I think 90s music was overrated and 2000 is underrated - Page 5

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Posted: 4 years ago
#41

Udit has sung all sorts of songs from romantic to roadside tapori songs. And given hits in each genre.

Jaspinder has sung songs like Taare hain baraati, Sabki baraatein aayi doli tu bhi lana which are romantic or sad. How can you say she sang only bhangra songs? Lal garara song was raunchy type item number. Narula was never just a bhangra singer.

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Posted: 4 years ago
#42

Originally posted by: atominis

Udit has sung all sorts of songs from romantic to roadside tapori songs. And given hits in each genre.

Jaspinder has sung songs like Taare hain baraati, Sabki baraatein aayi doli tu bhi lana which are romantic or sad. How can you say she sang only bhangra songs? Lal garara song was raunchy type item number. Narula was never just a bhangra singer.


*Udit had sung all those songs without changing his voice , udit can not change his singing voice to suite different genres , i have follwed his career closely ,he never had this ability and never had the flexible vocals to sound good on fast music infact he was given a slow version of falak dekhoon zameen dekhoon that version suited him the fast sonu version must have not suited him had he sung it , udit never was a versatile singer


with jaspinder i have not really followed her carrer much only know her popular bhagra type songs

Edited by Arsalan_khan - 4 years ago
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Posted: 4 years ago
#43

Originally posted by: Arsalan_khan

i generalize all of them under the 90's bracket but nadeem shravan is highlighted more because they were super star composers after aashiuqe.....and by looking all the songs of anand miland , anu malik in the 90's , still that era had more of limited style of songs which were being produced then , and singers had not much to do to variate, anand miland songs were good energetic for that era , sajid wajid songs had much more energy and power than songs like akhiyon se goli mare , or main toh raste se jaraha .....all those songs were good for their specific times , and in modren music not to forget likes of saleem suleman , vishal shekher contribution ,.... to be particular an album like dil chahata hai is not found under the greats of 1990's where every song is different and unique , apart from rehman's dil se or taal

Nadeem-Shravan were highlighted but they were not the only composers who gave music or whose music was popular. If that was the case then why would people listen to the songs of DDLJ, KKHH, Vishwatma, Baazigar, Khiladi, Coolie No 1, Dulhe Raja?

Sajid-Wajid followed the same genre and footsteps as Anand-Milind, but to say that their songs were more energetic is absurd. S-W had more of digitally produced rhythm, owing to the change in time, whereas Anand-Milind used over 100 musicians in every song. A-M definitely had varied rhythms and much more liveliness in those masala numbers of theirs. In fact, you can go listen to A-M's version of Tere Mast Mast Do Nain on YouTube, I never thought that song could have had so much variation. PS: No typical tabla-dholak rhythm.

Salim-Sulaiman, Vishal-Shekhar gave good songs but specifically only for limited years and that too those films were produced by YRF and Dharma. They have their hits, but they are audience restricted. You and I might listen to them, but the music audience is much more wider which the 90s composers managed to reach out to.

ARR had his own space in the 90s, however since he brought in electronics, live recording started to reduce, a lot of musicians suffered, which bothers me.

Films like DCH were not made in the 90s, if there were then I am sure there were composers who could've created songs for such films too.

This film was released a year before 2000 and this music was created by one of the 90s composers...still think they can't give variety?

https://www.youtube.com/watch?v=EozDujTu3kU

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Posted: 4 years ago
#44

Originally posted by: Arsalan_khan


thats what my point is , not only rehman ,,,, but shankar ehsan loy the team created such gems in 2000 , the singers who got to see peak in 2000 were quite lucky they got to sing more of different kinds of songs in their carrer for different music directors , else sonu nigam could have not gotten tanhayee had he saw his peak during 90's ,,,,

This song is so much haunting , its music arrangement anything related to this song is such classic , these are the songs define the class of 2000 work


Tanhayee

https://www.youtube.com/watch?v=ZkwaiIGoyT4


SEL are a gem. All of their Albums were amazing in 2000's. Honestly if I was to introduce someone to Bollywood music I would mostly start with 2000's songs, Or the 60's or 70's. If I was a singer I would definitely want to be a part of 2000's.

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Posted: 4 years ago
#45

Originally posted by: Arsalan_khan


Nadeem Shravan monoply in 90's...

