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anu93 thumbnail
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Posted: 14 years ago

Originally posted by: radhikarani

Baap re anu. Thnx 4 infos. Itna bada 😲 mein nehi pad payi abhi tak. Surely read aftrwards.
.
So swt of u anu 🤗
.
cntrct her
anu@princely_state_info.xpert.hd
.
hd- hist dept



Anki🤗 haan ye toh sahi baat he thats its quite big info😲...mai janti thi tu itna sab eksath hajam nahi karegi😆...take ur time yaar humme koi jaldi nahi hai😛. I hope u ppl like my infos😳
Website acchi hai👍🏼
Quiz pic ko identify kar...

radhikarani thumbnail
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Posted: 14 years ago
for ritu

history of karwar city-

Karwar was an ancient site of sea trade visited by the Arabs, Dutch, Portuguese, Frenchand later the British. Ibn Battuta passed through this route during one or more of his journeys.

Significant and picturesque, the Sadashivgad fort of historical importance is now a popular tourist destination located by the Kali river bridge, which has been built at the confluence of the river and the Arabian Sea.

Portuguese

Cintacora as known to the Portuguese was a very old port and was also known as Chitrakul(Chittakula) and Sindpur. When Sadashivgad was built in this area, the village also came to be known by that name.

A fort existed at Cintacora which was captured and burnt by the Portuguese in 1510. They called it Pir fort due to the Muslim Dargah(Tomb of a Sufi Saint Shahkaramuddin) they found there - & was known in Portuguese language as Forte de Piro or Pito.

The creek at the mouth of the Kali River was a trading center from early days. It came into greater prominence after Sadashivgad was built and the Portuguese realized the advantages of its sheltered harbor.


British

In 1638 a rival English trading body, the Courteen Association, established a factory at Karwar (actually the village named Kadwad, situated 6 km eastwards on the banks of the Kali river). It was a trade port frequented by traders from Arabia and Africa. Baitkhol port (the current civil port of Karwar) was famous for its natural harbor. The name Baithkhol is an Arabic term, Bait-e-kol, meaning bay of safety. Muslin was the chief commodity purchased but Karwar was also a source for pepper, cardamom, cassier and coarse blue cotton cloth. Situated on India's west coast, 50 miles south-east of Goa, Karwar was noted for its safe harbour. In 1649 the Courteen Association united with the British East India Company and Karwar became a Company factory.


Sultan of Mysore

In the Treaty of Mangalore signed in 1784, between Tipu Sultan and the East India Company, one finds reference to Karwar andSadashivgad written as Carwar and Sadasewgude respectively


Maratha Empire

Karwar was a part of the Maratha Empire during the 18th century. After the defeat of the Marathas in the Third Anglo-Maratha War, it became a part of British territory. It was a part of the Bombay Presidency until 1950.


The British Empire

The British made Karwar their district headquarters in 1862. Since 1862, the time from which it came under Bombay Presidency, Karwar was described as a first rate harbour between Bombay and Colombo.

The 22 year old Rabindranath Tagore stayed with his second brother, Satyendranath Tagore, who was the district judge in Karwar.


The renowned Bengali poet and Nobel laureate Rabindranath Tagore, who visited Karwar in 1882, dedicated an entire chapter of his memoirs to this town


Notable people

  • Major Rama Raghoba Rane (Param Vir Chakra Awardee - 1948) from Chendia, Karwar.
  • Jayshree Gadkar (Noted Marathi movie actress and a star of Marathi cinema in the 1960s).Jayshree Gadkar was born in a Konkani speaking family at Kanasgiri village very close to Sadashivgad, Karwar

