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Interview : 'I'm honoured to play Bhatt saheb'

Shiney Ahuja is riding high with the tremendous response, critical acclaim and heap of awards including the Screen Critics Award for Best Debutant he had fetched for his debut film 'Hazaaron Khwahishein Aisi' and his commercial potboiler 'Gangster' following it. But Shiney says that the name and fame has not affected him and changed him. Right now he is readying himself for this Friday release 'Woh Lamhe'. 'Woh Lamhe' is a film on the life of yesteryear actress Parveen Babi where he plays the male lead opposite Kangana Raut.

Excerpts from the Interview:

How do you react to the awards and praises been showered on you?

Awards have not changed me. Rather, I am the same person as I was before 'Hazaaron Khwahishein Aisi'. The only thing that has changed is the attitude of the people and the industry towards me- while earlier nobody knew who Shiney Ahuja was, now post 'Hazaaron Khwahishein Aisi' and 'Gangster', the people and the industry are talking about the same person. Winning awards is definitely encouraging more so for a newcomer like me. However, I feel that rather than let this acclaim sweep you off your feet, it is important to stay focused on one's work and work harder to meet future challenges.

How do you feel being a part of 'Woh Lamhe'?

I'm honoured to play Bhatt saheb in this film. During the making of the film, I could feel the character's grief.

Emraan was the first choice of director Mohit Suri. Are you happy that you bagged the film at last?

Yes I was not the first choice of the film but it is good that I fitted myself to their expectations and now they're happy with the job I've done. Mohit wanted Emraan to play Mahesh Bhatt. But the role came to me after he refused the film. As far as my role is good I don't bother with anything much. It's an irony that I have never been the first choice of any of my films, not even for Hazaaron Khwaishein Aisi and Gangster. Pakistani bowler Shoaib Akhtar was considered for my role in Gangster. And I was frequently asked whether he could have acted better than me? I feel if he can act better than me, I can bowl faster than him.

Tell us about your role in 'Woh Lamhe'?

I play a young director, who is selfish and ruthless and his only aim is to reach on top. This is about how he manipulates the success of the actress Sana Azmi and finally falls in love with her. As its title suggests, it is about those moments of their life.

How was it to don the life of Mahesh Bhatt on screen?

It was tough to play the character. It's a great responsibility to play a real life character in a film, especially when he is the creative head of the company. And I did not want this character to look like a caricature. So I avoided the physicality of his character; rather I played this character with heart. I feel if the audience can understand what Mr Bhatt went through during that phase of his life, my job is done.

Do you prefer playing hard-hitting characters?

I enjoy playing them. It is obviously not an easy task and it is like a challenge for me. I feel intensity is a strong conviction towards the emotions, the characters are feeling that time. I'm happy portraying the wide variety of characters, most of them realistic in nature.

Tell us about your forthcoming film.

Sudhir Mishra has signed me for his forthcoming film 'Bahut Nikle Mere Armaan'. After Gangster, Anurag Basu and me are working together in 'Metro'. I'm currently working with filmmaker Priyadrashan in 'Chandramukhi' where he plays an NRI doctor. The film also stars Akshay Kumar and Vidya Balan. My next release is 'Zindaggi Rocks'.

Most of the directors you're worked with are repeating you. Is it favoritism?

When you've worked with someone, automatically there is a comfort level. If I do a film with another filmmaker I will be slotted there.

Interview : Kangana portraying Parveen Babi onscreen

Kangana Ranaut bagged the limelight with her first film 'Gangster', showing the plight of a young woman in search of true love. After winning accolades, she returns back on screen this Friday in Mohit Suri's 'Woh Lamhe' once again opposite Shiny Ahuja. Woh Lamhe' is loosely based on Mahesh Bhatt and the late Parveen Babi's tempestuous love story. Kangana is donning the role of Parveen Babi in the film in the character of Sana Azim. Here's an exclusive interview with her where she reveals more about her character and the film.

Excerpts from the Interview:

How did you land yourself in Woh Lamhe?

I was shooting for Gangster in South Korea when I first heard about the film titled 'Actress'. The name was later changed to 'Woh Lamhe'. I knew the film was on Parveen Babi's life. But when I heard that Bhatt saab was playing a major part, I was very excited. Any other actress would have wanted to do that role. But I was the lucky one as Mukheshji offered me the role a few days later.

How much preparation did you undergo to play the character?

It is a very unusual kind of role and me being only one film old, needed some grooming in that regard. Mohit, Bhatt saab and I used to sit and discuss the script and scenes. Bhatt saab went elaborately to tell about the nuances that would make the character of Sana better. We worked on that aspect keeping the script as the base. We were trying to show the character in a proper light and the main focus remained that. She was schizophrenic and after great deal of research we worked on the mood swings.

Did the film finds its origin from the Parveen's taped conversations with Mahesh Bhatt, which Pooja Bhatt discovered?

