more than this one:

Mere haath mein tera haath ho saari jannatein mere saath ho
tu jo paas ho phir kya yeh jahaan tere pyar mein ho jaaun fanaa

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