Dude it was NOT a monopoly.Just because they made HITS consistently does not mean they had any sort of monopoly whatsoever. They were not monopolised by the biggest production houses. I don't think YRF worked with them even once. Monopoly is not the right word, they made a lot of hits, a monopoly on the charts?? 🤪
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Posted: 4 years ago
#46

Originally posted by: Ashley.Tisdale

Nadeem-Shravan were highlighted but they were not the only composers who gave music or whose music was popular. If that was the case then why would people listen to the songs of DDLJ, KKHH, Vishwatma, Baazigar, Khiladi, Coolie No 1, Dulhe Raja?

Sajid-Wajid followed the same genre and footsteps as Anand-Milind, but to say that their songs were more energetic is absurd. S-W had more of digitally produced rhythm, owing to the change in time, whereas Anand-Milind used over 100 musicians in every song. A-M definitely had varied rhythms and much more liveliness in those masala numbers of theirs. In fact, you can go listen to A-M's version of Tere Mast Mast Do Nain on YouTube, I never thought that song could have had so much variation. PS: No typical tabla-dholak rhythm.

Salim-Sulaiman, Vishal-Shekhar gave good songs but specifically only for limited years and that too those films were produced by YRF and Dharma. They have their hits, but they are audience restricted. You and I might listen to them, but the music audience is much more wider which the 90s composers managed to reach out to.

ARR had his own space in the 90s, however since he brought in electronics, live recording started to reduce, a lot of musicians suffered, which bothers me.

Films like DCH were not made in the 90s, if there were then I am sure there were composers who could've created songs for such films too.

This film was released a year before 2000 and this music was created by one of the 90s composers...still think they can't give variety?

https://www.youtube.com/watch?v=EozDujTu3kU


that video is unavailable or not opening in my area and seriously you are overrating anand miland, they were good but not as good as you are portraying them i mean you are giving them extra ordinary status ,,,,qayamat se qayamat tak good romantic songs but nothing so outstanding about them udit alka had better songs in their carrer then QSQT songs, , dulhe raja but whats so outstanding about it ? janwaar but whats so outstanding about it ,,, lol i know you are great fan of them ,there are better songs made in bollywood than these album songs i think so

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Posted: 4 years ago
#47

Originally posted by: Rekha_ji

Dude it was NOT a monopoly.Just because they made HITS consistently does not mean they had any sort of monopoly whatsoever. They were not monopolised by the biggest production houses. I don't think YRF worked with them even once. Monopoly is not the right word, they made a lot of hits, a monopoly on the charts?? 🤪


probably from 1990 to 1995 they outshine the composers aura, udit rose to fame with anand miland in 1989 with QSQT and was overshadowed by aashique team in 1990 kumar sanu with nadeem shravan and udit himself admit this infornt of shanu sitting next to him in sa re ga ma video he said ke 5 saal mera band bajaya ...this is what declare the aura nadeem shravan had for 5 consistent years

Edited by Arsalan_khan - 4 years ago
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Posted: 4 years ago
#48

Originally posted by: Digitallove


SEL are a gem. All of their Albums were amazing in 2000's. Honestly if I was to introduce someone to Bollywood music I would mostly start with 2000's songs, Or the 60's or 70's. If I was a singer I would definitely want to be a part of 2000's.


undoutbly ,,,,,60s songs from rafi kishore era were also hugely diverse , they made songs with semi classical to romantic to sad , funky ghazal qawali anything high pitch songs low pictch songs ,,,

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Posted: 4 years ago
#49

Originally posted by: Arsalan_khan

that video is unavailable or not opening in my area and seriously you are overrating anand miland, they were good but not as good as you are portraying them i mean you are giving them extra ordinary status ,,,,qayamat se qayamat tak good romantic songs but nothing so outstanding about them udit alka had better songs in their carrer then QSQT songs, , dulhe raja but whats so outstanding about it ? janwaar but whats so outstanding about it ,,, lol i know you are great fan of them ,there are better songs made in bollywood than these album songs i think so

Yes you're absolutely right...everyone's overrated and have done below average work.

The only star of the Music Industry and Bollywood is Sonu Nigam.


PS: You seem to know music a lot, if you cannot hear the nuances, that aint my problem.

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Posted: 4 years ago
#50

Originally posted by: Ashley.Tisdale

Yes you're absolutely right...everyone's overrated and have done below average work.

The only star of the Music Industry and Bollywood is Sonu Nigam.


PS: You seem to know music a lot, if you cannot hear the nuances, that aint my problem.


i am talking about composers, okay anand miland have made some good tunes but everyone in bollywood does make great love songs, is there any song of them which can differentiate them from the rest of composers , i dont think so

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