  • Oyster Rock Lighthouse
  • Karwar Beach
  • Devbagh Beach
  • Kurumgad Island
  • Kodasall
  • Binaga Beach
  • Tilmatti Beach
  • Majali Beach
  • Guddahalli Peak
  • Hyder Ghat Pass
  • Shirve Ghat
  • Devkar Falls
  • Anshi National Park
  • Durga Devi Temple
  • Naganath Temple
  • Shahkaramuddin Dargah, Sadashivgad (Tomb of a Sufi Saint)
  • Kot Shiveshvar
  • Mudgeri Dam
  • Jamiya Mosque,Shiveshvar
  • Chaitanya Park
  • Jamba
  • Sadashivgad Fort
  • High Church
  • Maruti Temple
  • Kali Bridge
  • Chendia Falls - Nagarmadi Falls (a small waterfall which passes under a huge rock)
  • Habbu Mountain (opp. Venkateshwara Gas Agencies)
  • Shri Kshetra Gurumath, Baad,Karwar
  • Shri Ayyappa Temple, KEB Road
  • Jai Santoshi Maata Temple, Nanadangadda, Karwar


The sea beach of Karwar is certainly a fit place in which to realize that the beauty of Nature is not a mirage of the imagination, but reflects the joy of the Infinite and thus draws us to lose ourselves in it. Where the universe is expressing itself in the magic of its laws it may not be strange if we miss its infinitude; but where the heart gets into immediate touch with immensity in the beauty of the meanest of things, is any room left for argument?

– Rabindranath Tagore





radhikarani thumbnail
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Posted: 14 years ago

Originally posted by: anu93



Anki🤗 haan ye toh sahi baat he thats its quite big info😲...mai janti thi tu itna sab eksath hajam nahi karegi😆...take ur time yaar humme koi jaldi nahi hai😛. I hope u ppl like my infos😳
Website acchi hai👍🏼
Quiz pic ko identify kar...


yes anu... thnxx]
i was reading the infos
but fir v complete nehi hui h 🤣

thnx for liking website😳


quiz- madhav rao
radhikarani thumbnail
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Posted: 14 years ago

welcome ritzzz


anu93 thumbnail
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Posted: 14 years ago
@Anki : Nice info 😊I did'nt knew so much about Karwar...Thanks a lot for sharing
Quiz : Wrong Guess...soch aur soch abhi maine 3rd Battle of Panipat ka itna bada clue diya hai...
anu93 thumbnail
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Posted: 14 years ago
Hint : He was Maratha Noble
anu93 thumbnail
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Posted: 14 years ago
Correct Ans Anki👏
post next quiz pic...
radhikarani thumbnail
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Posted: 14 years ago
😳 thnx anu😳

identify the manuscript of a famous work of a well known poet


radhikarani thumbnail
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Posted: 14 years ago

The Tale of Amrapali and Bimbisar

Hundreds of years ago, the Gupta dynasty ruled India for 150 years. The Guptas were intelligent and courageous. Their empire extended to Nepal, Assam and Punjab. Cities like Magadha, Ujjainand Vaishalinagari were also under their rule.

An experienced king ruled Vaishalinagari. His subjects were happy during his reign. After working throughout the day, they sought entertainment to relax themselves. One such type of entertainment was provided by 'ganikas' (dancers). A ganika named Amrapali was as beautiful as a nymph. She had captivating eyes. She was tender and had a fair complexion. Her long silky hair flowed like a cascade. She walked gracefully and her speech was sweet like honey.

Though she belonged to the middle class, her beauty matched that of the noble ladies of her time. Her dance performances left her audiences spellbound.

From War To Love:
Things continued as usual in both cities, until Bimbisar, the King of Magadha declared war on Vaishalinagari. The two cities were, as such, not on good terms with each other. Bimbisar was a tall, well-built and handsome young man with a magnetic personality, befitting a king. He was very ambitious and had a desire to extend his kingdom. So, he declared a war against Vaishalinagari. Though he fought with all his might, he was defeated. His cavalry fled to Magadha. Seriously wounded, he was unable to return to Magadha. He somehow managed to change his battle gear and disguised as a soldier of Vaishalinagari, entered the city. Wandering, he reached that part of the city, inhabited by the ganikas. Though disguised as a soldier, he was unable to conceal his magnetism. The ganikas had never seen so splendid a man in their lives. They led the wounded Bimbisar to the place where Amrapali lived. Her house was simply furnished. Taking Bimbisar for a soldier of Vaishalinagari, Amrapali readily welcomed him. That was their first meeting.

