Commemorative Thread for Music and Musicians -vol 2 (Artist Discussion- Page 48

sapna_mera_toot_gaya.ht

https://youtu.be/vywZigBV19s?si=y2kD_Z5nEWB6WRTS

Sharabi aankhein gulabi

https://youtu.be/zPHL2ln1YWE?si=EnoxUYKTFjW0deIw

Abhi abhi thi dushmani

https://youtu.be/229VdJfnfzI?si=frj52rm0AhWLjKhf

kasam_khao_tum_ek_baar.

https://youtu.be/6xnvaq7FB0c?si=SaeSBogqp5Q5YHZR

Hai mera dil

https://youtu.be/H6ObiOrprKU?si=TbvvyNqqVMsT9z15

🌈Haste haste zindgi chahe...

Lyrics of Haste Haste Kat Jaye Raste - हँसते हँसते कट जाये रस्ते

hanste hanste kat jaye raste, zindagi yuhi chalti rahe

khushi mile ya gham, badlenge na hum duniya chahe badalti rahe

hanste hanste kat jaye raste, zindagi yuhi chalti rahe

khushi mile ya gham, badlenge na hum duniya chahe badalti rahe

hotho se bijli chamke jab, jab tu muskati hai

aa aa, sari hasinao se hansi tu ho jati hai

teri inhi bato se jaan me jaan aati hai

hanste hanste kat jaye raste, zindagi yuhi chalti rahe

khushi mile ya gham, badlenge na hum duniya chahe badalti rahe

chamka mera chehara, samne jab tu aaya

ho ho, tujhe laga jo hasin, wo hai tera hi saya

teri isi ada ne, aashiq mujhe banaya

hanste hanste kat jaye raste, zindagi yuhi chalti rahe

khushi mile ya gham, badlenge na hum duniya chahe badalti rahe

harpal har din hardam, tujhko dekhna chahu

oo oo, rab koi puje to puje, mai tujhe pujana chahu

aise hi chaha kare tu, aur bhala kya chahu

hanste hanste kat jaye raste, zindagi yuhi chalti rahe

khushi mile ya gham, badlenge na hum duniya chahe badalti rahe

https://youtu.be/hDeXNf_P32E?si=GKpNr0xLwH7Kkz9h

credit to rakesh ji & Rekha

❤️Credit to rakesh roshan in back ground and co star act ❤️ on all movies song above whom he acted 🪀

Aaj unse pehli mulakat

https://youtu.be/Eu95hzXozNM?si=kfWp43VXGqvk2_yk

Thoda hai thode ki jaroorat

https://youtu.be/H7Cf_3MOAFM?si=fzFh4cjCOnb3aH9H

Tu pyar tu preet wow rd burmen music

https://youtu.be/iKGQ_PotidM?si=BuaFZZtwgptAjpPL

wikipedia.org

Credit to them

Today is sep 8th - Birth Annivarsary of Legendary singer Asha Tai, Asha Bhosle Burmen.

P. Nayyar gave Bhosle a number of songs from 1952 to 1956, and she achieved success with B. R. Chopra's soundtrack of Naya Daur (1957). Her duets with Rafi like "Maang Ke Saath Tumhara", "Saathi Haath Badhana" and "Uden Jab Jab Zulfein Teri", penned by Sahir Ludhianvi, earned her recognition. It was the first time she sang all the songs for a film's leading actress. B. R. Chopra then approached her for several of his later productions, including Dhool Ka Phool, Gumrah (1963), Waqt (1965), Hamraaz (1967), Aadmi Aur Insaan (1969), Dhund (1973) and many more. O. P. Nayyar's future collaboration with Bhosle also resulted in success. Gradually, she established her status and received the patronage of such composers as Sachin Dev Burman and Ravi. Bhosle and O. P. Nayyar had a professional and personal parting of ways in the 1970s.[26] In 1966, Bhosle's performances in the duets from one of music director R.D. Burman's soundtracks, for the movie Teesri Manzil, won popular acclaim. Reportedly, when she first heard the dance number "Aaja Aaja", she felt she would not be able to sing this westernised tune. While Burman offered to change the music, she refused, taking it as a challenge. She completed the song after ten days of rehearsals, and "Aaja Aaja", along with such other songs as "O Haseena Zulfonwali" and "O Mere Sona Re" (all three duets with Rafi), became successful. Shammi Kapoor, the film's leading actor, was once quoted as saying, "If I did not have Mohammad Rafi to sing for me, I would have got Asha Bhosle to do the job". Bhosle's collaboration with Burman resulted in numerous hits and a marriage. During the 1960s and 1970s, she was the voice of Hindi film actress and dancer Helen, on whom "O Haseena Zulfon Wali" was picturised. It is said that Helen would attend her recording sessions so that she could understand the song better and plan dance steps accordingly.[27] Some of their other popular numbers include "Piya Tu Ab To Aaja" (Caravan) and "Yeh Mera Dil" (Don), among others.[citation needed]

