Originally posted by: aimf
The return of the patriarch in today's episode did not do much to change the loveless and satirical dynamics of this strange family; in fact it just heightened them. Today we find that there is not much of a difference in Kamala's and Sarita's situation, or Sohanlal and Raj's situation:
Kamala and Sarita:
Both are stuck/choose to stay in a loveless marriage
Both have become hardened, jaded, and sharp-tongued as a result of this experience.
Both have to face their soutens (the other woman). Sohanlal flaunts his new wife around the house
without any qualms; while Raj keeps on holding a torch for his old flame in his heart. Soon, this is set to change with Divya's entry.
Sohanlal and Raj
In different ways are obsessed with women other than their current/legal wives. In Raj's case, it is a case of heartbreak due to love, with Sohanlal, it is a new indulgence. Soon the coming track will show Raj's love also living under the same roof, just like his father's, albeit under different circumstances.
Symbolism of the Fan
The fan appears to have an abiding presence in Raj's life, and particularly in Raj and Sarita's dynamics. In one of their first interactions, Raj switches off a fan in response to a rain-drenched and shivering Sarita. Raj is likewise switched off to any possibility of things circulating between him and Sarita, as the later scenes showed.
Next, when Sarita goes to tell him that she is leaving him, and they end up falling on each other, we see the shadow of the ceiling fan's blade repeatedly moving over Sarita's face. The repeated movements reminded me of marking time, each blade representing a year of wasted hopes and expectations in Sarita's life. In today's episode, as in the spoiler photos, Raj is shown to be taking apart a table fan. Perhaps this is a symbol of dwelling repeatedly on his fan-atic obsession with Divya.
aimf you forced me to glance at this weeks episodes!
Nice interpretation of symbolism and psychodynamics.
Yes, Kamala's and Sarita's situation, or Sohanlal and Raj's situation is very much similar on many levels ---- but there are some disparities too.
In addition to what you have written re:
1. Sohanlal and Raj's situation
There is the holding on to past, spent-out, unwanted emotions and living in a bygone faded era symbolized by trading and living in the midst of junk (raddi bhandaar).
Both father and son want to live a feudal life style where they can mistreat the women they have married by their words and actions. The father is overt and explicit, the son is covert and obtuse. The father is honest about his intentions, the son lives a lie and lacks the courage to be honest to himself, Sarita or anyone else. His father is right - Raj is unable to be an 'Honest MAN" (mardangi).
The son is hiding behind the junk - because he cannot confront himself!
The father deals in junk - because he would rather live in the older male-dominated lifestyle.
2. Sarita and Kamla's situation: Both are stuck/choose to stay in a loveless marriage. Both have become hardened, jaded, and sharp-tongued as a result of this experience
I would say Sarita is different - she is choosing to be sharp tongued as a defense mechanism when people goad her. She is sharp tongued with Divya - because she wants her to wake up to reality. Divya is a clueless, selfish (when it comes to Raj), and shallow woman. Sarita is sharp tongued with some members of Raj's family becuase they push her beyond endurance!
Sarita is a fighter. Even after 10 years, she is fighting for her rights. I like her peseverance, her willingness to face reality and correct errors in her thought process. Sarita has nothing to hide so she is upfront and open.
Edited by anonee - 12 years ago