******Today's television serials r just 🤢🤢🤢, and 'mamta' is a big big eg:......do u people agree??????
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1******Today's television serials r just 🤢🤢🤢, and 'mamta' is a big big eg:......do u people agree??????
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Originally posted by: anju0930
niti.. i am going to comment on this... but not today.. tommorow morning.. just remind me if i forget.. i have an article that i wrote related to this...
u asked me to remind u,so here I'am.......................go ahead with ur article ,Anju......................😊
u asked me to remind u,so here I'am.......................go ahead with ur article ,Anju......................😊
thanks niti.. wait, let me look for the article and post it up... 😃
Entertainment at its worst
We are in an era where, TV has entered our minds, hearts, conversations and have succeeded in taking up slots of our daily schedule. Shows struggle to find the perfect slot on their channels. With all of the racket going on, viewers might land up with a variety of shows to look forward to.
It only takes 30 minutes to get addicted to a show. While viewers grumble and curse the production houses for lack of creativity, they yet cannot resist grabbing their remotes to watch the same show day after day. Be it Balaji, be it Shreya creations, or be it DJ's creative unit, all struggle day after day to make sure their show isn't on the hitlist of the programming heads.
Every channel is trying to go for a makeover. Zee took the initiative of coming up with its own list, shows with low TRPs - Jab love hua, Sindoor and Mamta. Time has already come to bid farewell to Sindoor, but time hasn't struck yet for the other two shows. Sony too came up with their list - Kalvaddhu shutting off, was a shocker to the audience and to the industry and warning lights have been shown to Jite hain jiske liye and Durgesh Nandini. Star isn't far behind in wrapping up KBC 3, the advantage KBC gets is that it's a seasonal show. Thus, things there end on a positive note. We have witnessed that Kayamat isn't doing too well, and so are Kasam se and Saath Phere. The TRPs have taken a down fall there too. But in all the make over racket, where do viewers find themselves? They struggle for new characters, new story and new actors, who they can relate with. Rather than replacing new born shows like Kalvaddhu or the two year old infant shows like Sindoor, Channels could rather give an extreme make over to the shows itself. Sindoor is taken over by - Parviar, again, a female protagonist in dismay. Shows that are for kids are shown at 11, while shows like Mamta, being a soap, is at 7 - what went wrong here is that wrong time slots were allotted by the channel. Breaking the rules come few new shows like Left Right left. LRL could not hold on to its viewers, however, the show was put on hold for the World Cup 2007. Here they could have put the show on a more popular channel - Sony rather than Sab to get better viewer ship.
Will channels help their shows out? Or will the hunting continue by creative heads? Will the shows have to shut down for getting zero publicity and misleading feedbacks? Or Will India see a new production houses making their marks? Well, only Zee, Sony and Star can tell.
- Hiral Bhatt
one more article dealing with the same subject: 😊
Missing on TV: Entertainment
Shailaja BajpaiPosted online: Tuesday, April 10, 2007 at 0000 hrs
Serials are repetitive and unimaginative. Plots are invariably funereal
There's a new entertainment channel coming to the screen closest to you and while this might be a moment of rejoicing for you, other channels will be less pleased. More competition. Let's hope that does not translate into more sameness, otherwise you will be displeased, too.
NDTV is setting out to entertain us. Not a moment too soon. We do not need to study electronic viewership measurement systems (TRPs) to know we're watching less of what passes for general entertainment. When we watch TV for recreation, it's the news channels we turn to. They telecast more films, cricket, page-whatever-types and now stand-up comedy (some would say the news became a joke long ago) than Star Plus, Sony, Zee, Sahara One, Sab and Star One, perhaps put together.
These officially designated entertainment channels have suffered collective amnesia.😆 They don't remember what they are supposed to do. They live in circa 2000, when Kaun Banega Crorepati made Amitabh Bachchan (and vice-versa) and the monstrous regiment of K women marched into our homes to make themselves comfortable amongst us. Star Plus, their host, became the most popular channel and the others followed with their own saas-bahu sagas. It was great for a while but then they overstayed their welcome and their entertainment value decreased the longer they stayed.
Polite, we continued to entertain them, hoping things would change, but they continued down the successful beaten track and we began to leave or switch to other shows that offered alternatives. Which may explain why Zee, with one trademarked K serial, has been appreciated.
Like all guests who outstay their time, the K serials have become highly repetitive. In two ways: First, they ape their own past. So you will see that Kyunki... is caught up in a rape just as it was a few years ago when Nandini was raped. The serials also imitate their K sisters. So if Parvati returned to Kahani... radiant and refreshed (as well as much older but younger to look at) in a speedboat so Arra ra Daksha-behn sails back into Kyunki..., radiant and refreshed (older-younger) riding ditto speedboat.
Predictability can be comforting but hardly entertaining without a novelty quotient but the K serials or shows like CID (that has run forever on Sony), are monotonous and unimaginative — in other words, not entertaining. The younger generation of characters, introduced to rejuvenate the serials, has succeeded in only ageing them further. Seriously: Last calculations place Kyunki's Baa in the 100-110 age group. That makes Tulsi and her generation close to 60. How long can leading characters of shows, our constant companions for the last seven years, be senior citizens (with all due respect to them)? Especially, since they are no Helen Mirrens?
No wonder the audience is looking at its wristwatches and wondering when they will leave. No wonder viewership is falling and will soon fall away, unless they are careful.
No wonder a new entertainment channel sounds so good.
And no wonder we have mixed reactions to a new show such as Virrudh (Sony) launched by the face that launched the K women into orbit — Smriti Irani. This Sony serial is of interest to all of us in the media business because it is about the media business. However, the lead characters are actors who have been around seven years and many more. They look overage, overweight, over the hill. We watch television for good drama — and this has the makings of one that is not about women against women — but it must be fresh, vibrant, pulsating with life. Virrudh looks rather funereal already.😕
Femina Miss India (Sony) throbbed with young blood and very attractive females. Except for Sajid Khan, the male anchor. He looked like he belonged on Viruddh as did, may we add, several judges. Mona Singh fizzed but honestly? She's a better actress — and dancer — than anchor. And someone should tell Sony that, like our cricketers, it must restrict the number of ads it has for such shows because by the time Miss Indias were crowned, even our TVs have fallen asleep. 😆
he......he......enjoyyyyyy!!!!!! 😆😆😆