That's true. It was very personal and heartbreaking for Bhatt saab to go through the tapes which brought Parveen's helplessness and depression to the fore. Parveen was a great woman who had immense capability of loving people. She genuinely loved the men in her life but unfortunately her love remained unfulfilled. Her depth of love for Bhatt saab was tremendous. The tapes brought the story to light. I didn't have the guts to go through the tapes, but the script demanded it. I also visited Parveen's grave after that.

Did you find any resemblance between Parveen Babi and you?

Some resemblances are there in the regard that we both come from small towns and made unconventional debut, me with Gangster and she with BR Ishara's Charitra. Also both of us are Arian. But I think that is where the comparison ends.

What do you feel about the film overall?

Woh Lamhe is a very different film. When we were at the editing, everyone was quiet and completely engrossed in the movie and suddenly we heard someone sobbing. It was Bhatt saab, he could not hold himself back and broke down. I somehow reminded him of Parveenji. It's strange but overwhelming. All person has some complexities within themselves depending on the situations you come across and the people you meet. Parveen's life was full of insecurities and emotional upheavals.

'Arth' was also loosely inspired by Parveen. Do you feel that you would be compared to Smita Patil in regard of performance?

Like it or loath it, comparisons and criticisms are bound to happen. At this age when everyone wants to look hot and glamorous, getting compared to Smita Patil is an honour. It's an honour to play Sana. This is what I believe.

How would you compare your roles, Simran in Gangster and Sana in Woh Lamhe?

Sana is a much difficult character. It required lot of patience, commitment and passion. In Gangster, I was raw and new and had no idea what I was doing. My character was entirely Anurag Basu's effort. But now things have changed and I'm noticing myself all the time - the way I talk, sit or even sip coffee. Acting has become my addiction and passion. Whatever I do in front of the screen, I'm responsible for it.

Interview : I don't sing the words, I feel them: Rekha

Rekha has just sung one of Mohammed Rafi's most difficult ghazals, "Din dhal jaye" from the film "Guide", for a new comedy, "Kudiyon Ka Hai Zamana" in which she plays the lead.

Having heard the song she played for me I can vouch for this - Rekha has one of the best, most nuanced and sensitive singing voices, far better than some of the so-called professional singers today.

However, Rekha doesn't think that she is a good singer.

"Oh, I think a lot of actresses sing very well. Tabu sings beautifully. And have you heard Madhuri Dixit sing? She has an amazing voice," Rekha told us.

Tell her she reminds you of Geeta Dutt and she exclaims, "Funny, you say that! My sister says I could well be Geeta Dutt's sibling. No, I've never trained to be a singer."

"You're just being kind," she brushed aside the compliment. "My god, I've such a terrible singing voice. I'm not a singer. I don't sing the words. I feel them.

"And Shailendra saab's words in 'Din dhal jaye' are so filled with layered feelings it's easy for any sensitive person to drown in them. My rule for singing is the same as living - I feel life. Feelings last forever."

Why this particular ghazal composed by Sachin Dev Burman?

"I didn't really choose the song. I was just humming it on the sets one day when the director, Amar Bhutala, overheard me. He said, 'M'aam, you please sing this song for our film.' I protested that there was no situation for it. But he insisted that a situation will be created.

"It comes on when my screen-husband and I patch up. 'Din dhal jaye' is supposed to be the song I used to sing for him in the college. I tease him with this song.

"I asked my director not to retain the original orchestration, just incidental natural sounds connected with the night. That's tough to do, because all the weaknesses in my voice show up much more clearly without orchestra."

She recorded the song on a computer and sent it over.

"Now when I hear it, I just want to drown myself."

"I just sat on the computer and gave a scratch recording to my director. I was sure of one thing. I didn't want to sing it like Rafi saab. No one can sing it like him except Lata didi, who has sung it so beautifully in the album 'Shraddhanjali'.

"It was surreal like most things I've done in my life. It just happened. In fact, one should never delude oneself into believing that anything happens by one's own will. There's a force guiding and lifting you to wherever life takes you. You're powerless on your own."

When you wonder how she negotiated such intricate notes Rekha laughs. "That's what Simiji (Garewal) had said when I sang it on her (TV programme) 'Rendezvous'. She couldn't believe I could scale those high notes of Lataji in the song 'Yeh kahan aa gaye hum' (from 'Silsila'). Simiji said she couldn't sing it. But, well, I didn't think whether I could or couldn't. I just did it."

Is she satisfied with her singing?

"The day I'm satisfied with what I do, I will die. I'll never be content. But I'm grateful. I think I'm grateful for every slap, every painful failure. I've put them all behind me.

"There should be no question marks, only exclamation marks in life. I'm as strong or weak as the next person. But I haven't mastered the art of control over every situation. I'm trying to get there."

Rekha has two releases coming up before this year is through.

"Goutam Ghose's 'Yatra' and the comedy 'Kudiyon Ka Zamana'. Both are very different from each other. I like to take up roles as a challenge, like I did the old woman's role in 'Krissh'. I haven't seen the film. I've been travelling. But I'm happy to know it's a huge success."

