PATIL, my man..now you're a driver too...???https://www.india-forums.com/forum_posts.asp?TID=3412053
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PATIL, my man..now you're a driver too...???https://www.india-forums.com/forum_posts.asp?TID=3412053
Originally posted by: anastasia21
can we just all take a moment and applaud Padmini's such a spot-on aim. π
with balraj as a swaying target, partially shielded by her daughter, who was at gun point, i must say, she has a steady hand. π² right in the middle of the forehead.
Actually the idea of separation and/or misunderstanding has never - as far as I know - had any origin from the MEIEJ powers-that-be.π
It has always been something that starts off among the fanbase, and gathers steam until the eps negate whatever the latest potential reasoning is.But the storyline has so far never shown Madhu as the usual cliched Hindi heroine who needs to be placated and validated and is easily swayed.ππRather the opposite.π³ Having once understood the core of her husband's character, her faith in him and his love for her (despite his spectacular insecurity-induced blunders) has awed him and floored antagonists like Dipali.πThis must be the only serial where tracks are not stretched ad nauseum, especially the cliched soap-opera staple-diet tracks of separation and/or misunderstanding.βοΈBy not even permitting an apology from her husband, Madhu invariably shakes up the villains' plans and places herself at a formidably indomitable level.π³πThis is the kind of attitude ("I love you just the way you are, and I won't have you apologize.") that has previously always been showcased only by the powerful male leads in Hindi serials.π Madhu is the absolutely first time that a Hindi serial heroine hasn't played the ablaa-naari that the man must bend to and lower himself for.π Madhu doesn't consider herself less *or* weak, and has a damn good understanding that the man she loves has infuriatingly exasperating flaws balanced by virtues that he himself does not appreciate.πMisunderstandings happen and are sorted swiftly.πFor a misunderstanding to last for some time, it has to happen from RK's side and Madhu has to be unaware of what is going on in his mind.The moment she finds out, everything gets tackled and the villains don't get even a moment to gloat in continuing estrangement between the couple.π
Actually the idea of separation and/or misunderstanding has never - as far as I know - had any origin from the MEIEJ powers-that-be.π
It has always been something that starts off among the fanbase, and gathers steam until the eps negate whatever the latest potential reasoning is.But the storyline has so far never shown Madhu as the usual cliched Hindi heroine who needs to be placated and validated and is easily swayed.ππRather the opposite.π³ Having once understood the core of her husband's character, her faith in him and his love for her (despite his spectacular insecurity-induced blunders) has awed him and floored antagonists like Dipali.πThis must be the only serial where tracks are not stretched ad nauseum, especially the cliched soap-opera staple-diet tracks of separation and/or misunderstanding.βοΈBy not even permitting an apology from her husband, Madhu invariably shakes up the villains' plans and places herself at a formidably indomitable level.π³πThis is the kind of attitude ("I love you just the way you are, and I won't have you apologize.") that has previously always been showcased only by the powerful male leads in Hindi serials.π Madhu is the absolutely first time that a Hindi serial heroine hasn't played the ablaa-naari that the man must bend to and lower himself for.π Madhu doesn't consider herself less *or* weak, and has a damn good understanding that the man she loves has infuriatingly exasperating flaws balanced by virtues that he himself does not appreciate.πMisunderstandings happen and are sorted swiftly.πFor a misunderstanding to last for some time, it has to happen from RK's side and Madhu has to be unaware of what is going on in his mind.The moment she finds out, everything gets tackled and the villains don't get even a moment to gloat in continuing estrangement between the couple.π
Actually the idea of separation and/or misunderstanding has never - as far as I know - had any origin from the MEIEJ powers-that-be.π
It has always been something that starts off among the fanbase, and gathers steam until the eps negate whatever the latest potential reasoning is.But the storyline has so far never shown Madhu as the usual cliched Hindi heroine who needs to be placated and validated and is easily swayed.ππRather the opposite.π³ Having once understood the core of her husband's character, her faith in him and his love for her (despite his spectacular insecurity-induced blunders) has awed him and floored antagonists like Dipali.πThis must be the only serial where tracks are not stretched ad nauseum, especially the cliched soap-opera staple-diet tracks of separation and/or misunderstanding.βοΈBy not even permitting an apology from her husband, Madhu invariably shakes up the villains' plans and places herself at a formidably indomitable level.π³πThis is the kind of attitude ("I love you just the way you are, and I won't have you apologize.") that has previously always been showcased only by the powerful male leads in Hindi serials.π Madhu is the absolutely first time that a Hindi serial heroine hasn't played the ablaa-naari that the man must bend to and lower himself for.π Madhu doesn't consider herself less *or* weak, and has a damn good understanding that the man she loves has infuriatingly exasperating flaws balanced by virtues that he himself does not appreciate.πMisunderstandings happen and are sorted swiftly.πFor a misunderstanding to last for some time, it has to happen from RK's side and Madhu has to be unaware of what is going on in his mind.The moment she finds out, everything gets tackled and the villains don't get even a moment to gloat in continuing estrangement between the couple.π