Originally posted by: aimf
Hammie!
yes ma'am... I was wondering where you were??
Awesome as usual is your take. Indeed a fitting title for an interesting episode, overall. Your descriptions are very nuanced and wonderful. Loved the prolonged symbolism of the keys.
well .. they were visions of keys one to many times though..
What I find intriguing is the Tripathi Tripod, comprising Kanak, Dasharath, and Tripurari. They hold the plot of the show, and they hold the camera, the lenses with which we as viewers gain different visions of their world, depending upon the angles and focus of the camera.
loved how you equated the tripod with these three..
The camera sometimes pans, sometimes zooms, sometimes is still and mute, as though itself a spectator of the macabre goings-on that it is forced to view and report. The legs of the tripod sway the camera this way and that. Sometimes it is tilted to the side of a gleeful Kanak, who delights in Dashrath's debacle; in the very next moment the camera tilts in favor of the patriarch as Kanak is divested of her keys to a secure future. The legs of the tripod wobble again, and a triumphant Tripurari marches his mother past the gawking and helpless members of the Tripathi family. True, it is the small backyard house, but what is of import is that the access to and from this little house is via the main door of the main house. Which way will the camera zoom now? Whom will its supposedly objective lenses favor next? Let us wait and watch. fantastic, perceptive angle of thoughts aimf.. incidentally the camera loves viplav's face..😛.. oh come on the deewani's would say aye ayee to this methinks! with his medley.. didn't quite know what to make of it??still what ever rocks the audience!😛.. waise I liked his convo with raj at the dhabba..! thanku for giving a fantastic comment about the tri's much love hammie
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