Interview : No showdown with Rani, says Saif

Dismissing rift rumours, actor Saif Ali Khan clarifies that neither girlfriend Rosa nor co-star Rani Mukerji are at loggerheads with him.

'What's this about a showdown with Rani? Am I mad to have a showdown with her? I mean, come on! Rani and I have shared a cordial professional relationship ever since we did 'Hum Tum' together. That film will always remain special to me. It was my first solo-hero hit,' says the 'Omkara' star.

'I won't say Rani and I are close friends. But we connect really well on the sets. We do our work together and move in different directions after-hours,' Saif told us on phone from New York where he is shooting for Siddharth Anand's 'Tara Rum Pum'.

So where did these rumours come from?

'When I arrived in New York, I stayed with the rest of the 'Tara Rum Pam' unit in the same hotel. But when Rosa joined me, I wanted us to live in an apartment. I feel that's the only way to get to know a city.

'As soon as Rosa and I moved into an apartment news spread that Rani and I were staying in separate hotels. That's truly dumb, man. The last thing we need on a foreign location is the principal lead's tantrums. And do you think we can get away with a showdown in front of the whole unit? We'd had the details of the slaps and punches pasted on the Internet,' he says.

Humour intact, Saif gets into grimmer ground.

'I've heard rumours about Rosa and me splitting and that she has gone back home to Mumbai before me because of our fights. We're doing well for ourselves as a couple. Do we need these rumours to come and spoil things between us?

'I guess every relationship conducted in the limelight is subjected to such scrutiny. I can take that. But it gets a bit annoying when we need to time our comings and goings according to the way people would respond to our movement,' says Saif.

So where are the rumours coming from?

'Search me! Probably from people who need to get a life. We can't help it if people think our relationship is in trouble. The fact is we're very happy together,' he shrugs.

Talking about Anand's 'Tara Rum Pum', he says: 'It's going really well. I think Siddharth has another winner on his hands after 'Salaam Namaste'. It feels wonderful to be part of cinema so different from one another, like 'Omkara' and 'Tara Rum Pum'.'

Kajol & Ajay are Ram-Sita Jodi
By MIO Team
Sep 28, 2006, 10:12

After long Kajol made a comeback to films with 'Fanaa' and after long she would be seen sharing screen space with hubby Ajay Devgan. She has been signed to play the role of Sita to Ram played by Ajay Devgan in Rajkumar Santoshi's 'Ramayan'. With this the hunt for Ram and Sita for this extravagantly budgeted 'Ramayan' at Rs 90 crore, comes to an end and Santoshi must be very happy to find his lead pair. He was having a tough time finding the right actress for the role of Sita. Santoshi had signed his favourite actor Ajay before and once again they'll work together after 'Khakee', 'Lajja', and 'The legend of Bhagat Singh'. He finalised on Kajol after opting for Ajay to do the part of Ram. But this is the first time he'll work with Kajol. Also people across the globe who are waiting to see the real husband-wife pair on screen, has all the reasons to be delighted.

Ajay and Kajol have already worked together in films like 'Raju Chacha', 'Dil Kya Kare', 'Pyar To Hona Hi Tha', 'Ishq', 'Gunda Raj' and 'Hulchul'. 'Ramayan' will be one of the costliest films made in Bollywood and will be produced by Ke Sera Sera Productions in two languages. We're waiting to watch this Ram-Sita jodi onscreen!

Celina jazzing with dance lessons
By MIO Team
Sep 28, 2006, 10:12

If you're wondering where Celina Jaitley has been for such a long time, go ahead read this news to satisfy your query. Celina was not to be seen for quite some time now and when many assumed that she has been shooting for films, the real reason is different. Celina is all teeth to learn jazz ballet to build up graceful movements for her on-screen dances. She has put up the effort to come forward with the best steps for her forthcoming films 'Apna Sapna Money Money' and 'Shaka Laka Boom Boom'. Though she has sizzled in many films so far, in the role of a nightclub dancer in 'Apna Sapna Money Money' she doesn't want to leave any stone unturned.

"I had learnt dancing during childhood as my mom had enrolled me in dance classes. She even prompted me to study classical dancing. I have always enjoyed dancing. In fact I underwent special training when shooting for my first film Janasheen too. I have taken a huge liking to jazz ballet right now. And this has added a lot of grace to my dance movements on screen. Now, with my knowledge of Indian classical dancing, coupled with the art of jazz ballet, I will have a lot more movements in my repertoire to draw from," says Celina.

Ayesha-Tusshar's 'unique' love story
By IANS
Sep 28, 2006, 10:17

MUMBAI: Ayesha Takia and Tushaar Kapoor, who are playing lead roles in producer N.R. Pachisia's Kya Love Story Hai , feel that the film is a unique love story and everybody will connect to it.

Ayesha plays a vibrant girl paired opposite Tushaar, reports Bollywood Trade .

Talking about her role, she said, "I play Kajal, a young independent girl who knows exactly what she wants. She's studying and works part-time as well. She's a hardworking girl of today's generation with that innate drive and vigour."

