leoni thumbnail
19th Anniversary Thumbnail Voyager Thumbnail
Posted: 19 years ago
#1

Mini biography

One of the greatest playback singers in Bollywood history, Asha Bhosle has recorded over 10,000 songs for over 800 movies. Although every class (ghazals, pop, etc) of song was within her vocal range, her speciality was in sensual songs or Western-styled songs - she had an uncanny knack for making every actress she sung for, from Zeenat Aman to Urmila Matondkar, smoulder on screen as never before.

Born on 8 September 1932, Asha, like her sister, was trained by her father, Adinath Mangeshkar, in classical music, and it was only a matter of time before she too turned to playback singing. She made her
debut with the film Chunaria (1948), but it took her a long time to make it to the top. Between 1948 and 1957, she sang more songs than any other playback singer, but the majority of these were in small, indistinct films - and whatever big film she got a chance to sing in, it was usually for the heroine's best friend or in a duet with bigger singers like Shamshad Begum, Geeta Dutt or her own sister. And unfortunately having made an ill-advised marriage that alienated her from her family, she had no choice but to take up all available assignments to provide for her children.

However, in 1957, she got her big break with composer O.P. Nayyar in the films
Tumsa Nahin Dekha (1957) and Naya Daur (1957). And 1958 saw the release of three of her films: Lajwanti (1958), Howrah Bridge (1958) and Chalti Ka Naam Gaadi (1958); their hit songs took Asha right up to the top. Thereafter, she became Nayyar's premier singer until the early 1970s, and they created musical magic together, particularly in the films Phir Wohi Dil Laya Hoon (1963), Mere Sanam (1965), Humsaya (1968), and Pran Jaye Par Vachan Na Jaye (1974).

Initially Asha's singing style was initially reminiscent of Geeta Dutt, but she soon overcame that and evolved her own distinctive style. Her voice possessed a lilting, versatile quality that could capture any song at any form or scale. By the end of the 1960s she was second only to her sister Lata, and the two of them were the queens of Indian playback singing right through to the 1990s. However, in spite of her incredible vocal range, she was getting typecast in singing sensual songs.

The 1970s saw her start a new relationship (which eventually became her second marriage) with composer Rahul Dev Burman - and so saw the birth of a great combination. A master of 1970s pop and disco music, Burman gave Asha a hip and happening sound altogether, and the two of them made their greatest hits in _ Hare Raama Hare Krishna (1971)_ ,
Jawani Diwani (1972), Yaadon Ki Baaraat (1973) and Hum Kisi Se Kum Nahin (1977). Unfortunately, she again got stereotyped, this time in singing mainly Western-styled songs.

However, in 1981, the composer Khayyam revealed another, more lyrical quality to Asha's voice. Their collaboration in the Urdu film
Umrao Jaan (1981), where the songs were mostly poetry, reveal some of her finest songs. And Ijaazat (1987), another such film, got her the National Award! Today, unlike her sister, she has remained active in playback singing - she still makes actresses sizzle in songs, most notably in the films Rangeela (1995), Dil To Pagal Hai (1997) and Taal (1999). She has also released several Indipop (Indian pop) music albums, and their success has reaffirmed Asha's.

Recently, she has been nominated for the prestigious Grammy
Award for Best Contemporary World Music Album. Even at 74, there is no stopping Asha Bhosle...

Edited by leoni - 19 years ago

Created

Last reply

Replies

10

Views

1.4k

Users

4

Likes

3

Frequent Posters

Sur_Sangam thumbnail
19th Anniversary Thumbnail Dazzler Thumbnail Engager Level 1 Thumbnail
Posted: 19 years ago
#2
Thanks Leoni ji for a great article!
leoni thumbnail
19th Anniversary Thumbnail Voyager Thumbnail
Posted: 19 years ago
#3
Welcome Sur_sangam..... 😊
Qwest thumbnail
19th Anniversary Thumbnail Rocker Thumbnail Networker 1 Thumbnail
Posted: 19 years ago
#4
Leoni,
Aa-tu Din Kothai lukiya chila, Great post keep it coming, Thanks for the article.!!!!!
Edited by Qwest - 19 years ago
leoni thumbnail
19th Anniversary Thumbnail Voyager Thumbnail
Posted: 19 years ago
#5

Originally posted by: Qwest

Leoni,
Aa-tu Din Kothai lukiya chila, Great post keep it coming, Thanks for the article.!!!!!