Bimbisar had never seen so charming a lady. Even the ladies of the harem of his kingdom were not so attractive. Amrapali also lost her senses for a while on seeing Bimbisar. It is rightly said that whosoever loved, loved at first sight. Both Amrapali and Bimbisar fell in love at first sight. Bimbisar, without losing time, decided to make her his queen.

Amrapali on the other hand thought that she would marry a soldier of her beloved Vaishalinagari. Before long, Amrapali and Bimbisar become intimate. In due course of time, Bimbisar addressed Amrapali as 'Priye'. As he had to conceal his real identity, he called himself a simple 'Sipahi'. He was always the 'dear Sipahi' for Amrapali.

Love Blooms:
During daytime they talked less, but their eyes always conversed. Amrapali's face glowed. Whenever Bimbisar glanced at her, she blushed and her cheeks turned red. When the darkness of night engulfed the earth, the lovers twined themselves in each other's arms.
Bimbisar often said, "Dear, I want to entangle myself in the locks of your hair and forget the world." Amrapali would answer in the same exotic manner by saying – "My dear Sipahi, even I want to forget the world in your arms. I often wish to delve deep in your watery eyes."

Ganika Turns Raj-Nartaki :
The happy days passed quickly. The excellence and the perfection of her dances earned Amrapali the status of a Raj-Nartaki (the main dancer of a court). Amrapali, a mere Ganika, now became the talk of the town. Her beauty, which was not noticed due to her low birth, made the noblemen her admirers. The noble ladies were jealous of her.

Bimbisar accompanied Amrapali to her palace. They were so deeply in love, that it was impossible for them to live without each other. As the sun is essential for a sunflower to bloom, so was the sight of each other necessary for both Amrapali and Bimbisar to remain alive.

When the dance performances were meant for the public, Bimbisar always witnessed them. The more he saw and knew her, the more he loved her. The inner self of Amrapali was as good as her physical beauty. Bimbisar was unable to control the outburst of his emotions for her.

Amrapali was now eager to marry him. But Bimbisar knew that if he would reveal his real identity to her, she would never marry him. Bimbisar further apprehended that she might even hate him. So under one pretext or the other, Bimbisar delayed the marriage.

A Critical Moment In Life:
Engrossed in their love, neither Amrapali nor Bimbisar knew what the future had in stock for them. Some jealous persons managed to find out that Amrapali's Sipahi was none other than Bimbisar, the king of Magadha. The news spread like fire. When the king came to know about it, he summoned Amrapali and interrogated her. She said that she did not know anything of that sort. Amrapali further pleaded that she loved 'Sipahi' and not the King Bimbisar. However, the king paid no attention to her utterances. Even Bimbisar was arrested. Amrapali was punished on the grounds of being a traitor.

The trust that Amrapali had placed on Bimbisar shook her for a moment. She was disappointed, as he had not revealed his true identity to her. But love is strong and cannot wither away.

Love Meets Tragic End:
The cruel, misanthropic world was not able to see the union of the two souls. Had Amrapali and Bimbisar married, peace and brotherhood would have prevailed between the two cities. But the inborn rivals of love never wished such a thing to happen. Both Bimbisar and Amrapali were executed.

