Originally posted by: Sallufanno1
Faridoon_SJus got an sms 4m @taran_adarsh sir stating that Dabangg has beaten d Friday collection record of 3 Idiots...Wow!! via mobile web
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Originally posted by: Sallufanno1
Faridoon_SJus got an sms 4m @taran_adarsh sir stating that Dabangg has beaten d Friday collection record of 3 Idiots...Wow!! via mobile web
Sample these:
The Salman Khan starrer was released in 11 cinemas of Allahabad, which, in itself, is a record. What's more, it drew the first shows at all the 11 cinemas full!
In Jodhpur, Abhinav Kashyap's maiden directorial venture opened to thunderous response at not three but five cinemas. And the opening figures are historic. Ever since Salman got into legal trouble in the black buck hunting case in Jodhpur, his fan following in the city has grown manifold. Strange but true! Even then, the first day's collections there are unbelievable. The only multiplex of Jodhpur – Bioscope – has drawn all shows full for the day. At Anand cinema of Jodhpur, which has, for years, screened films only after their run at the good cinemas of Jodhpur is completed, that is, only after two, three or four weeks of the release of films, Dabangg opened today itself. And believe it or go to Jodhpur to check it out, all the five shows of today are house full.
Read Dabangg Review by Komal Nahta Here
At a small station like Wardha in C.P. berar, the film opened at two cinemas, which is not unusual. But what indeed is unusual is that it collected Rs. 1,01,000 at one cinema (Durga), which is a record for Wardha. In other words, no film to-date has netted a lakh of rupees on the opening day.
In Nagpur, an 'A' class centre of C.P. Berar, the film opened in all the four multiplexes and five single-screen cinemas. The first two shows at each of the five single-screen cinemas were full, again an unparalleled feat. The last two shows of the day may also be full, but the figures are yet to come in. The opening day's collections in the multiplexes of Nagpur are also phenomenal.
The story is the same whether it is Bombay, Delhi, Pune, Lucknow, Kanpur, or smaller centres like Raipur, Ajmer, Aurangabad or anywhere else. Clearly, the Dabangg epidemic had the nation in its grip; and the patients seem to have found their cure in Dabangg the film.
The response in the theatres is to be seen to be believed. People are going wild with excitement, applauding Salman's dialogues and action scenes, dancing in the aisles or even on their seats on the Munni badnaam huyi song. Crowds of hundreds of people without tickets, well after the show has begun, is a common sight at many cinemas screening the film. And today is not even Eid. Imagine what the position will be tomorrow when the devout Muslims, who may not have gone to the cinemas today, clamour for tickets to see their favourite Salmanbhai.
Indeed, a great Eid for the Khan khandaan as well as the Hindi film parivaar!
Critic's Rating: 4.0 Cast: Salman Khan, Sonakshi Sinha, Arbaaz Khan, Sonu Sood Direction: Abhinav Singh Kashyap Genre: Action Duration: 2 hours 5 minutes Readers Rating: 4.0 |
Director: Abhinav Kashyap
Who'd have thought one caterpillar moustache and a pair of Ray Ban Aviators (that he dangles from the back collar of his shirt, by the way) is all it needed to finally turn Salman Khan into a wholesome character on screen?
Kashyap's haphazardly plotted film is set in a small town in Uttar Pradesh, where Chulbul Pandey is a lovable but corrupt cop who steals from the bad guys and passes on some of the cash to those in genuine need. In a thoroughly enjoyable opening set piece that defines the tone of this film, he single-handedly vanquishes a gang of armed crooks, with only a water hose at his disposal.
The action in this movie has a distinctly comic-book feel to it, reminiscent of those popular Tamil B-movies. Villains are repeatedly whacked on the head with iron rods, and glass slabs are smashed into their faces, yet it's not the kind of visceral violence that makes you turn away your face disgustedly. Filmed mostly in slo-mo, and involving several gravity-defying gimmicks these action scenes, choreographed by Telugu cinema veteran S Vijayan, are the sort that are likely to elicit wolf-whistles.
Salman never shies away from mixing up the silly with the serious; and in fact some of the film's most entertaining scenes are borne out of this formula. When the mobile phone of the villain's henchman goes off in the middle of a fight, Chulbul breaks into a jig set to the musical caller tune. And in a later seemingly serious confrontation scene with a crooked local politician, he breaks into splits himself on delivering a cheap-but-hilarious threat that is too crude to repeat here.
Infusing the film's action, dance and comic portions with a pedestrian stylishness that is entirely original and inexplicably endearing, Salman is consistently watchable despite the flawed script. Kashyap's plot is centered on Chulbul's animosity towards his stepfather and half-brother (played by Vinod Khanna and Arbaaz Khan), and his clash with a politician-thug (played by Sonu Sood). The domestic discord is a weak link that's never substantially explained or justified; and this is the kind of predictable film in which the villain will exploit the hostility between the brothers to get back at Chulbul.
Blame it on the disjointed screenplay if Dabangg works not so much as a coherent, consistent film, but as a string of set-pieces. As a result it feels way longer than its two-hours-and-five-minutes running time, and the climatic action scene that takes place outside the villain's den seems never-ending.
The track that stands out in this fractured narrative is the playful romance between Chulbul and Rajo, the daughter of a local drunk who he practically bullies into falling for him. It helps that newcomer Sonakshi Sinha has a smoldering presence, and is never lost even in scenes in which she has nothing to do. For a change, the half-dozen or so songs in this film are a welcome distraction because they're distinctly melodious, and because Salman bursts life into them with his comical performance. The imaginatively shot title track, and the Munni badnaam hui item song (filmed on Malaika Arora) are particularly memorable.
Intended as a throwback to those masala 70s potboilers set in the hinterland of India, Dabangg has the ambition and the imagination, it appears, but suffers on account of schizophrenic writing. The film's second half is tiresome to sit through, particularly those long, plodding scenes in which Sonu Sood's character plots his revenge on Chulbul. One isn't looking for an intelligent storyline or character depth in this kind of movie, but there is no excuse for the uneven pacing, and for the film's middle portion that is unmistakably boring.
Of the supporting cast, Vinod Khanna has precious little to do but scowl, and Dimple Kapadia as Chulbul's mother hams it up till your sides hurt from laughing. Arbaaz Khan is sadly wooden, but Sonu Sood makes an impression as the smiling bad guy.
The film then belongs to Salman Khan who dives into the character with an enthusiasm we haven't seen before. He relishes every moment of delivering those cocky lines, and turns Chulbul Pandey into possibly the most enduring character he's ever played.
You're laughing when his shirt rips open in the movie's climax by the sheer flexing of his muscles, but that's a good metaphor to describe this film even. An ordinary, at best average film, Dabangg can barely contain the presence of its larger-than-life star.
I'm going with two-and-a-half out of five for director Abhinav Kashyap's Dabangg. Watch it strictly for Salman, who delivers enough bang for your buck!
Rating: 2.5 / 5
watch
https://www.indiaforums.com/article/dabangg-director-calls-salman-khan-badtameez-and-ganda-insaan-alleges-khan-family-sabotaged-careers_226874
Param Sundari review and box office https://x.com/umairsandu/status/1960372607494115457?s=46 t=gmo_g396jwmtO4eUOAuljw
Do you wanna partner review thread- Tamanna Diana Nakuul...
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