Bob da…Thnx for appreciating my post…it's a great honour for me to get appreciation from great knowledgeable and intelligent person like you...... 😳

uknaik99 thumbnail
19th Anniversary Thumbnail Rocker Thumbnail + 2
Posted: 19 years ago
#6
Thanks for sharing... 😊 😊
Qwest thumbnail
19th Anniversary Thumbnail Rocker Thumbnail Networker 1 Thumbnail
Posted: 19 years ago
#7

Asha Bhosle!!!!!!


The Queen of Indipop. She is considered by many to be one of the greatest playback singers in Bollywood history having recorded over 10,000 songs for over 800 movies! Although Asha can tackle a number of song styles ranging from ghazals to pop, her specialty lies in sensual Western style songs.

Asha sang for her first film "Chunaria" in 1948 when she was still a teenager, but didn't really make it big until 1957 when she teamed up with composer O.P. Nayyar for the films "Tumsa Nahin Dekha" and "Naya Daur. The success of those two hits took Asha straight to the top of her game. She would be Nayyar's premier singer until the early '70s.

In the '70s, Asha began a new relationship with legendary composer R.D Burman who gave her a more hip sound and who she would eventually marry.
Even in her 70s, Asha is still recording music for films and albums today, most recently with 2006's "Darna Zaroori Hai" and 2005's "Bhagmati."

Edited by Qwest - 19 years ago
Qwest thumbnail
19th Anniversary Thumbnail Rocker Thumbnail Networker 1 Thumbnail
Posted: 19 years ago
#8
Asha Bhosle is one of the greatest playback singers in Bollywood history
QUICK FACTS:

Asha Bhosle

Nickname: The Queen of Indipop
Date of Birth: 8 September 1933
Sign:
Height:
Weight:
City: Satara, Maharashtra
Country: India
Mother: Shudhhamati
Father: Pandit Dinanath Mangeshkar
Siblings: sisters Meena, Lata, Usha and brouther Hridaynath
Children: sons Anand Bhosle and Hemant Bhosle, daughter Varsha
Marital status: widow
Spouse: Rahul Dev Burman
Ex-spouse: Ganpatrao Bhosle
Education: Honorary Doctrates from the University of Amravati and University of Jalgaon in Literature
Likes:
Favorite food:
Favorite color: white
Favorite clothes: white sarees with sparkling embroidery
Her hero: Mohammad Rafi
Her heroine:
Other facts: Asha runs a restaurant in Dubai
Hobbies: cooking
Occupation: indian singer
Languages: hindi, english

Edited by Qwest - 19 years ago
Qwest thumbnail
19th Anniversary Thumbnail Rocker Thumbnail Networker 1 Thumbnail
Posted: 19 years ago
#9

Dreamful of Asha
An Indi-classical mash-up reimagines filmi's playback queen as new soundtracks reimagine Bollywood itself

by Richard Gehr
December 5th, 2005 6:43 PM
Movies are daydreams, more or less. And Bollywood musicals—with their obligatory context-obliterating production numbers dropped like bursts of more nocturnal pleasures into three-hour films—are dreamier still. (Even next year's Planet Hollywood invasion of Mumbai won't diminish that.) Violinist David Harrington's Kronos Quartet begin You've Stolen My Heart, their dreamy and ecstatic contemplation of quintessential filmi composer Rahul Dev Burman (1939–94), with a deep inhalation introducing "Dum Maro Dum" ("Take Another Toke"), a song from the 1971 hippie drug classic Har Raama Har Krishna that advises listeners, "Let your sorrows slip away." The music is an electric curry of sweeping overdubbed strings playing a blend of devotional music and action film motifs. The high, heavenly Urdu vocals belong to Asha Bhosle, 72, both the most prolific "playback" singer in Bollywood history and R.D. Burman's widow. Asha's voice has thickened and deepened over the years and now resembles viola more than violin. One imagines Bhosle, who provided the singing voice of countless actresses who've remained forever young while she ages, approaching this classic material—think deeply poetic Cole Porter meets deeply eclectic Bernard Herrmann—with an inevitably contemplative spirit. The oneiric ambience continues on "Rishte Bante Hain," where her overlapping phrases float like clouds over Kronos's swelling strings, Indian percussion master Zakir Hussain's tablas, and an electric sitar played by pipa virtuoso Wu Man, whose Chinese lute fills in for Burman's original Indian dulcimer and lute.

