It wasn't easy. For six days a week, Dhami has to play the eponymous character in Madhubala: Ek Ishq Ek Junoon, that of a modest young ambitionless girl who has forcefully been married to a man who doesn't love her. Wrapped in heavy saris or elaborate ethnic outfits, she weeps in almost every frame. "In Madhubala, for the last two months I've only been crying. I finished my glystick in a month," she says. "This (Jhalak) was more me; I'm not a very salwar kameez person." On Madhubala, Dhami gets ready in 15 minutes; on Jhalak, it took at least one-and-a-half hours. "For Madhubala, it's the standard look, the same make-up, same hair," she says. The challenge of Jhalak added a new dimension to her routine, which she says was physically exhausting. At one point she contemplated quitting, when her dance rehearsals would begin after a 12-hour shift of shooting for Madhubala.
Emotionally too, she says Jhalak was a challenge. "TV, by the end of it, becomes routine and there's nothing new that you're doing there. In Jhalak, I've done different things, be it emotional or fun, a Bollywood-item or a Paso Doble." Dhami, who grew up in Mumbai, never wanted to be part of television. "I didn't want to do TV because I'm a very lazy person and TV is taxing," she says. The audition for her first show Dill Mill Gayye in 2007 was an accident, the result of having to wait for a friend. Ever since she started doing the show, Dhami wanted to be part of Jhalak Dikhhla Jaa. "I watched Jhalak when Karan Singh Grover was on because we were doing Dill Mill Gaye. I used to go for his rehearsals and once I stood under the spotlight, I was like, 'Oh, so this is what it feels like!'" Through Jhalak, Dhami claims she has given Madhubala a new identity: People now see her as Drashti Dhami and not just "Madhu".
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