Originally posted by: Manonids
<font face="Georgia, Times New Roman, Times, serif" size="2">hmmm It makes some sense. Even when RK saw madhu for the first time on bridge, he wasmesmerized seeing her there, and from there onwards, he started fighting himself not to think about her. Be it in revenge, he could not keep her away. She was in his mind every time, getting under his skin. Despite hurting her so many times, he could not get herself from his mind. Every time he tried to play around with her, he digs into Madhu all the more. Its like he has been fighting with himself from the first time he saw, to beat what he felt for her, but in the end, he surrenders to his attraction for madhu. Now, the attraction has turned into obsession, which he doesnt evenrealize.</font>
<font face="Georgia, Times New Roman, Times, serif" size="2">PS: glad that u made the post. its really good. do right often.😊</font>
I agree with you word to word. Even I feel that RK's first reaction when he first saw Madhu on that bridge was "Wow casting director has done a really good job of casting a beautiful girl as heroine this time" But later when Madhu clapped and called out his name then he realized that this girl is no heroine but someone else. Though RK mocked Madhu but he would have liked to cast Madhu in a movie opposite him, and would have tried to flirt with with her. RK was memerised by Madhu when she fell in his arms in her engagement party, though only for a split second but RK did admire MB's beauty in the bridal dress, that is why he taunted MB in his room saying "Tumhari jaise darzanoo gumti hai mere aage peeche". It was a double strike, he wanted to insult MB at the same time he wanted to reassure himself that he is not attracted to her, b'cos many beautiful girls like her are mad about RK. But he failed miserably. Had he not been attracted he would have allowed the director to insult Madhu, He would have not flirted with Madhu, occassionally by holding her by waist, feeding her coconut piece, holding her hand, cornerning her to the wall etc.