Kronos signaled their appreciation of filmi with the rendition of Burman's "Aaj Ki Raat" that appeared on 2000's Kronos Caravan. You've Stolen My Heart contains both hits like "Piya Tu Ab To Aaja"—with its panting steam engine vocals and echoing cries of "Mo-nee-ka!"—and wonderful obscurities like the sassy "Koi Aaya Aane Bhi De." Four instrumentals give each Kronos member an opportunity to strut his or her respective stuff, with cellist Jennifer Culp's "Nodir Pare Utthchhe Dhnoa" a heartbreaker. Dozens of previously unheard tonal colors, sonic details, and subtle vocal inflections emerge with each new spin of this rich confection, making Kronos and Bhosle's mash-up more reimagination than replication.

While no other filmi composer's work quite equals Burman's scintillating '70s masterpieces, he has at least one formidable successor in Allah Rakha Rahman. Still in his thirties, Rahman has been writing hit film scores for a decade, and in interviews decries the decline in quality film songs. His music for the recent musical-historical epic Mangal Pandey: The Rising, however, proves he's not just Jack White to Jimmy Page. Rent the movie, a rich, controversial, and often cartoonish history lesson (Pandey has been mythologized as India's first anti-colonial martyr) punctuated by cannabis-infused bhang swigging and dancing nautch girls (courtesans); then buy the album at your favorite appliance store around Lexington and 28th. Dig the rusticated Punjabi beats, the smooth mujra numbers, and my favorite, the groovy qawwali track "Al Maddath Maula," where Rahman (as Burman sometimes did) makes a rare vocal appearance. Less demo-driven than elsewhere, mainstream Hindi films strive to entertain the whole family. And I don't gather that young desi audiences are altogether dismissive of the older likes of Burman and Rahman, at least not yet. Indeed, the star music-direction team of the moment is Vishal Dadlani and Shekhar Ravjiani, whose soundtracks from two recent hit films demonstrate the pair's knack for juxtaposing old Bollywood's folk-pop-classical blend with the high-NRG dance beats the latest generation of kiss-kiss-bang-bang films demand.

Even a high-style thriller like Dus has an opening dance sequence, and Vishal-Shekhar's score contains a half-dozen Hinglish-language bhangra and techno-rock variations (including "Dus Gahane" and "Adrenaline Nitrate"). However, I sense Indian fans would dismiss the tracks I like most: Kansas-Karnatic psychedelia such as "Saamne Rati Ho" and the oozingly sensual "Jaaniye Ve." Vishal-Shekhar's pop aesthetic is even more highly pronounced in Salaam/Namaste, a superslick sex comedy shot in a hyper-MTV style, with an unexpectedly transgressive twist. Infectious indeed, and don't be surprised when the sweet science behind dancefloor sizzlers like "What's Goin' On" and "My Dil Goes Mmmm" bounces right back to its Western source material.






Edited by Qwest - 19 years ago
Qwest thumbnail
19th Anniversary Thumbnail Rocker Thumbnail Networker 1 Thumbnail
Posted: 19 years ago
#10
The Queen of Indipop</>
Indian music experienced one of its proudest moments when playback singer Asha Bhonsle was nominated to the Grammy Awards for the second time on December 12. It is a fitting tribute to her late husband and music director 'Pancham' Rahul Dev Burman. The legendary singer has been nominated to the Best Contemporary World Music category for her album You have Stolen my Heart: Songs from R.D. Burman's Bollywood. She emotionally said that the nomination to the prestigious awards was an award by itself. Asha, who said she missed Pancham tremendously, revealed that the album was recorded in San Francisco in eight days with non-Indian technicians who were enthralled by the late music director's music. Asha had earlier been nominated for this award for Legacy, an Indian classical music-based album along with Ustad Ali Akbar Khan. Mera Kuchh samaan tumhare paas pada hai... is her favorite number in the album since it brings back fond memories of her late husband.

The famed rivalry with elder sister Lata Mangeshkar did exist but it was a healthy one. Her determination to establish her own identity and not copy the style of her famous sister helped her carve her own niche, she revealed.

The 72-year-old Bhosle talked at length about her late husband and Asha was heartened to see that current composers were copying Pancham's style that was way ahead of his time. She would continue to dedicate her life to music and was grateful to all those who helped her.

In the meantime, Pandit Ravi Shankar's daughters Norah Jones and Anoushka Shankar have also been nominated for the Grammy awards. Asha was ecstatic about Anoushka's nomination though she had not heard Norah's music yet. Anoushka is in contention for her album Rise, while Norah has been nominated for Virginia Moon.

Edited by Qwest - 19 years ago

Related Topics

Top

Stay Connected with IndiaForums!

Be the first to know about the latest news, updates, and exclusive content.

Add to Home Screen!

Install this web app on your iPhone for the best experience. It's easy, just tap and then "Add to Home Screen".