Hrishikesh Mukherjee: ’Musical’ director - Page 12

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punjini thumbnail
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Posted: 19 years ago

Originally posted by: Qwest

From Ape to Superstar !


by: Sushama

This story was narrated by Satish Wagle, one of the two producers of Namak Haram starring Rajesh Khanna, Amitabh Bachchan, Rekha etc and directed by Hrishikesh Mukerjee.

"When Namak Haram was planned, Rajesh was still a reigning superstar, while Amitabh was a jinxed, flop actor. Since they couldn't get Rajesh's dates easily, the producers decided to go ahead with Amitabh's portions, as he was freely available. When the under-production film was shown to a group of distributors, they saw that there was lots of Amitabh and very little of Rajesh on the screen. They thought that Amit was the real hero while Rajesh did a guest role. Naturally they were not interested in buying the film, even though Hrishida was the director. They started finding faults with the film and raised ridiculous objections. Finally they told me bluntly- 'your hero looks like an ape. Do tell him to have a good hair-cut so that we can see whether he has ears or not!'

Zanzeer was released while Namak Haram , was still under-production. Amitabh arrived with a bang as the angry young man. His success suddenly revived distributors' interest in the film Now, not only they liked Amitabh's ears covered with his hair, but also wanted his role to be lengthened. They even suggested that he be given prominence in the press and poster publicity!"

However, the most telling comment on this changing scenario came from the barbers of Bombay. Before the release of Zanzeer , they used to offer a Rajesh Khanna hair-cut for Rs.3 and Amitabh one at Rs.2. But after Zanzeer , the rates were reversed!".



At no point of time did Amitabh EVER look like an ape!!!!!!!!!
punjini thumbnail
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Posted: 19 years ago
Jaya, thanks for the interesting titbits about Hrishida's movies!
Qwest thumbnail
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Posted: 19 years ago

Shri Hrishikesh Mukherjee has been named as the recipient of 1999 Dada Saheb Phalke Award. The Award is given by the Government of India to a film personality for outstanding contribution to the growth and development of Indian cinema. The Award consists of a Swarna Kamal, a cash prize of Rs. 2 lakhs and a Shawl. The award will be presented by the President of India on 18th September, 2000 along with National Film Awards.

Born in 1922 at Calcutta, Shri Mukherjee is a science graduate from Calcutta University. He worked initially as a teacher and a freelance artist at All India Radio. He joined New Theatres Studio in 1945 where he worked initially as a Laboratory Assistant and then as a film editor. His first full editing assignment was the film "Tathapi" (1950). He worked for Shri Bimal Roy as an assistant director and editor. His first directorial venture was the feature film "Musafir" (1957) that won a Certificate of Merit in the National Awards. His other acclaimed works include "Anari" (1959), "Anuradha" (1960), Anupama (1966), "Anand" (1970), "Guddi" (1971), "Abhimaan" 1973), "Namak Haraam" (1973), "Chupke Chupke" (1975), "Mili" (1975), "Arjun Pandit" (1976), "Naukri" (1978), "Golmaal" (1979), "Khubsoorat" (1980), "Bemisaal" (1982), "Rang Birangi" (1983), "Jhoothi" (1986), "Hum Hindustani" (TV) (1986), "Talash" (TV) (1992) and "Jhoot Bole Kaua Kata" (1998).

Shri Hrishikesh Mukherjee has won several National Awards. He has also served as the Chairman of the Central Board of Film Certification, Bombay and the National Film Development Corporation, Bombay.

The first award was given to Smt. Devika Rani in the year 1969. Shri B.R. Chopra was the recipient of this award for 1998.

Edited by Qwest - 19 years ago
Qwest thumbnail
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Posted: 19 years ago

Originally posted by: punjini

Jaya, thanks for the interesting titbits about Hrishida's movies!

punjini ji

I am agreeing with you.!!!!!!!At no point of time did Amitabh EVER look like an ape!!!!!!!!!


Yes jaya great post and a very important thread.

*Jaya* thumbnail
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Posted: 19 years ago

Filmmaker Hrishikesh Mukherjee passes away

ibnlive.com
GREAT LOSS: His magic lay not in the glamour or largeness but simplicity and warmth.

Mumbai: Legendary filmmaker Hrishikesh Mukherjee, who had been battling ill health for two months, died on Sunday at central Mumbai's Leelavati Hospital.

He had been admitted two months ago and was reportedly on dialysis, hospital sources said. Mukherjee suffered from kidney failure.