In 1981, Bhosle attempted a different genre by singing several ghazals for the Rekha-starrer Umrao Jaan, including "Dil Cheez Kya Hai", "In Aankhon Ki Masti Ke", "Yeh Kya Jagah Hai Doston" and "Justju Jiski Thi". The film's music director, Khayyam, had lowered her pitch by half a note. Bhosle herself expressed surprise that she could sing so differently. The ghazals won her the first National Film Award of her career. A few years later, she won another National Award for the song "Mera Kuchh Saamaan" from Ijaazat (1987).[citation needed]

In 1995, 62-year-old Bhosle sang for actress Urmila Matondkar in the movie Rangeela. The soundtrack featured songs like "Tanha Tanha" and "Rangeela Re" sung by her, and composed by music director A. R. Rahman, who would go on to record several songs with her. During the 2000s, several of Bhosle's numbers became chartbusters, including "Radha Kaise Na Jale" from Lagaan (2001), "Kambakht Ishq" from Pyaar Tune Kya Kiya (2001), "Yeh Lamha" from Filhaal (2002) and "Lucky Lips" from Lucky (2005). In October 2004, The Very Best of Asha Bhosle, The Queen of Bollywood, a compilation album of songs recorded by Bhosle for albums and Hindi language films that were released between 1966 and 2003, was released.[citation needed] and did for 1995 Pakistani film Sangram .

Partnership with music directors

O. P. Nayyar

Music director O. P. Nayyar was the composer who transformed Bhosle's status from vampish roles to that of the heroine.[33]

Nayyar first met Bhosle in 1952, at the music recording of Chham Chhama Chham.[34] He then called her for a film called Mangu (1954), and gave her a big break in superhit films like Baap Re Baap (1955), Ham Sab Chor Hain (1956), C.I.D. (1956), Duniya Rang Rangeeli (1957), Mr. Qartoon M. A. (1958) and many more. However, it was the success of Naya Daur (1957) that made the duo popular.[citation needed] After 1959, she was emotionally and professionally involved with O. P. Nayyar.[citation needed]

The team of O. P. Nayyar and Bhosle is best remembered for their breezy and sometimes sirenish songs.[citation needed] Some good examples of their sensuous numbers are "Aaiye Meharbaan" picturised on Madhubala (Howrah Bridge, 1958) and "Yeh Hai Reshmi Zulfon Ka Andhera", (Mere Sanam, 1965). "Aao Huzoor Tumko" (Kismat, 1968) and "Jaiye Aap Kahan Jayenge" (Mere Sanam, 1965) were also popular. They also recorded songs for many hit movies like Tumsa Nahin Dekha (1957), Ek Musafir Ek Hasina (1962) and Kashmir Ki Kali (1964). O. P. Nayyar used the Bhosle-Rafi duo for his most popular duets such as "Mangke Saath Tumhara", "Uden Jab Jab Zulfein Teri" (both from Naya Daur), "Aap Yun Hi Agar Humse Milte Rahe", "Main Pyaar Ka Rahi Hoon" (both from Ek Musafir Ek Hasina), "Deewana Hua Baadal", "Ishaaron Ishaaron Mein" (both from Kashmir Ki Kali).[26]

Bhosle recorded her last song for O. P. Nayyar in the movie Pran Jaye Par Vachan Na Jaye (1974). The solo number "Chain Se Humko Kabhi" garnered many awards, but it was not included in the movie.[citation needed]

They separated on 5 August 1972. It is not clear what made them part their ways. On being asked the reason for their parting, O. P. Nayyar once said, "I know astrology very well. I knew that one day I had to part with her. Something also happened that upset me, so I left her."[34] Nevertheless, he also said "...now that I am seventy-six, I can say that the most important person in my life was Asha Bhosle. She was the best person I ever met."