Their love met a tragic end, satisfying the envious nature of the world. The love of Amrapali and Bimbisar was eternal. It did not view the enmity between their native cities. No barriers could affect their love. The two lovers were united in heaven, as their union on earth was not acceptable to their fellow citizens.

radhikarani thumbnail
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Posted: 14 years ago
Akka Mahadevi

was a prominent figure and Kannada poet of the VeerashaivaBhakti movement of the 12th century Karnataka
Her Vachanas, a form of didactic poetry are considered her greatest contribution to Kannada Bhakti literature. In all she wrote about 430 Vachanas which is relatively fewer than that compared to other saints of her time. Yet the term 'Akka' (elder Sister) which is an honorific given to her by great Veerashaiva saints like Basavanna, Chenna Basavanna, Kinnari Bommayya, Siddharama, Allamaprabhu and Dasimayya speaks volumes of her contribution to Kannada literature and the history of Karnataka. She is said to have accepted the god Shiva ('Chenna Mallikarjuna') as her mystical husband (similar to how centuries later Meera, a 16th century saint, considered herself married to Krishna).

Born in Udutadi (or Udugani) near the ancient city of Banavasi (in Shikaripura taluk Shimoga district). She was born in 1130CE and lived until 1160. She worked for the welfare of women

She is a prominent figure in the field of female emancipation and a person of mystical vision. A household name in Karnataka, she had said that she was a woman only in name and that her mind, body and soul belonged to Lord Shiva. During a time of strife and political uncertainty in the 12th. century, she launched a movement that made her an inspiration for woman empowerment and enlightenment. It is commonly known that she took part in many gatherings of learned at theAnubhavamantapa in Kudala sangama to debate about philosophy and attainment of enlightenment (or Moksha, termed by her as "arivu"). In search for her eternal soul mate, she made the animals, flowers and birds her friends and companions, rejecting family life and worldly attachment. The time was marked as height of foolishness of varnashrama dharma which only supported the three upper castes of Hindu society in India and suppressed the shudras and women.

Akka was a revelation here in that she not only rose for emancipation but also has sung vachanas which are so simple but of highest order.

It is said that Mahadevi was married by arrangement to Kausika but later did not as the king disrespected some conditions set by her. There were immediate tensions, however, as Kausika was a Jain, a group that tended to be wealthy and was, as a result, much resented by the rest of the population. Much of Akka's poetry explores the themes of rejecting mortal love in favor of the everlasting, "illicit" love of God, and this seems to be the path she chose as well.

She rejected her life of luxury to live as a wandering poet-saint, traveling throughout the region and singing praises to her Lord Shiva.

She travelled widely in search of emancipation and finally became a Sanyasini (woman saint) before settling down in Basavakalyana,Bidar district. Her non-conformist ways caused a lot of consternation in a conservative society and even her eventual guru Allama Prabhu had to initially face difficulties in enlisting her in the gatherings at Anubhavamantapa. A true ascetic, Mahadevi is said to have refused to wear any clothing—a common practice among male ascetics, but shocking for a woman. Legend has it that due to her true love and devotion with God her whole body was protected by hair.

All the sharnas of Anubhavamantapa, especially Basavanna, Chenna Basavanna, Kinnari Bommayya, Siddharama, Allamaprabhu and Dasimayya greet her with a word "Akka". In fact it is here onwards that she becomes Akka, an elderly sister. Allama shows her the further way of attaining the transcendent bliss of ultimate union with Lord Chenna Mallikarjuna. Akka leaves Kalyana with this fallowing vachana:

"Having vanquished the six passions and become The trinity of body, thought and speech; Having ended the trinity and become twain - I and the Absolute Having ended the duality and become a unity Is because of the grace of you all. I salute Basavanna and all assembled here Blessed was I by Allama my Master- Bless me all that I may join my Chenna Mallikarjuna Good-bye! Good-bye!"

This dramatic situation of Kalyana Parva in Akka Mahadevi's life is an indication of the beginning of the third phase of her life. In the first phase she had renounced the worldly objects and attractions and in the second, discards the entire object based rules and regulations and in the third phase she starts her journey towards Srishila, where her eternal lover Chenna Mallikarjuna's temple locates. Also it is the holy place of the Shiva cult since before the 12th century. Akka's journey of spiritual movement and social empowerment of womanhood ends especially at Kadali the nearby thick forest area of Shrisaila (Srisailam).