"This is not like the ideal love story where a girl and a guy meet, fall in love and the villain plays the spoilsport. Everybody can relate to the film since everyone at some point in one's life has fallen in love."

Tushaar plays a fun-loving guy facing the mind-heart tussle.

"Though the basic plot is simple, what makes this love story different is the way the story unfolds. It also has freshness in terms of dialogues," said Tusshar.

Pachisia echoes the same views.

"Don't you think the title itself is unusual? I think it's a contemporary film in terms of presentation and projection. Besides, the Tushaar-Ayesha paring makes it unique."

The producer is equally confident about debutant director Lovely Singh. "New directors are very hardworking and sincere. They have that burning desire and fire within them to make things work," said Pachisia.

Singh is positive about his directorial debut.

"This is my first film and I'm not apprehensive about it. I'm trying to make a good film and give it my best. The characters are lovable with some great music by Pritam. We have recorded two songs and I must say he has done a great job."

Tum jiyo hazaro saal, Latadidi
By MIO Team
Sep 29, 2006, 09:47

Lata Mangeshkar, the nightingale of India, gets a year older today as she celebrates her 77th birthday. This a very special day for the Indians who has been gifted with this charming voice with the legendary Latadidi. She has been flooded with wishes from all over the globe, as her house is getting heaped with bouquets, with the media, television and radio channels exclusively playing her yesteryear numbers hummed by Madhubala and Nargis, to popular peppy numbers that she had sung for Madhuri to Kareena.

Lata Mangeshkar is India's most popular singer. Over six decades her voice and style have defined Indian popular music and spread around the world. The Guinness Book of World Records listed her as the most-recorded artist in the world with not less than 30,000 solo, duet, and chorus-backed songs recorded in 20 Indian languages between 1948 and 1987. Today that number might have reached 40,000. From 50's till the recent, Lata Mangeshkar has been the numero uno singer of the country, with no other female playback singer in any generation able to replace the timeless voice of veteran singer Lata Mangeshkar. She is an icon beyond icons. In the heart of the Indians she has carved an immortal place, with her songs popularly played all over.

Celebrate the birthday of the legendary Lata Mangeshkar, with this exclusive collection of songs.

Don songs among top three downloads
By IANS
Sep 23, 2006, 08:04

Mumbai, Sep 23 (IANS) Three songs from the Shah Rukh Khan starrer 'Don - The Chase Begins Again' have become the top three most downloadable songs.

This adds another feather in the cap of composers Shankar-Ehsaan-Loy - who have a great track record.

The songs to look out for in the album are the title track 'Main hoon Don', sung by Shaan and programmed on the original theme of the film.

The background score is also based on the original 'Don' theme.

The Ganpati song 'Moriya re' by Shankar Mahadevan and the electronic pop song 'Aaj ki raat' by Alisha Chenoy, Mahalaxmi and Sonu Nigam are the other two popular numbers that are being downloaded.

It is also Ehsaan's favourite and after 'Kajra re'.

The music of 'Don' may have received a mixed response from critics but the audience has given the thumbs up to Shankar-Eshaan-Loy again

'RANG DE BASANTI' FOR OSCARS

By Kaydee - Eye TV India Bureau

In the News

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The judge's panel comprising filmmakers Basu Chatterjee, Kalpana Lajmi and N. Chandra, music director Aadesh Shrivastav and scriptwriter Ved Rahi have justified the selection of 'Rang De Basanti' for the movie's nomination to the Oscars. They maintain that the movie has successfully weaved historical facts with a contemporary theme. And, the movie's plot fits smoothly between the past and the present. That's why 'Rang De Basanti' has excelled over others. 'Lage Raho Munna Bhai' had come close but it was 'RDB' that was ultimately chosen in view of all other aspects, including the music.

The judges also found it interesting that the film puts across a message -'clean up your own mess', it is learnt. 'Rang De Basanti' is going to be Aamir Khan's second film to make it to the Oscars after 'Lagaan'. Producer Ronnie Screwala says, "I am delighted that 'Rang De Basanti' has been chosen as India's official entry to the Academy Awards. 'RDB' has made a place for itself in the hearts and minds of millions of people around the world. Such movies come along only once in a generation and we shall make every effort to ensure it is seen by a wide audience internationally too. To enable this, we are already planning a mainline release in the United States in association with two major studios." Following the rousing reception the film received at the Golden Globes jury screening, he feels confident that 'RDB' will be through with the Academy.

THERE'S SOMETHING ABOUT 'DON'

By Satyajit - Eye TV India Bureau

In the News

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Farhan Akhtar's 'Don' is the one of the biggest sensational releases of the coming month and there are some facts that make it special. Director Farhan Akhtar wanted Hrithik Roshan to play the lead role of "Don" and Akshay Kumar was approached for Pran's role ( Pran had acted in Big B starrer 'Don'). Since it did not materialize, so Shah Rukh was finally signed for the title role and Arjun Rampal was assigned Pran's role. Actress Isha Koppikar will be an added factor and character in this remake version as compared to 70's blockbuster hit. Significantly, it will be the second time peraps when any Bollywood film's music will be releasing on internet on the day of its official release. This is to recall that the music of 'Unns' was also released on internet trough its official website.

