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Posted: 19 years ago
Entertainment
Rang De Basanti @Golden Globe
INDIAFM NEWS BUREAU
Posted online: Thursday, July 06, 2006 at 1536 hours IST
Rakyesh Omprakash Mehra's path-breaking Rang De Basanti has been selected for the Golden Globe Awards. The Hollywood Foreign Press Association, which is the official body for the Golden Globe Awards, has scheduled to screen Rang De Basanti at the Clarity Screening Theatre in Beverly Hills, Los Angeles, on July 27.

Producer Ronnie Screwvala is all elated about the development and said that Rang De Basanti will compete in the foreign language film category. Ronnie along with director Rakyesh Omprakash Mehra will be attending the screening.

URL: http://www.financialexpress.com/latest_full_story.php?conten t_id=133013

Edited by Qwest - 19 years ago
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Posted: 19 years ago
Kabhi Alvida Na Kehna - Music review
Courtesy:IndiaFM

Tuesday, June 13, 2006

In last few years, Bollywood lovers have seen Karan Johar in various 'avatars'. There has been Karan Johar - the producer [Kal Ho Na Ho, Kaal], Karan Johar the story/screenplay writer [Kal Ho Na Ho], Karan Johar - the costume designer [Main Hoon Naa, Veer Zaara] and guess what, even Karan Johar - an actor [Home Delivery]. He has sipped coffee with the biggest of celebrities [Koffee With Karan] and even hosted numerous award functions. But the place where he was missed most was at the director's seat!

Four and half years since the release of his mega blockbuster 'Kabhi Khushi Kabhi Gham' [2001], he returns to direction with yet another mammoth extravaganza 'Kabhi Alvida Na Kehna'! No wonder, expectations are simply HUGE from the biggest film of the year that stars the who's who of Bollywood in the form of Amitabh Bachchan, Shahrukh Khan, Abhishek Bachchan, Rani Mukherjee, Preity Zinta, Arjun Rampal and Kirron Kher. With Shankar-Ehsaan-Loy and Javed Akhtar pairing up again for the music of 'Kal Ho Na Ho' that rocked the charts for weeks at stretch, it is impossible not to expect the best again. Because anything less than ordinary is simply unpardonable from a team like KANK!

Karan Johar had taken a risk at the very beginning of 'Kuch Kuch Hota Hai' by showing Shahrukh Khan grieving over Rani Mukherjee's death. While trade pundits had called it a disastrous approach, the director stuck to his vision and the results were for everyone to be seen! With KANK, he enters the risky zone once again as the opening number of the album, the title song 'Kabhi Alvida Na Kehna', turns out to be a sad number. Breaking the norms of incorporating a romantic melodious number for the kick start of the album, Karan Johar, S-E-L, Javed Akhtar, Sonu Nigam and Alka Yagnik come up with a melodious theme number. Inspite of a painful feel to it, its strength lies in the opening note that has a touching effect made possible by few but effective musical instruments. While a piano with violins in the background form a good prelude to the number, it is Sonu Nigam's crooning that further impresses due to a distinct 'Kal Ho Na Ho' feel to it. A song where the lead pair(s) of the movie are shown to be separating from one another but still wish each other good in life and a promise of remembrance, it is Javed Akhtar saab's lyrics that spin a tale through simple words that go as:

Tumko Bhi Hai Khabar, Mujhko Bhi Hai Pata; Ho Raha Hai Juda, Dono Ka Raasta Door Jaake Bhi Mujhse, Tum Meri Yaadon Mein Rehna; Kabhi Alvida Na Kehna, Kabhi Alvida Na Kehna!

The song moves at a slow pace and turns out to be quite pleasant on ears! Yes, the experiment works as one gets curious about the film's storyline and Karan Johar's choice of subject!

'Love will find a way' - these are the opening lines in 'Mitwa', a song that would be loved by one and all who have loved Pakistani brand of music in last few months, especially the ones that have been heard in Mahesh Bhatt films ['Zeher', 'Kalyug', 'Gangster']! Opening sound of guitar along with Caralisa's crooning of 'Love will find a way' followed by Shafqat Amanat Ali [from Pakistani band Fuzon] and Shankar coming behind the mike makes 'Mitwa' a sure shot chartbuster number. The song has a good rhythm to it and though it starts off with distinct Pakistani shade, it takes a lot from Indian classical music as it progresses further. A song that has an introspective edge to it where the lead is shown searching for something unknown, unheard and unseen, it is a number that could easily belong to Indi/Paki pop genre. 'Mitwa Revisited' follows a little later and the remix version turns out to be highly trendy befitting a discothhque/lounge outing.

After a sad and an introspective number, 'it's the time to disco', once again, with 'Where's The Party Tonight'! The song begins on a smashing note as Shankar-Ehsaan-Loy get the groove going with funky western musical arrangements. Shaan and Vasundhara Das turn out to be a highly effective pair as they let their hair down to come up with a rendition that is a good mix of Indian and Western style. The song is loud as per the requirement of the song's setting, and an effective use of chorus in the background along with Shankar and Loy joining in intermittently, makes it a number that should be popular amongst the youth in days to come. Yes, 'Where's The Party Tonight' may not be extraordinary or a kind that would break new grounds, but such is the beauty of S-E-L compositions that just like A.R. Rehman songs, they too start getting on you after you have heard them a few times. Call it the unconventional effect!

