Just a thought I have about something
I’ve tried really hard to not be mad at the writer all this time and I’m still trying. Because we do not know the end yet and we may get surprised. We’ve never been able to truly predict the future storyline.
If we can accept toxic male leads (Shamsher- he was a druggie, probably had killed or seriously wounded people before, and physically abusive- suddenly had a change of heart because he learns his father tried to kill his wife and in the process killed the innocent driver) then we should be able to accept an egoistic, selfish, dumb female lead who later has a transformation.
BUT…if they don’t intend to show her as Murtasim’s childhood love, I can’t get over Murtasim’s lack of a real reason to fall for her so deeply. Don’t tell me love is irrational, it just happens, it happens only once, blah blah. It’s not and it’s quite voluntary. Love takes effort. I have a much easier time buying that he’s instead just infatuated with his newly wedded wife thanks to her beauty, his hormones, their proximity and her challenge.
Second- this writer probably personally doesn’t know any city girls and any who pursue higher education/professional degrees because she really didn’t think her character through. Someone who aspires to study law has no ounce of critical thinking and rationality no matter how pampered she grew up? For gods sake- it seemed like she used to go to Waqas’s office and sit in on briefings. Did she not learn anything lol. How very strange.
Yeh cheezein hazam nahi ho rahi. But I really want to know..the writer wrote her story-great. However, a dozen people including the creative heads, directories, actors may have read the story before it went into production. Are changes to script not allowed? Surely more than one person must’ve thought this doesn’t make full sense and could’ve modified the story or certain events? What am I missing here? Or maybe we are indeed judging it all too early
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