The parting of Bhosle and O. P. Nayyar was bitter, and probably therefore she hesitated to give Nayyar his due. While talking about O. P. Nayyar in an interview with The Times of India, she once remarked, "Whichever composer gave me work, it was because my voice was suited to his music at that point. No one musician did me any favor by asking me to sing for him."[35] She gives the credit for her first big break to B. R. Chopra, the producer of Naya Daur.

Khayyam

Another music director who recognized Bhosle's talent early was Khayyam. Their partnership dates back to his first movie Biwi (1948), in which Khayyam was assistant music director. Khayyam gave her some good assignments in the 1950s, including Footpath and Phir Subah Hogi. However, their collaboration is chiefly remembered for the songs of Umrao Jaan.[36]

Ravi

Music composer Ravi considered Bhosle one of his favorite singers. She sang for his first movie Vachan (1955). The melodious lullaby from this movie, "Chanda Mama Door Ke" became an overnight hit among young mothers in India. Ravi got her to sing bhajans for the movies Gharana, Grahasti, Kaajal and Phool Aur Patthar, Ravi and Bhosle recorded a variety of songs, including the popular comic duet with Kishore Kumar :- "C A T...Cat, Cat Maane Billi" (Dilli Ka Thug). The bhajan "Tora Man Darpan Kehlaye" (Kaajal) attained great popularity.[37]

They also recorded songs for many popular movies like Waqt, Chaudhvin Ka Chand, Gumrah, Bahu Beti, China Town, Aadmi Aur Insaan, Dhund, Hamraaz and many more. For Chaudhvin Ka Chand, Ravi wanted Geeta Dutt (the wife of actor and producer Guru Dutt) to sing the songs. Guru Dutt insisted that only Bhosle could do justice with those songs, which has been proved.[20]

Sachin Dev Burman

Sachin Dev Burman was one composer who recognized the potential and versatility in Bhosle. He used Bhosle's voice, as well as her sister Lata Mangeshkar's. He had some misunderstandings with Lata from 1957 to 1962, and in that time Bhosle was his only female voice.[38] She and Burman Dada gave many songs in movies such as Nau Do Gyarah, Kala Pani, Kala Bazar, Insan Jaag Utha, Lajwanti, Sujata, Teen Devian and many more. They recorded many songs together after 1962 as well.

Rahul Dev Burman (Pancham)

Bhosle first met Rahul Dev Burman (also known as Pancham) when she was the mother of two and he was in 10th grade having dropped out to pursue music. Their partnership was first noticed in Teesri Manzil (1966). She went on to record a variety of songs with him - cabarets, rock, disco, ghazals and classical.

In the 1970s, Bhosle and Burman's youthful Western songs took Hindi film music by storm - the raunchy cabaret "Piya Tu Ab To Aaja" (Caravan, picturized on Helen), the rebellious "Dum Maro Dum" (Hare Rama Hare Krishna, 1971), the sexy "Duniya Mein Logon Ko" (Apna Desh, 1972) and the romantic "Chura Liya Hai Tumne" (Yaadon Ki Baaraat, 1973). Burman also recorded many hit duets with Bhosle and Kishore Kumar such as "Jaan-E-Jaan Dhundhta Phir Raha" (Jawani Diwani) and "Bhali Bhali Si Ek Soorat" (Buddha Mil Gaya).

In the 1980s, Burman and Bhosle recorded subtle numbers for films like Ijaazat (1987) - "Mera Kuch Saaman", "Khaali Haath Shaam Aayi Hai" and "Katra Katra". They also recorded the duet "O Maria!" (Saagar).

