Originally posted by: Ashley.Tisdale
Nadeem-Shravan were highlighted but they were not the only composers who gave music or whose music was popular. If that was the case then why would people listen to the songs of DDLJ, KKHH, Vishwatma, Baazigar, Khiladi, Coolie No 1, Dulhe Raja?
Sajid-Wajid followed the same genre and footsteps as Anand-Milind, but to say that their songs were more energetic is absurd. S-W had more of digitally produced rhythm, owing to the change in time, whereas Anand-Milind used over 100 musicians in every song. A-M definitely had varied rhythms and much more liveliness in those masala numbers of theirs. In fact, you can go listen to A-M's version of Tere Mast Mast Do Nain on YouTube, I never thought that song could have had so much variation. PS: No typical tabla-dholak rhythm.
Salim-Sulaiman, Vishal-Shekhar gave good songs but specifically only for limited years and that too those films were produced by YRF and Dharma. They have their hits, but they are audience restricted. You and I might listen to them, but the music audience is much more wider which the 90s composers managed to reach out to.
ARR had his own space in the 90s, however since he brought in electronics, live recording started to reduce, a lot of musicians suffered, which bothers me.
Films like DCH were not made in the 90s, if there were then I am sure there were composers who could've created songs for such films too.
This film was released a year before 2000 and this music was created by one of the 90s composers...still think they can't give variety?
https://www.youtube.com/watch?v=EozDujTu3kU
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