The original soundtracks of 'Don' are available on www.itunes.com and the listeners are welcome to hear these tracks easily. The special features don't end here. Hollywood's master action director Angelo Sign and stunt coordinator Joy Jennings will render their services in 'Don' for the first time in Bollywood's history. Besides, this action packed thriller will be hitting theatres with approximately 1500 prints. Kareena Kapoor will be performing item number for the first time in her illustrious career. As compared to the rustic UP style folk number soundtrack "Yeh Hai Bombai" ('Don' of 1975), this 'Don' will be celebrating "Ganesh Chaturthi" in highly publicized song "Maurya Re". The successful pair of Salim-Javed had scripted Amitabh Bachchan's 'Don' where Javed Akhtar had penned the lyrics . This Farhan Akhtar's 'Don' has retained three of the original soundtracks from the original work. Lastly, director Farhan Akhtar is son of lyricist and writer Javed Akhtar who along with writer Salim Khan scripted Big B's magnanimous hits that gave him the "Angry Young Man" image.

MUSIC REVIEW 'JAI SANTOSHI MAA'

By Satyajit - Eye TV India Bureau

Juke Box

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There can't be a better time to release the divine presentation of 'Jai Santoshi Maa' than in this month of "Navratri". In the long list of remakes 'Jai Santoshi Maa' comes out as first big presentation with impressive music. The film is expected to be thematically similar to the 70's blockbuster hit 'Jai Santoshi Maa' where actress Anita Guha gave the best performance of her career. It might be acknowledged that Mr. Satram Rohra's 'Jai Santoshi Maa' is one of the biggest hits in the Bollywood's illustrious hits, clocking 15 times its investment and stunning the whole film industry. It may sound strange but this devotional venture made 'Sholay' run for its money for four weeks. 'Jai Santoshi Maa' (2006) has a huge responsibility to live up to its predecessor's pride. The film is based on devotees' eternal faith in the Goddess and how divine "Maa Santoshi Maa" supports her devotees. 'Jai Santoshi Maa' belongs to the devotional genre, a neglected genre for decades that has been fancied mainly by small budget filmmakers and TV production houses. It was earlier titled as "Phir Jagaiye Apna Vishwas" (rekindle your faith) that appears as tagline for the film but finally the popular title 'Jai Santoshi Maa' was coined. Debutante Nushrat Barua will be playing the lead role of Mahima whereas Rakesh Bapat will play her love interest. Actress Vedhika Kumar, who has been a prominent figure in bilingual films (Tamil and Telugu); will be making her Bollywood debut with this film,. Ms Sulekha Bajpai who scripted the animated film 'Hanuman' has written the script. It's a Percept Picture Company production and is directed by debutante director Ahmed Siddiqui who has assisted Yash Raj hit films 'Dilwale Dulhania Le Jayenge' and 'Veer Zaara'. The production company has proposed a procession for the film that will end as "Maha Aarti" at High Street, Phoenix, Lower Parel in Mumbai. Noted music director Anu Malik has rendered divine "bhajans" and "aaartis" for the film by retaining all time hit soundtracks like "Main to Aarti Utaroon" and "Yahaan Wahaan". Upcoming lyricist Swanand Kirkire has rendered beautiful lyrics. The refined soundtracks of 'Jai Santoshi Maa' can be heard on Sony BMG's cassettes, CD's and economically priced Mp 3's.

JAI SANTOSHI MAA: The loud sounds of temple bells, manjiras and conch (shankh) are welcome invitations to the divine spirits of devotees in the opening soundtrack "Jai Santoshi Maa". The introductory soundtrack is conceived as thanks giving number where the supreme Goddess is adulated in the form of prayer for reforming their life and eliminating miseries. The immaculately refined vocals of Alka Yagnik and Sonu Nigam sing this divine number with sheer grace. Anu Malik makes best possible of his experience as he conceives the number in the form of dandiya played on "Navratris". Swanand Kirk ire's lyrics are exhaustive and informative as it sums up the prayer with "Solah Shukravar Vrat", different facades of Goddess with poetic delight and finesse. The number is a beautiful presentation for listeners inclined towards devotional music.

BIGDI BANA DO (SHLOK): The sacred Goddess Santoshi Maa's "Shloks" praising and describing the divine powers comes in the voice of Vijay Prakash making daunting impact as the prelude to the soundtrack "Bigdi Bana Do". This is female oriented sad song sung by Alka Yagnik in an excruciating way depicting the pain and suffering faced by the protagonist. It is slow paced song with haunting chorus of "Om Shanti Om" in the background. The number may not be as promising as the introductory but will work well as situational soundtrack.