Bhosle used to call R. D. Burman "Bob". She married him in 1980. Their partnership lasted until his death.

R. D. Burman made her sing some of the most legendary songs in Bengali as well, namely "Mohuaye Jomechhe Aaj Mou Go", "Chokhe Chokhe Kotha Bolo", "Chokhe Naame Brishti" (Bengali version of "Jaane Kya Baat Hai"), "Baanshi Sune Ki Ghore Thaka Jaye", "Sondhya Belay Tumi Aami" and "Aaj Gun Gun Gun Kunje Amar" (Bengali version of "Pyaar Deewana Hota Hai") and many other songs.[citation needed]

Bappi Lahiri

Bhosle had a long collaboration with Bappi Lahiri, from the mid 70s to the mid 90s. Bhosle gave many songs under Bappi Lahiri, among which were Haathkadi (1982), Namak Halaal (1982), Sharaabi (1984), Himmatwala (1983), Mawaali (1983), Tohfa (1984) and Prem Pratigyaa (1989). The last duet of Kishore-Bhosle, "Guru Guru, Aa Jao Guru" from Waqt Ki Awaz (1988), also had music by Bappi Lahiri. Bappi Lahiri also composed the memorable ghazal "Kisi Nazar Ko Tera Intazaar Aaj Bhi Hai" for Aitbaar (1985), also sung by Bhosle

.R. Rahman

A. R. Rahman worked with Bhosle's on Rangeela (1995). She and Rahman went on to record more songs like "Mujhe Rang De" (Thakshak), "Radha Kaise Na Jale" (Lagaan, duet with Udit Narayan), "Kahin Aag Lage" (Taal), "O Bhanware" (Daud, duet with K. J. Yesudas), "Venilla Venilla" (Iruvar, 1999), "September Madham" (Alaipayuthey, 2000) and "Dhuan Dhuan" (Meenaxi, 2004).[20]

Jaidev

When S D Burman's assistant Jaidev started giving music independently, he got Bhosle to sing some of his songs as well. They worked in Hum Dono (1961), Mujhe Jeene Do (1963), Do Boond Pani (1971) and other movies. In 1971, the pair released an LP of eight non-film devotional songs and ghazals called An Unforgettable Treat. Bhosle considered Jaidev a close friend who stood by her when she was struggling personally and professionally. Upon his death in 1987, she released a compilation album of lesser-known songs he had composed for her, called Suranjali.

Shankar-Jaikishan

Shankar-Jaikishan worked with Bhosle in a number of songs, especially, from 1965 to 1972. Some hits of this trio including the seductive "Parde Mein Rehne Do" (Shikar, 1968). Bhosle got her second Filmfare Award for the song. She also sang "Zindagi Ek Safar Hai Suhana" (Andaz, 1971) for Shankar-Jaikishan, in which she tried to yodel like Kishore Kumar, whose version of the song is more popular. They also used her voice in films like Boot Polish (1954), Shree 420 (1955), Chori Chori (1956), Jis Desh Men Ganga Behti Hai (1960), Junglee (1961), An Evening in Paris (1967) and Kal Aaj Aur Kal (1971), Lal Patthar (1971), Aankhon Aankhon Mein (1972) among others. Bhosle gave all female vocals for the songs of Mera Naam Joker (1970) also.

Anu Malik

Composer Anu Malik and Bhosle have recorded many singles together starting from Poonam (1981), including songs for the hit films like Sohni Mahiwal (1984). Their most popular songs include "Yeh Lamha Filhaal Jee Lene De" (Filhaal) and "Kitabein Bahut Si" (Baazigar) among others. The voice of Bhosle in Anu Malik's "Jab Dil Mile" (Yaadein) stood out among voices of Udit Narayan, Sukhwinder Singh and Sunidhi Chauhan. Their last collaboration was on the song "Prem Mein Tohre" (Begum Jaan), which also received praise.