By this time one starts expecting a bonafide romantic number to come next. The wait is over with 'Tumhi Dekho Naa' that comes quite late in the day, just like 'Kuch To Hua Hai' came only towards the latter stages of the 'Kal Ho Na Ho'. One of the best tracks of the album so far, it comes very close to the title song in terms of styling but due to a different theme sounds differently. Sonu Nigam and Alka Yagnik are highly effective in this poetic romantic number that has been well worded by Javed saab. Slow paced and highly effective due to a soothing tune by Shankar Ehsaan Loy who come up with yet another beautiful love song, it should be one of the highlights of the movie and promises a mushy choreography. There is certain Indian feel about it that makes it extra special and a certain winner amongst the music lovers!

It's the time to rock-n-roll along with a dash of hip-hop in 'Rock'n'Roll Soniye' that seems to be a number picturized on Amitabh Bachchan due to the way Shankar Mahadevan goes about rendering the track. If there was a 'Shava Shava' in K3G, it's going to be 'Rock'n'roll Soniye' that also turns a bit jazzy as it moves on. Young brigade joins Big B in shaking a leg or two as Shaan is the first to arrive followed by Mahalaxmi Iyer. With lines from the popular old numbers such as 'Sar Pe Topi Lal Haath Mein Resham Ka Roomal', this is a celebrations number that promises a lavish picturization with colors all around.

Much before the official release of the music album of KANK, rumor brigade has been having a field day in pulling down the album. Well, that's not something new as with every biggie comes its share of detractors. But on hearing the songs for yourself, you realize that is it NOTHING, but a rumor! The album is yet another fine product from the team that delivers the kind of music expected from it. While the 'title song', 'Mitwa' and 'Tumhi Dekho No' are the pick of the lot due to strong melodious feel, 'Where's The Party Tonight' and 'Rock'n'Roll Soniye' too have in them to be popular amongst the youngsters once their song promos are out on the small screen. One can easily expect the album to zoom to the top of the charts in the very first week of its release that should maintain its position as the song promos start coming on air.

A winning score from a winning team!
Edited by Qwest - 19 years ago
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Posted: 19 years ago

Review

Line art in pop singing





Not all of Lucky Ali's tunes are memorable, but he brings a welcome minimalist tradition to Indipop

Lucky Ali launched his career with Sunoh. O sanam, the most popular song from that album, took you all the way to Egypt and its spectacular pyramids, when most music videos were stuck with silly wedding scenes.

O sanam used its instruments without ostentation. It downplayed its violins and highlighted a banjo, achieving a sound different from the run of the mill. It had the rattle of the hookah and some telling silences, and seemed to go perfectly with the desert expanse that we saw on its music video. The singer, though not of great voice, impressed.

In Hrithik Roshan's big hit Kaho Na... Pyaar Hai, Lucky Ali's songs Kyo chalti hai pawan and Ik pal hai jeena are again sung with the barest of inflexions.

Lucky Ali is cosmopolitan in his music, and often talks about the pleasures of being a wanderer. Being the son of Mehmood -- the comic genius best remembered for his role in Padosan -- hasn't made him aspire for a hero's role in Mumbai cinema. Called Lucky because his father believed he brought him luck, this singer lives in New Zealand.

In Aks, which means 'reflection', Lucky Ali picks instruments from all over the world. He must be one of the very few musicians in Indipop to consciously keeps away from loud music. Many instruments overlap and contrast, and add a simple effect to his country-style singing. The guitar, an instrument he plays, is a constant in all his songs.

Tere mere saath has an Irish music feel, stressed by the pipe tone that stands out. The lyrics are inaudible, thanks to the mixing which foregrounds the instruments.

Kaisi tanhai also has a strong Arab touch to it, but not the sort with loud violins and a heavy dance beat. Kitni haseen zindagi is pleasant, has a morsing on the silent patches, an Indian folk phrase or two on the flute, and gave me the feeling that it was a Bobby McFerrin song because of the voices going ooh--ooh.

Behti nadi seems to gather Lucky Ali's general philosophy: the ephemeral nature of things, of loving, of moving on, of destiny. "The artist acknowledges the fact that his success and acceptance is temporary, as is his own existence, and that there are far more important issues to be dealt with in life than show business," says the jacket.

Behti nadi features a flute playing Celtic phrases. Mehboob has the resonance of a synth played in the background, and Lucky Ali sings in rock style with deliberate flat notes, the strain of reaching them highlighted rather than the actual notes. The Indian element comes in the rhythm with the ghatam or the earthen pot. But the song loses its way around the stanza.

Aks ,the title song, has the strangest and most intriguing sound of all, a grand mix of Arabic percussion and violin bangs, reggae chords and bass. The violins just back up, and the tune itself comes across as being quiet. A pipe-like tone plays all over the song and almost gives it a snake charmer's hypnotic power.

Pyaar ka duniya is by contrast louder, and even uses his popular refrain from Kaho Naa ... Pyar Hai. The dholak gives it a Punjabi accent. Tu kaun hai is the promotional video and seems to borrow its theme from Michael Jackson's Who's that girl? The locale (Puerto Rico?) is also the one that Michael Jackson used for his protest song They don't really care about us.

Ek na ek din has a peaceful flute and violin on it and is otherwise full of guitar chords and a piano. The tone is high and the higher frequency drums get highlighted. Sandesh is about the message in rainbearing clouds. All songs in the album are written by Lucky Ali.

Lucky Ali is a self-taught musician who has grown up on sentimental, guitar-strumming country music, and of course ubiquitous Hindi film music. You'll find more of the first on his albums, and very little of the brash energy that you find from time to time in film music.

S Suchitra Lata


Edited by Qwest - 19 years ago

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