An Indian Army Officer of Kashmir : One Haider is not enough!

vssaras thumbnail
16th Anniversary Thumbnail Rocker Thumbnail + 2
Posted: 10 years ago
#1



One Haider is not enough

ANI | New Delhi
October 5, 2014 Last Updated at 10:48 IST

I no longer don the uniform. But I did once, in the year the recently released movie Haider is set. And in the same place, the Kashmir Valley. I may have been young then, and Haider may be a work of fiction, but I did come across many characters Vishal Bhardwaj and Basharat Peer have crafted for the movie. More significantly, I was a part of the environment the movie is set in, and may have even shaped it in my own little way.

First the movie. I have watched Haider and it is political. It is neither a documentary nor is it a propaganda film. The political undertones are subtle at most places but the movie sporadically erupts into making overtly political statements: disappeared people, half-widows, unmarked graves, AFSPA, the army's creation of counterinsurgent group, Ikhwaan and perhaps the most controversial of them all, the torture scenes.

To anyone who has read Basharat Peer (author of Curfewed Night) or other "Kashmiri" writers, this should not come as a surprise. It is the standard viewpoint of middle-class, educated young men from Srinagar who came of age in the early 1990s, when the militancy was at its peak in the state. The movie stays true to that political viewpoint and captures many truths of that period. But it is not the complete truth. To think that this movie tells you everything you need to know about Kashmir would be fallacious. We will perhaps need another half a dozen movies just to scratch the surface of the many truths of Kashmir.

As per reports, the movie was given a U/A certificate after 41 cuts by the Censor Board. It would be fascinating to see what those cuts were, because I fear that they perhaps gave the movie the political correctness it ends up with.

The movie starts with a caption "Srinagar, India 1995". To use "Srinagar, India" and not "Srinagar, Kashmir" the way other Bollywood movies (like Roja) have done was a significant statement to make even before the movie started. The ending, where the protagonist ends up forsaking revenge to terminate the unending cycle of violence --- and the nods to the futility of revenge earlier during the movie --- seem almost contrived. As if the censors wouldn't pass the movie if it didn't end with the politically correct message. To be or not to be.

Of course, no Indian movie can have Indian Army as the villain and so the movie ends up depicting the pro-India counterinsurgency group, Ikhwaan as the evil guys. That's the closest --- by proxy --- Peer and Bhardwaj could have come to showing India and Indian Army as being the bad guys. Subtle but well done and par for the course for a political movie. So what was the truth about Ikhwaan-ul-Muslimoon?

Everything the movie says about Ikhwaan is perhaps true. The group was supported by the Indian Army and operated alongside it. It countered terror with terror of its own against Pakistan-backed terrorists and their over ground supporters. Ikhwaanis illegally felled timber and sold it (Koka Parray acknowledged that in an interview to Harinder Baweja of India Today in 1995), extorted money from shopkeepers, street vendors and even bus-passengers at checkpoints it established. It also probably did things much worse than that. After all, these Ikhwaanis had been trained in Pakistan, had operated as terrorists and knew how to fleece the Kashmiris for personal benefits.

Why did Indian Army prop up Ikhwaanis under Koka Parray? Koka Parray was a folk-singer from Hajan who was trained in PoK and later surrendered after being with the Hizbul Mujahideen. Till 1994, he was a small-time informer for the infantry battalion at Manasbal, who gained such prominence by 1995 that he was being courted by top military commanders and politicians. Koka Parray was a prized asset not only because he could do the dirty job for the army, but because he was the only one to provide a breakthrough in a war India seems to be losing --- or at best, not winning --- in Kashmir.

Ikhwaanis provided intelligence, intimate local knowledge and understanding of the militant tactics which the army didn't possess. The success was immediate and reflected in the parliamentary elections of 1996. Most people forget that even Farooq Abdullah had boycotted the 1996 Lok Sabha polls, anticipating that they will be a stunning failure. The 'success' of 1996 Lok Sabha polls encouraged Dr. Abdullah to participate in the 1996 Vidhan Sabha elections, which led to resumption of the political process and Kashmir's slow march towards normalcy.