Other composers

Madan Mohan recorded a number of songs with Bhosle, including the popular folk number "Jhumka Gira Re" picturised on Sadhana from Mera Saaya (1966), some other films of Madan Mohan with Bhosle are Aakhri Dao (1958), Adalat (1958), Pooja Ke Phool (1964), Neela Aakash (1965), Neend Hamari Khwab Tumhare (1966) to name a very few. In Chhoti Si Baat (1976), Bhosle sang the "Jaaneman Jaaneman" number with K. J. Yesudas for Salil Chowdhury. Salil's 1956 movie Jagte Raho also had a number recorded by Bhosle, "Thandi Thandi Saawan Ki Phuhaar", Bhosle also had the lead for Salil Chowdhury in Amanat (1955). Bhosle sang many hit songs under C. Ramchandra in films like Insaniyat (1955), Raj Tilak (1958), Paigham (1959), Navrang (1959), Amar Deep (1958), Sharada (1957), Aasha (1957) among others, the superhit song "Eena Meena Deeka" (from Aasha, sung by Kishore and Bhosle in two different versions) was composed by C. Ramchandra.

Another Bhosle patron is the young composer Sandeep Chowta, who got her to sing "Kambakht Ishq", a trio with Sonu Nigam and Sukhwinder Singh for the movie Pyaar Tune Kya Kiya (2001). The song gained major popularity among the Indian youth. Vidyasagar recorded Bhosle's voice for a popular duet song "Konja Neram" for the Rajinikanth starrer Chandramukhi (2005) along with Madhu Balakrishnan.

Bhosle worked with Lata-patrons like Laxmikant-Pyarelal, Naushad Ali, Ravindra Jain, N. Dutta and Hemant Kumar. When Naushad was asked to sum up the essential difference between Lata and Bhosle, he said that Bhosle "lacks certain something which Lata, and Lata alone has." Later he stated in an interview, "Maybe I said it because I then had a closed ear on Asha".[39] Naushad, later in his life, also admitted that he had been unfair to Bhosle. Bhosle also worked with other noted Hindi film composers like Roshan, Chitragupt, Kalyanji-Anandji, Usha Khanna, Nadeem-Shravan, Jatin-Lalit and others.

7800 hindi songs beside most of other Languages songs she recorded including Gujrati

Tora Mann Darpan - Kajol

https://youtu.be/c44Ah24hr9M?si=ji9hYeQu5UvtiH-W

Ye ratein ye mausam nadi ka

https://youtu.be/zMGYCKr5trw?si=bZaVcXyhLs_OjZFD

Tere khayalon mein hum

https://youtu.be/nrhGQc-BbnI?si=r-b9R3ID_UArRTpg

Raat Baqi

https://youtu.be/FVhIPVDxsPQ?si=OqJmRh2bDlA422R2

Dum maro dum

https://youtu.be/kOrRYDJ4AuY?si=V_jjyBjUZeOTu1V_

Aaja Aaja Dekho

https://youtu.be/EOgirs8vE_A?si=-oZtMQoWaz56ZkeH

Aise dil diya nahin jata - ❤️ non- available (PPV ONLY

https://youtu.be/UwgLdlanTYc?si=62ZEAn5YpNbZ9yDJ

Kya teri zulfe hai

https://youtu.be/idk8_Cf8Gq4?si=xeQUYkSs9vEjuXq9

panchi re

https://youtu.be/rktTKtSH7DE?si=yDMJDJdqYWEzlalB

Jis din se meine tum ko

https://youtu.be/12KK-cqehgY?si=E8eKigokrtq5vc2n

Chura liya hai tumne

https://youtu.be/seFeZOgyFsc?si=U0oyL3iBatWVWgh9

mil gaya hum ko

https://youtu.be/aptqtgwL6PY?si=gEN09CtpC9Mj_fMm

Tum saath ho
https://youtu.be/KSuHOgDiq6Y?si=boWBiqYoFcgWsOJK

Do Lafso ki hai dil
https://youtu.be/waeAGdCvJd8?si=RxOPl9pjDIMAIAsi

leker hum deewana dil

https://youtu.be/RrUuinHru20?si=VqNdrz9MKtC2-5Vm