Hrishikesh Mukherjee, a Dada Saheb Phalke recipient, was born in Kolkata on September 30, 1922. More popular as Hrishida, he was one of the most popular and beloved filmmakers in Indian cinema.

His magic lay not in the glamour or largeness so often associated with cinema, but in its simplicity and warmth.

He leaves behind three daughters and a son. His granddaughters Tapur and Tupur Chatterjee are well-known models.

Hrishida began his career in Bombay in 1951 as an editor and assistant director to Bimal Roy, another great director.

His first directorial venture, Musafir (1957), was all about an old house where three unrelated stories dealing with birth, marriage and death occur in a series. While the film was a disaster, director Raj Kapoor was impressed with the film and he later recommended Hrishida as a director for Anari (1959), which had Kapoor himself and Nutan on the star cast.

Other notable films of Hrishida include Anuradha (1960), Asli-Naqli (1962), Anupama (1966), Aashirwad (1968), and Satyakam (1969).

Anand (1970), a classic film that gives a complex but compassionate look at the balance between hope, fear, life and death.

The film also saw Rajesh Khanna's greatest performance ever as a terminally ill man who wishes to live life to the full before he dies, is considered Hrishida's masterpiece.

Hrishida went on to direct some memorable hits, including Guddi (1971), Abhimaan (1973) and Chupke Chupke (1975).

Jhooth Bole Kauwa Kaate in 1999, which starred Anil Kapoor and Juhi Chawla as the lead pair was Hrishida's last movie.

REMEMBERING HRISHIDA'S FILMS </>

Jhooth Bole Kauwa Kaate (1998)

Talaash (1992)

Namumkin (1988)

Lathi (1988)

Hum Hindustani (1986)

Jhoothi (1985)

Achha Bura (1983)

Rang Birangi (1983)

Kissi Se Na Kehna (1983)

Sadma (1983)

Bemisal (1982)

Naram Garam (1981)

Khubsoorat (1980)

Jurmana (1979)

Gol Maal (1979)

Naukri (1978)

Kotwal Saab (1977)

Alaap (1977)

Arjun Pandit (1976)

Chaitali (1975)

Chupke Chupke (1975)

Mili (1975)

Phir Kab Milogi (1974)

Namak Haraam (1973)

Abhimaan (1973)

Bawarchi (1972)

Sabse Bada Sukh (1972)

Guddi (1971)

Anand (1970)

Pyar Ka Sapna (1969)

Satyakam (1969)

Aashirwad (1968)

Majhli Didi (1967)

Anupama (1966)

Biwi Aur Makaan (1966)

Gaban (1966)

Do Dil (1965)

Sanjh Aur Savera (1964)

Aashiq (1962)

Asli-Naqli (1962)

Chhaya (1961)

Memdidi (1961)

Anuradha (1960)

Anari (1959)

Musafir (1957)

Edited by jayc1234 - 19 years ago
*Jaya* thumbnail
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Posted: 19 years ago

This song is haunting me a lot, since the moment I heard the sad news...

Zindagi ...kaisi hai paheli, haaye
Kabhi to hansaaye kabhi ye rulaaye
Zindagi...

Kabhi dekho man nahi jaage peechhe peechhe sapno ke bhaage
Ek din sapno ka raahi chalaa jaaye sapno ke aage kaha
Zindagi...

Jinhone sajaaye yaha mele sukh-dukh sang-sang jhele
Wahi chunkar khaamoshi yu chali jaaye akele kaha
Zindagi...
Edited by jayc1234 - 19 years ago
*Jaya* thumbnail
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Posted: 19 years ago
Middle Class was Hrishikesh Mukherjee's forte

Shilpa Jamkhandikar in Mumbai

August 27, 2006 20:51 IST

Film director Hrishikesh Mukherjee's biggest achievement is that he successfully uncovered the face of the vast Indian middle class with its virtues and foibles and made it universally appealing on celluloid.

From the laugh-a-minute Chupke Chupke and Golmaal to the sensitive portrayal of a young couple battling their egos in Abhimaan, Mukherjee understood the nuances that characterised the middle class of the 1970s and depicted it with great skill mixing pathos, sarcasm and objectivity.

Shorn of the glamour and glitz that is so much a part of films in today's cinema, Mukherjee's films still manage to bring a smile tears whether it is Anand's (Amitbah Bachchan's) resounding Babu Moshai that echoes in the room minutes after the character played by Rajesh Khanna is dead or Rekha's daring disregard for rules that results in disastrous consequences in Khubsoorat.