BIGDI BANA DO: Indian idol prodigy Karunya, who delighted listeners with "Aane Chaar Aaane" ('Lage Raho Munna Bhai') makes impressive take at this number in classical mode. "Bigdi Bana Do" is rendered with classical Indian music attire and will be a listening delight for class audiences. This version is slower than the first version and reminds of old time soundtracks from devotional films of 50's and 60 where the devotional soundtracks were infused in classical mode.

MAIN TO AARTI UTAROON: Who can forget this religiously dedicated song that fragranced eternal devotion? "Main to Aarti Utharoon", credited as the most popular devotional soundtrack, is recreated with the vocals of Usha Mangeshkar in similar mode of lyrics and music. This Kavi Pradeep's written work is still considered indomitable for its finely nurtured creative work. Even the veteran C. Arjun's musical arrangements are restored to recreate magic. Usha Mangeshkar may not sound as promising as in the original work but delivers it mellifluously. Anu Malik has orchestrated this number with the addition of digitally created music that works in tandem with the old musical set up. The listeners who have treasured this three-decade old number will enjoy this soundtrack.

YAHAAN WAHAAN: Mahendra Kapoor and C. Arjun had created "Yahaan Wahaan" in 1975. The singer's voice in this devotional number still sounds loud at "Jagratras" and devotional programs with the same zest that it created three decades ago. The number makes second promising appearance as the second original number from the original work in the voice of Suresh Wadekar. The fine composition of beautiful rhythms and glowingly devotional lyrics with impressive vocals make it a brilliant soundtrack. The least heard but immensely talented Suresh Wadekar makes scintillating presence in this soundtrack that can be heard during Navaratras. Anu Malik makes less of techno generated beats and carries the devotional spirits with the old musical arrangements. This overly heard needs no introduction for its contents but deserves appreciation for recreating the same mysticism.

AISA VARDAAN: Lata Mangeshkar, the living musical legend, makes silent and impressive presence in the form of prayer in the soundtrack "Aisa Vardaan". The song is about seeking "Vardaan" (God given gift) of Maa Santoshi Maa for being humane and benevolent to fellow beings. The promising number has shades from Lataji's ever popular prayer "Itni Shakti Hamein Dena" ('Ankush') with meaningful lyrics. The devotional work sounds like a school prayer where the devotees offer their heartfelt emotions to their God. It may not be as popular as "Itni Shakti Hamein Dena" but proves to be decent soundtrack rendered by a competent musical team.

LAL CHUDIYAAN: Some years back Lata Magnesia's devotional album "Jagrata" made promising presence at the music shops with fine set of soundtracks. "Lal Chudiyaan" is an inspirational lift from the album that caters mainly to "Jagratas" and will be cherished by Hindi and Punjabi speaking listeners. The lyrics are conceived as typical "Jagratas" number with a strong blend of Punjabi folk music and lyrics. The soundtrack is a devotee's offering like "Lal Chudiyaan" and "Chunri".

NA CHITHI AAYI: Bollywood's traditional melodious musical rendition that has worked wonders for decades is collaged well with the piously rendered vocals of Lata Mangeshkar in the soundtrack "Na Chithi Aaayi". Anu Malik delivers his finest melody where meaningful lyrics, titillating instrumental tunes, harmonious beats and immaculately brilliant vocals make it as his one of the best presentations in recent times. Lataji sings in her contemporary 70's style mode that accounted for innumerable melodies to her credits. Anu Malik effortlessly makes the best use of old fashioned musical version in rendering this beautiful number.

TARO TARO: In the world of devotional music Hari Om Sharan is immortal name for rendering endless bhajans and devotional soundtracks. The singer makes striking presence in "Taro Taro", a song where the singer demands salvation. This devotional number can be presumed to be choreographed in "Mandir" (Temple) where the prayer in the form of "Aarti" is offered to "Santoshi Maa". Anu Malik's music works efficiently with the tempo of the song. The soft and subtle tunes inspired from traditional Indian musical instruments are used with finesse to interact impressively with Swanand Kirkire's penetrative lyrics.

JAI MAA SANTOSHI (MAHA AARTI): The loud drumming and mellifluously delivered Shehnai's instrumental presentation of traditional Navratri folk song makes a promising introduction to the soundtrack "Jai Santoshi Maa". Usha Mangeshkar emotes her heartwarming feeling for the divine Goddess by describing her beautiful visual depiction ("shringaar") and her benevolence ("kripa") to her devotees. Swanand Kirkire describes well by explaining the essentials and importance of "Solah Shukravaar Vrat" in simply written lyrics. Anu Malik makes another promising attempt in imbibing the traits of the Goddess "Santoshi Maa" in finely executed musical work.

MAA SANTOSHI KI AARTI: The rhythmic tunes of "Om Jai Jagdish Hare" are woven well in the soundtrack "Maa Santoshi Ki Aarti" describing the traits of Goddess "Santoshi Maa'. It is a traditional religious lyrical that is worshipped as "Aarti" to "Santoshi Maa" at all Hindu religious places. Shaunak Abhisheki emotes out this religious "aarti" that epitomizes the magnanimous divine powers and blessings of "Jai Santoshi Maa".

