Originally posted by: dd-vd
again trp ko thapad maro track is coming up😆
viewers will not accept rk jealousy n jobless status n biwi enjoying her superstar status😆
first of all this show side characters are so boring n everything is totally depends on rm/dvd n uper se ye sadist track😆
all the best cvs btw what about ashiqui 2 track.i think ashiqui 2 is much better than abhimaan.😆
Sneha, no track is coming up - only the beginning of tracks which then get changed each week since majority-audience won't change its taste to suit the channel/CVs.😆
They are still in the phase of trying to forcefeed audience in keeping with the channel's aversions, and every week's consistently inadequately mediocre TRP forces them to change the intended track to avoid facing a severely-reduced-finance backlash from sponsors.
Thank heaven, money talks.
'Aashiqui 2' would be a guaranteed TRP-flop as a series-track, and unaffordable with MEIEJ's budget and the popular and deservedly highly-paid DVD as the leads.
Majority-audience will never give weeks and months of excellent TRP to a depressing track with pretty much certainty of depressing ending.
Immortal tragedy love is watched in a film or a play at one go, not for half an hour of depression everyday for months.
It would manage only a niche audience, insufficient to make the track financially worthwhile.
And depressing endings usually make PH and/or channel worry, since it may adversely affect majority-audience's interest in the next series from that PH or in the channel's that time-slot.
And the mess they have made of the heroine track has ensured that if they try for 'Abhimaan' track, RK will get as much or more mass-support as in the post-Holi tracks.
That time, Madhu had been wronged, RK had not yet shown remorse, and yet his harsh reactions got mass-support reflected in TRP stability.
This time, Madhu's every advice - which RK first refused and she then persuaded him to accept - has ensured that RK's first production showcased the heroine (first undecided, then Simmy, and finally Madhu herself) at RK's expense at the insistence of a director Madhu insisted on.
It would clearly have been better for RK to have dropped the idea and cut his losses at each and every stage.
The 'film' has cost him in every way, and kept the mass-audience completely demotivated and disinterested from watching, with it being transparently obvious that Madhu was very unintentionally ensuring the creation of a film that would backfire against her husband's interests and further her own glory.
She didn't intend it, she and everyone in the series were conveniently unaware that the only obvious effect of her ideas would be her own glory.
Unfortunately mass-audience could see it with as much transparent clarity as the variations in the previous tracks.
They have yet again created a situation in which weeks of Madhu's naively unappreciated conduct would erode her mass-support even further in RK's favour for however he may choose to react.
The fact that Pabho's scenes were merely switched from Madhu-confrontation to lesser catalyst scenes whereas the film-set scenes were wiped down to two and film was declared complete is a safe indicator of which of the two unsuccessful tracks was getting proportionately less viewership even in comparative terms of less.
And the online audience's tastes and preferences usually don't at all or only much later reflect the mass-audience's tastes, and it's the latter that ensures the excellent to superb TRP that high-budget series need to keep a track going unchanged.
If the CVs would keep in mind that their series finance depends on getting significantly improved TRP each week to get it out of its mediocre zone, and not hope for the mass-audience to suddenly change its tastes to suit the channel/CVs, we wouldn't be seeing the tracks doing cartwheeling and somersaults midway.
Edited by leelaa9 - 11 years ago