Born on September 30, 1922 in Kolkata, Mukherjee began his cinematic career as an assistant to his guru Bimal Roy in 1951 and made his directorial debut with Musafir in 1957, an interesting film hat strung together three stories in the form three sets of tenants that occupy a house at various points in time.

Success however came with his next venture Anuradha (1960), a sensitive film about a doctor who neglects his family to focus on his work, winning him the President's Gold Medal.

From then on, there was no looking back for Mukherjee.

He made Anupama, a touching film about a daughter who yearns for her father's affection, a role that earned rave reviews for Sharmila Tagore. He followed it up with Ashirwaad and Satyakaam that saw macho man and action hero Dharmendra in a totally different role.

*Jaya* thumbnail
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Posted: 19 years ago

Bollywood mourns death of Hrishikesh

Press Trust Of India
REMEMBERING LEGEND: Hrishikesh Mukherjee was one of the most popular in Indian cinema.

Mumbai: The film industry on Sunday condoled the death of legendary filmmaker Hrishikesh Mukherjee describing him as a man who left an indelible mark on Indian cinema with his style of direction and view of life.

"His films carried the Hrishida stamp and he was there in every frame", actor-turned film maker Amol Palekar said. "I had the honour to work in his films and I can say that the experience was memorable", Palekar said. "I am proud that I got to work with him", he added.

Rajesh Khanna, who acted in Mukherjee's films like Anand and Bawarchi said: "Mukherjee will be with us forever. Every morning, I will remember him and the thoughts he gave me. Hrishida will continue to live in us for ever".

"Of the two oft-trodden paths of arts and commerce in filmdom, he adopted a middle path, that of humanity", he said. Singer and son of late Mukesh, Nitin Mukesh, said Mukherjee was "like my father".

"My late father worked with Mukherjee in some memorable films", Nitin Mukesh said and pointed out that "my father sang Kahin door jab din dhal jaaye in Mukherjee's film Anand. "Now, there is sunset over an era in Indian cinema", he said.

Maharashtra Chief Minister Vilasrao Deshmukh said that "with Mukherjee's demise, India has lost a film maker par excellence'. "Millions of film lovers will mourn Mukherjee's demise", he added.

Veteran actress Waheeda Rehman said Mukherjee was a sensitive filmmaker in whose films women had a dominant role.

"Unfortunately, I did not get a chance to work with him, although he told me several times that he would make me work in his films", Waheeda said.

"That did not materialise", she said. "I watched all his films except for the last one which he made with Anil Kapoor in 1998", she said.

Actor Anupam Kher said "after watching Hrishida's films, one wondered that such clean and wholesome films were still being made in India."

"God has stopped making people like Mukherjee", Kher said. "An era in Indian films has ended", he added.

*Jaya* thumbnail
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Posted: 19 years ago
yaa dil kee suno duniyaawaalon
yaa muz ko abhee choop rahane do
mai gam ko khushee kaise kah doo
jo kahate hain unako kahane do

ye fool chaman mein kaisaa khilaa
maalee kee najar mein pyaar nahee
hasate huye kyaa kyaa dekh liyaa
ab bahate hain aansoo bahane do

yek khwaab khushee kaa dekhaa nahee
dekhaa jo kabhee to bhool gaye
maangaa huaa tum kuchh de naa sake
jo tum ne diyaa wo sahane do

kyaa dard kisee kaa legaa koee
itanaa to kisee mein dard nahee
bahate huye aansoo aaur bahe
ab ayesee tasallee rahane do
😭
Edited by jayc1234 - 19 years ago
manjujain thumbnail
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Posted: 19 years ago

😭

Originally posted by: jayc1234

yaa dil kee suno duniyaawaalon
yaa muz ko abhee choop rahane do
mai gam ko khushee kaise kah doo
jo kahate hain unako kahane do

ye fool chaman mein kaisaa khilaa
maalee kee najar mein pyaar nahee
hasate huye kyaa kyaa dekh liyaa
ab bahate hain aansoo bahane do

yek khwaab khushee kaa dekhaa nahee
dekhaa jo kabhee to bhool gaye
maangaa huaa tum kuchh de naa sake
jo tum ne diyaa wo sahane do

kyaa dard kisee kaa legaa koee
itanaa to kisee mein dard nahee
bahate huye aansoo aaur bahe
ab ayesee tasallee rahane do
😭

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