SUNO SUNO KAHO: It may sound strange that devotional album ends with romantic duet "Suno Suno Kaho Kaho" with minimum possible impact. Sonu Nigam and Alka Yagnik sing this ordinary number that comes with sluggish paced music and uninspiring music. It's a disappointment after fine piece of devotional soundtracks.

After 'Jaanemann', Anu Malik makes another promising presence with beautifully rendered devotional album 'Jai Santoshi Maa'. Surprisingly, it's a God decree that all the three devotional film albums ('Hanuman', 'Krishna' and 'Jai Santoshi Maa') have delivered the needful to the listeners. The devotional soundtracks will have major boost from the Hindi speaking belt and segment of audiences who treasure devotional music. If the film proves box office delight then its musical album will be a big surprise in Bollywood's music world.

Pictures Of some of the

Events to place in Bollywood

The Nach Baliye 2 - Bash

http://ww.smashits.com/events/1291/1/The-Nach-Baliye-2-Bash. html

Jhalak on sets

http://ww.smashits.com/events/1279/1/Jhalak-on-sets.html

The Kapoors at TBZ luanch

http://ww.smashits.com/events/1290/1/The-Kapoors-at-TBZ-luan ch.html

Premiere of movie Dor

http://ww.smashits.com/events/1300/1/Premiere-of-movie-Dor.h tml

New subscription offer of Filmfare

http://ww.smashits.com/events/1285/1/New-subscription-offer- of-Filmfare.html

WARSI: I WAS HUNG UPSIDE DOWN IN BANGKOK

By Kaydee - Eye TV India Bureau

Tete-a-Tete

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Arshad Warsi has struggled a lot before he reached today's status in the industry. Beginning his career in Amitabh Bachchan's AB Corporation in 'Tere Mere Sapne' and a few others under other banners, Warsi failed to make any impact. However, Sanjay Dutt starrer 'Munnabhai MBBS' brought him in limelight in the character of a Circuit. He had a good chemistry with Sanjay Dutt in the movie.

So, he will be seen again with Sanjay in 'Anthony Kaun Hai'. However, this is another thing that Warsi took him in 'Anthony Kaun Hai'. But, Warsi got several movie offers like 'Hulchul', 'Salaam Namaste', 'Saher', 'Chocolate' and 'Maine Pyaar Kyun Kiya' following the success of his 'Munnabhai MBBS'. Hence, Warsi is very excited to repeat himself with Sanjay in Raj Kaushal's 'Anthony Kaun Hai'. Sanjay is the perfect choice for 'Anthony Kaun Hai' as he has been for 'Munnabhai MBBS'.

Excerpts of his talk with the media:

What's 'Anthony Kaun Hai' all about?

While 'Munnabhai MBBS' was a comedy, 'Anthony Kaun Hai' is a thriller. The former is quite different from the latter.

What motivated you to accept this offer?

As soon as Raj Kaushal narrated the story to me, I found it very interesting. I took no time in accepting.

What's your character in the movie?

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I play the character of a forger who forges passports and other documents. I live in Bangkok and wish to turn quick rich. Another important character is Master Madan who is a supari killer. He is in search of Anthony. Sanjay plays this role, and therefore, chases me to a place from where I cannot get out.

Do you feel the 'Munnabhai…' hangover in this movie?

No, this is not true. But, one thing is there that Sanjay is the perfect actor for this larger than life role as he had fitted the bill in 'Munnabhai MBBS'.

Do you really enjoy working with Sanjay and repeat it?

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Yes, he is a wonderful person. We have a nice comfort level between both of us. In fact, Sanjay agreed to accept 'Anthony Kaun Hai' on my suggestion only. I told him that he is the perfect actor for this movie. He said to me, "Warsi, if you feel that I am fit for this role, then I shall do it. You know very well what will suit me."

What are your forthcoming movies?

This is going to be my next movie after 'Salam Namaste' and 'Kabul Express'.

Do you recall any memorable moment in its shooting?

Yes, there is a scene that I shall never forget throughout my life. I was hung upside down from the 35th storey of our hotel in Bangkok during the shooting. Thus, I had a glimpse of the city while hanging upside down. This happens to be the introductory scene of the movie. Besides, we visited the city's prison and took few shots there too.

ZAYED: HEROINES WILL TEAR MY CLOTHES

By S. Kumar - Eye TV India Bureau

Tete-a-Tete

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Zayed Khan is virtually afraid of his heroines, and therefore avoids to name his preference. He wonders if he names one, the others will surely tear his clothes. So, better keep quiet in this regard. This is to recall that Zayed had suffered back injury during the shooting of a movie. As a result, he was confined to bed for forty days. He says that this happened when he played a stunt himself though a duplicate was arranged for him. Regarding his solo hero performance, he confesses that he hasn't succeeded as a solo hero even in his debut, so he decided to do multistarrers.

