TERE BIN-Yumna Zaidi -Wahaj Ali DT #126 - Page 53

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Posted: 2 years ago

Originally posted by: arfanazneen


Bed pe toh khayr wo subha sota tha na..

Aur I feel aisa bhi bata sakte the ke she says tum bed pe so sakte ho and beech me pillow rakhlete

typical ITV 🤣

red: one time MB enter their room in the morning without kncking thank god he ws on the bed otherwise MB ka shuru ho jaata taane kasna 😆

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Posted: 2 years ago

Originally posted by: PrincessDiana

its tht age in life when they get crush on every good looking person n mostly in real life there is no one like fanatsy from serials etc.. most of them r even dreaming themself in fiction story

Well I think we all went through the phase when we were 15 or 16. But I don't know our generation was not that extreme like this kids from this generation. They direct twitter the actors. Threat them...hate mails...many more weird things.

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Posted: 2 years ago

Originally posted by: Kiwicy

Kuch toh chal raha tha. Kabhi bed pe kabhi sofa pe. Lagta hain koi game chal raha hai. 🤷🤷

In one scene he was sleeping on bed.. where she says bed Mera hai and mk says dehej me laayi thi and next he wakes up on bed. I thought it was same day but it was next day. Toh meerab bhi soyi thi bed par.

ye scene ka time samajh nahi aaya. he came early morning n she had just got up then he said "kal baat karte hain".. n slept off n then he wakes up in changed clothes its still day but he is searching for her ... may be she got dressed for the day n he changed and slept n woke up in the afternoon to search for her ... he cant sleep for 24 hours without any drama and action na 🤣

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Posted: 2 years ago

Originally posted by: arfanazneen


Usko insecurity hai na ke wo chodke chali jayegi and wo bolti bhi toh hai uske sone se pehle ke agar tumne nai bataya tum kahan the, toh I will leave

I think this is what the current track is all about. To let meenu let their inner demons and insecurities out and put it to rest forever.

No matter how much mk loves meerab he always thinks she will leave him. He was not afraid of her not accepting his love but he definitely feared her leaving him.

Meerab always had this conception that she can be brave enough to withstand this marriage problem. And not give herself away. Even at times when she softened towards mk she was able to backtrack.

It goes against her will. Coz if she allows herself to fall for mk and accept him then she has to accept all the wrongs happened as right. She is a girl who is all or nothing. No in between. So if she accepts murtasim then she has to accept Anwar as her father, that her dreams are no more, that waqas and anila are also right and victims in this scenario.

She is unable to do and she won't allow it to happen. But now as consummation happened. She has to accept it. She can't ignore the prblm. Prvsly there were no expectations from her from murtasim and meerab herself. Now the game has changed. There is no way for her to backtrack. If you listen the dialogue she tells farook and aunty that murtasim wants her to marry him forcibly. She is right there too. She still wanted to be in that phase only. Not accept that they have moved on from that.

So these insecurities and inner demons will have to be put rest.

Edited by Kiwicy - 2 years ago
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Posted: 2 years ago

Originally posted by: arfanazneen


Bed pe toh khayr wo subha sota tha na..

Aur I feel aisa bhi bata sakte the ke she says tum bed pe so sakte ho and beech me pillow rakhlete

TMD show mein new invention huwa haii wool the thread bech mein partion banake some haii i was like that is the point same bed same blanket. 😆

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Neutral Nomads

Posted: 2 years ago

Originally posted by: Winterberry

Raman was saas queen ! He has best dialogues.He and his mom deserve their own show on how to roast people.

But incase of Raman - Ishita audiences were not frustrated 🤣🤣 and rooting for them as in case of TB .


Agreed. Raman and his mom were too good. Then Raman's one liners, his improvisations were too good.


Yes. Audience were not frustrated bcz they did get their scenes and also both of them knew and made it obvious that they loved eachother. Confession and consummation was just a formality.


Yahan toh poore show me heroine just denied. Haha

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Posted: 2 years ago

Originally posted by: PrincessDiana

typical ITV 🤣

red: one time MB enter their room in the morning without kncking thank god he ws on the bed otherwise MB ka shuru ho jaata taane kasna 😆

MB enters the room she quickly takes her dupatta on her or else MB gets pota poti thoughts. 😆

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Posted: 2 years ago

Originally posted by: Winterberry

I know but TB DT has always been fun! We had arguments , debates , role plays and even predictions .

Everyone has diff opinion but decorum has been maintained most of time . Credit to Tanu ma’am .

We had plans for 100 thread but booom they gave us that katarnaak promo , shock of which we are still yet to come out.

👌👌Everything was going easy breezy then they really played the big game. The promo really changed everything.

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Posted: 2 years ago

Originally posted by: arfanazneen


Agreed. Raman and his mom were too good. Then Raman's one liners, his improvisations were too good.


Yes. Audience were not frustrated bcz they did get their scenes and also both of them knew and made it obvious that they loved eachother. Confession and consummation was just a formality.


Yahan toh poore show me heroine just denied. Haha

Yeh hai mohabbat was ekta's of the the best show in recent times. Raman and toshi was my favourite...how sassy raman bhalla was. I loved toshiji she was loud funny but positive. I dont mind seeing wahaj in such role actually I want a pak version of YHM wajah playing the RB's role. Will be cute and funny.

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Posted: 2 years ago

Originally posted by: PrincessDiana

typical ITV 🤣

red: one time MB enter their room in the morning without kncking thank god he ws on the bed otherwise MB ka shuru ho jaata taane kasna 😆

Right... Wo room na hogaya park hogaya.. everyone comes and goes as they wish. MB would've done taandav if she saw that her dher beta was sleeping on sofa. 🤣🤣🤣 bada maza aata dekhne mein.

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