Originally posted by shaz2009
Rashid becomes Tarzan and Dharmedra rolled into one...
"Razia Mein Teri Khoon phi jaounga"..."Choke choke, there you go"
Asad throws his two year old tantrum...Juniour hulk starts metamorhosizing from within..😲...thus takes to breaking furniture as no one within reach for him to slap.😃...Aaj Zoya toh baach gayi...bechaara furniture ki to toh pari.🤢...and Dilshad has lost the plot completely...zombified and possessed by Asad's slap ghost..😕
and me hiding out under the table waiting for the diraama to stop!
🤢
Originally posted by nikolai_gogal
I was telling a drama school friend that first time in my life I have started watching melodrama and I like it. She suggested some literary works and a play and I realized that I like the moments where I feel intense emotions( extreme pain/ anguish). And sometimes QH gets it so right but many times you dont need OTT kind of stuff(slapping, throwing things, background music). It just makes things laughable and loud. Those intense emotions would be portrayed better through a great script because we already have decent actors
Exactly!All the right ingredients are all there, just lacking in screenplay,due to shoddy script.Desi drama's need to be able adopt to subtlety in actions,toning down of dialouges.A good actor and good writer/director has the ability to enthrall an audience just by excecutiion of sheer depiction of unsaid emotions,which is enough to keep us viewer's engaged.
This display of the laugh out loud and ear deafening loudness comes across as illiterate display of first class amateur's at work.
A little flinch of the facial muscle is sometimes enough to tell us that anger is intensified ,or a little smile or twinkle in the eye is enough to tell us that first love has. bloomed.Things dnt have to be spelled out to the T in visuals...some of us do actually get it without the ott ness!😃
Jhanak
Shiv Shakti