One of her famous vachana has a reason for this also which translates as

People,
male and female,
blush when a cloth covering their shame
comes loose

When the lord of lives
lives drowned without a face
in the world, how can you be modest?

When all the world is the eye of the lord,
onlooking everywhere, what can you
cover and conceal?

Her poetry exhibits her love for Chenna Mallikarjuna and harmony with nature and simple living.

She Sang:

For hunger, there is the village rice in the begging bowl,
For thirst, there are tanks and streams and wells
For sleep temple ruins do well

For the company of the soul I have you, Chenna
Mallikarjuna

Recent work on the period uggests that understanding Akka Mahadevi as an inspiration for 'women's empowerment' is a deeply anachronistic reading. Such readings it is argued were products of the colonial schemes of interpretation that initially took great interest in Virasaivism, for its declarations about Shiva as the only God. These fervent declarations by a devotee of the period were taken to be philosophical arguments for Monotheism.


Lalleshwari


(??????????) (1320–1392), also known as Lalla, Lal Ded or "Lal Arifa". She was a mystic of the Kashmiri Shaivitesect,and at the same time, a Sufi saint. She is a creator of the mystic poetry called vatsun or Vakhs, literally 'speech'. Known as Lal Vakhs, her verses are the earliest compositions in the Kashmiri language and are an important part in history of Kashmiri literature.

Lal Ded and her mystic musings continue to have a deep impact on the psyche of Kashmiri common man, and the 2000 National Seminar on her held at New Delhi led to the release of the book Remembering Lal Ded in Modern Times A solo play in English, Hindi and Kashmiri titled 'Lal Ded' (based on her life), has been performed by actress Mita Vashisht all over India since 2004

Lalleshwari was born in Pandrethan (ancient Puranadhisthana) some four and a half miles to the southeast of Srinagar. She married at age twelve, but her marriage was unhappy and she left home at twenty-four to take sanyas (renunciation) and become a disciple of the Shaivite guru Siddha Srikantha (Sed Bayu). She continued the mystic tradition of Shaivism in Kashmir, which was known as Trikabefore 1900.

Many legends and stories remain about Lalla. One in particular tells of how Lalla, who ignored the normal convention of dress, choosing to wander around naked, was teased by several children. A nearby cloth merchant scolded the children for their disrespect. Lalla asked the merchant for two lengths of cloth, equal in weight. That day as she walked around naked, she wore a piece of cloth over each shoulder, and as she met with respect or scorn, she tied a knot in one or another. In the evening, she brought the cloth back to the merchant, and asked him to weigh them again. The cloths were equal in weight, no matter how many knots were in each. Respect and scorn have no weight of their own.😕

There are various stories about Lal Ded's encounters with the founding fathers of Kashmiri Sufism. One story recounts how, when Sheikh Nooruddin Noorani (Nund Rishi) was born, he wouldn't feed from his mother. After three days, Lal Ded arrived and suckled him herself. She said to the baby that, since he hadn't been ashamed to be born, why should he be ashamed to drink from his mother's breast?😕

According to another story, when Lal Ded encountered Sheikh Ali Hamadani she jumped into a tandoor (clay oven) and, when the Sheikh lifted the lid, Lal Ded came out dressed in flowers. When asked why she was dressed for the first time Lal Ded replied, saying "Today I saw a man for the first time". However, this second story is disputed by some scholars as unreliable and as an example of how Islamic missionaries to Kashmir tried to expropriate Lal Ded for their cause

because she represented the pre-existing Kashmiri spirituality.

Her poems (called vakhs) have been translated into English by Richard Temple, Jaylal Kaul, Coleman Barksand Jaishree Odin.

Lal Vakh in Kashmiri

yi yi karu'm suy artsun
yi rasini vichoarum thi mantar
yihay lagamo dhahas partsun
suy Parasivun tanthar -138

Whatever work I did became worship of the Lord;
Whatever word I uttered became a prayer;
Whatever this body of mine experienced became
the sadhana of Saiva Tantra
illumining my path to Parmasiva. -138



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