16/12 Episode Discussion!! - Page 2

Originally posted by: savithp

Hi Blue

In our show the ML and FL shown for 5 min max, but villain's time is endless, what is this villain show or Kanum show?

Im tired of maasi dramas every other day and Bhola Uma. Only Kanak is redeeming feature in this show.

Today i found your description of Kanum moments was way better than what CVs showed us. You added the reminisce of Uma that of Kanak saving her mangalsutra in shamsanghat, i did not find in CVs version. Cvs do kanjoosi of Kanum moments and give that useless aditya.

Hey there
Thank you for reading and commenting. Much appreciated 😊
Villain and plotting are the main plot KanUm are a subplot romantic angle, a spark of light amidst darkness 😉
Yes cvs are miser for the Fbs too, I mean they have quite a choice to put the desired impact but they they put a scene here n there and focus back to Aditya 😲

Originally posted by: foram.

Btw i like our hero in dhoti
That pajama looked odd to me 😆

Haven't see a full dress trial by a dulha before, that also a reluctant dulha.
And who is this tailor who prepared the sherwani this impromptu...

Originally posted by: foram.

Polomi follow me 🤣

Nice post blue loved how u described kanum scene
I loved kanak haq jataoing on uma in front of masi and palomi
The pagdi scene
So close yet so far...
Uma knows she ain't a gold digger and he still trusts her and loves her...
M so happy that their is no faltu ka mu btwn them
He is just hurt and also coz he has no time as he is getting married to palomi in 2 days...
If the marriage talvar wasn't hanging on him he wouldn't have been so restless and let kanak do whatever she wanted to

Mention of death might be for uma
He will go against his promise to masisa
And refuse to marry palomi
Btw i wished kanak faked falling from the edge and wanted uma to panic and hug her
Been ages we got to see their hug

Also see my comment on your yest post :)

Hey there Foram
Thank you for reading and commenting.

That's definitely a plus point that there is no MU between KanUm. It's just that everything is happening so fast that it's difficult for a tortoise like Uma to catch up... but as they say slow and steady wins the race.

Yeah the mangalsutra is going to be the turning point in someway, it's presence in front of Uma night snap him out of the daze and he realizes that Kanak is in some kind of danger and he goes to rescue her.
And the realization dawns that keeping a vachan is one thing but not being able to fulfill it with heart is another. Even if he gets married to Palomi, he wouldn't be able to do justice to pati dharm and he can't do injustice to Palomi and the dharm. So he would excuse himself from the vachan and apologize.

KanUm hug might be coming soonish, when he fights to save her 😉

Originally posted by: blueflames

Hey there all the lovely people!!
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Direct to discussion.


I am still ROFL by Massi's dialogue to Palomi that she is always on a "Tawa.

Kanak is on a roll, she is bulldozing her way through all the defenses against her, she has her razor tongue to cut through the barbed wire spider web Massi has made. Honestly I have never seen a reluctant dulha ever trying out his sherwani in the middle of the house for everyone to bake their eyes on him - that apart I loved the way Kanak flirted with him, calling him desi and handsome, a combination she likes, she stops Palomi from touching him, as she is still a payari stree, but steps forward and is all hands on him, whispering in his ears that she knows he learned a song for her, and teases when would he sing it for her, he is uncomfortable with the proximity but at a certain point his expressions seems to be off amusement... she was all on him, tucking away his safa, that itself shows that she hasn't given him up, only she can touch him and own him and his heart - (disclaimer : people are not to be owned, but it's meant in a term that's more of a romantic)
His eyes followed her movements, her hands on him, her voice as a siren luring him, her eyes sparkling with a challenge, the love she exudes and he absorbed. She was centimeters away, yet he couldn't hold her, she was holding on to him, yet he couldn't touch her, she was expressing herself and her right over him, her love for him yet he could only stand there.

Kanak stops Palomi when she advances towards her mangalsutra - that is symbolic of her identity and no one can take it away from her till she is alive... - everyone is is shocked for Kanak's action are opposing her decision to divorce, she is playing wife more than ever before.

Uma is all formal with her and calls her out to talk to Kanak. Kanak comes out and teases him that he wants to sing a song for her, he asks her for the mangalsutra, for as long as she wears it Palomi can't wear it. Kanak refuses to give it up till her last breath. - that was death mentioned twice by Kanak, and Uma's face showed agony at the mere thought of it. He has already lost their relationship he couldn't bear to lose her. Uma understands that Kanak is not a gold digger but whatever the reason Kanak had, it has cost them their relationship... he is impressed and conflicted by Kanak at the same time, he sees her ferociousness with which she is obsessed with the mangalsutra, he reminisces that she jumped in the fire for it , the way she shut Palomi down and she refused him - she has stated it twice that Mahadev has fixed their marriage and it can't be broken in paper, why does it feel like the divorce is just a hoax.

Originally posted by: Iceblue

Hi blueflames, thanks!

I felt like the divorce might be a hoax as well. I felt like when Kanak went to fetch the lawyer, she arranged with him to create a fake divorce papers but when I saw the judge announce the divorce, I had to tell myself, this looks mighty real now.

I was so tense to see Massi sa planning Kanak's death and angry at Kanak's refusal to involve Ved. Does she not realize that Massi sa can go to any lengths! Another stupidity is why Kanak doesn't suspect any foul play in Massa s state of health by now!