He doesn't want to be treated as a star son or brother and then be compared with them. " I have reached this status on my own." Though he has worked with several heroes, he calls Shah Rukh Khan as the most energetic. Zayed claims that 'Speed' isn't a Hollywood movie, and will get speed on its own. He chooses a movie on the basis of its subject, director and banner.

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He doesn't mind doing a negative role though as in 'Vaada', but will not speak about 'Rocky' at this juncture. Zayed Khan is an ace scriptwriter, and he has done it in London during his studies. Regarding his contribution to the script of 'Rocky, he says that he has contributed a lot in the shape of creative ideas only. Zayed has no hesitation in announcing his plan to enter production. The smashits met with him for a chat to know more about him.

Excerpts of his interview:

Who is your favorite heroine?

I cannot name one otherwise the rest will tear my clothes. However, I like Sushmita Sen after Madona.

What about heroes? Do you prefer anyone?

I have worked with many, and most of them happened to be slightly older to me. However, I enjoyed working with Shah Rukh Khan in ' Main Hoon Naa'. He is very energetic.

Why did you quit acting solo hero after your debut?

In my debut, I realized that I am unable to shoulder the responsibility of a movie. So, I have decided to sign multistarrers.

Don't you take support from your father Sanjay Khan?

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I don't want the viewers to treat me like a star son. Then they would compare me with the performance of my father. In fact, I am still being compared with my brother Fardeen Khan. In fact, I have this position on my own.

What factors help you choose a movie?

A good banner, a nice subject or a good director do help me in signing a movie.

What about your forthcoming 'Rocky'?

The producer doesn't want to talk about 'Rocky' at this juncture. You may have to wait for some time to know more about it.

How did you get hurt?

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During the shooting of 'Speed', I told my stunt master that I could do stunts myself. There was no need for a duplicate. Though I played it perfectly well, but I erred in its timing. So, I suffered an injury in my back. I didn't realize its impact initially but later I found it too deep. So, I cried and was confined to bed for forty days.

Isn't 'Speed' a copy of an English movie?

No, it's not true. This has nothing to do with English movie 'Speed'. This is made on a different subject. This is a romantic thriller. The movie will fare well and with good speed.

Are you working in your uncle's remake of his earlier 'Qurbani'?

No. The movie depicts Vinod Khanna as a father of a seven-year-old daughter. But Feroze uncle says that I will not be able to do justice to that slot. So, I am not doing it.

SAMEERA: STRONG CHEMISTRY WITH VIVEIK

By Kaydee - Eye TV India Bureau

Tete-a-Tete

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Viveik Oberoi and Sameera Reddy have a strong chemistry. This is noticed in the recent promos of 'Naqsha'. Sameera is very excited to learn it, and wonders if she really looks as fresh and hot. The movie will release soon. She has on hand movies like 'Full and Final', 'Ghulami', 'Benaam' and 'Kaalpurush'. She says that she will be playing quite different roles in her 'Benaam' and 'Ghulami'. The smashits met and chatted with her in the very recent past.

Excerpts of her chat:

What's your role in 'Naqsha'?

'Naqsha' is a romantic movie, and I play the role of a TV presenter named Riya in it. Riga is born and brought up in Mumbai. She boldly faces adverse situations coming in the way of her career.

What's the secret of your strong chemistry with Viveik Oberoi in 'Naqsha'?

I am amazed to learn that I look fresh and hot. I attribute this to my yoga practice though. In fact, the 'Naqsha' promos were shot soon after my return from a long journey spanning long hours.

Have you done stunts too in this movie?

Since this is an adventurous movie, I have played stunts too.

What are your stunt scenes?

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My stunts include jumping and remaining in the water. After all, the movie is about hunting a treasure in the jungle. I didn't know that I shall be asked to jump from a huge height. Initially, I took it as a big joke. However, I was stunned when I had to really do it. In fact, I felt breathing difficulty inside the water. I felt terrible while jumping from a huge height.

Weren't you told about it while signing the movie?

No. I was only asked if I have any height or water phobia.

How did you find working with Viveik?

Wonderful! Viveik said that our chemistry may lead to speculations in the media for an affair between us.

What about your experience with Sunny Deol?

This has been a memorable one. He is too nice. I am working with him in 'Full and Final' too. We have Shaahid Kapoor and Paresh Rawal too in the cast.

Has the industry influenced you in any way?

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Yes, I have changed a lot and have understood the industry and the way it works. Now, any rumor about my link with any actor doesn't trouble me. I enjoy it rather. In the past, I used to weep over such small matters.

Don't you really mind being linked with someone?

Yes, I don't mind as I know such rumors float at the time of release of one's movies.

Aren't you doing 'Kaalpurush'? What's this all about?

I play a dancer in this Budhadev movie.

Did 'Taxi No 9211' influence your future career?

Yes, it did make me popular among the audiences. Even children have become my fans.

Do you envy your sis Sushma?

No, our commercial interests are totally different. In fact, our range and image is different too. Hence there is no scope for envy.