What was India like in early 1990s? It was still recovering from the economic crisis and politically, it was in great turmoil. Babri Masjid had been demolished by the Sangh Parivar, Rajiv Gandhi had been assassinated by the LTTE, Mandal Commission had opened cleavages in the society, militancy was still at its peak in Punjab, and serious charges of corruption (from Harshad Mehta and payment to JMM MPs to Urea Scam) were levelled against PM Narasimha Rao.

Internationally, the Cold War had ended with the disintegration of India's strategic ally, the USSR. Pakistan had been at the forefront of defeating the Soviets in Afghanistan, and the world's sole superpower owed Pakistan a few favours. So much so that Robin Raphael, First Assistant Secretary of State for South and Central Asian Affairs under President Clinton, was actively supporting Kashmiri separatism and helped form the Hurriyat as a political face of the Pakistan-fuelled militancy in Kashmir. In those pre 9/11 days, there was no global consensus against Islamist terror. India felt under siege, both at home and abroad. It is in these circumstances that the Indian establishment took to Ikhwaan as a tactical succour. And however loathe we might be to acknowledge it today, the coming in of Ikhwaanis turned the tide in India's favour. It was not the best option but as anyone who has served in counterinsurgency knows, there are no good options in counterinsurgency. You always choose the least bad option and perhaps Ikhwaan was the least bad option at that time.

It must be reiterated though that whether due to Kashmiri politics or due to Indian apathy, the Ikhwaanis were soon marginalised and ceased to exist, both as a counterinsurgent group and as a political force in the Valley. Praveen Swami's obituary in Frontline magazine of Koka Parray after his killing by two Hizbul terrorists in 2003 adequately captures the decline of Ikhwaan in the state. That reinforces my belief that Ikhwaan wasn't a strategic choice exercised by the Indian Army but only a tactical ploy to overcome a very difficult situation at a specific time. Weren't Petraeus and other American generals hailed for doing the same in Iraq?

On AFSPA, even if we concede that the law was needed at the peak of militancy in Kashmir in the 1990s, there is no reason for it to still be applied to urban areas of Kashmir at the current levels of violence. Chief Minister Omar Abdullah has cogently made the case but to little avail. Let's hope the new, unfearing government at the Centre will have the courage to take that bold step and send a message to Kashmir which its predecessor governments failed to do.

The interrogation centre in Haider is called Mama-2, a clever nod to the now-mythologised interrogation centre called Papa-2 in Srinagar. But the movie gets it wrong. Papa stands not for father but for the phonetic word associated with letter P; if it started with letter M, the place would be called Mike and not Mama. Frivolities aside, Papa-2 was run by BSF --- not the army though it got intelligence ascertained from militants detained there --- and closed down in 1996. Did torture happen in Papa-2 or in other detentions by the security forces?

There is no reason to believe that it didn't happen but such incidents (as those of 'fake encounters') came down dramatically after the 1996 assembly elections. It is something which ideally shouldn't have happened but when people are sucked in the vortex of an ugly conflict, ugly things happen. The question of justice for those who suffered in that conflict --- innocents, militants, sympathisers, security force personnel, Kashmiri Pandits, families --- is a vexed one. Should it be "retributive" justice or "restorative" justice advocated by Mandela in South Africa? Can time heal all the wounds? If so, how much more time do we need? These are complex questions in any conflict and in case of Kashmir, almost impossible to find simple answers to.

For all his craftsmanship, Vishal Bhardwaj makes some silly errors in the movie which I couldn't fail to notice. The yellow table tennis balls, used by a young Haider and his father in a flashback scene, came into use much later. White balls were used during the period of the movie. The soldiers move around with INSAS rifles in the movie set in 1995 when these weapons were introduced only in 1997. The vehicles used by the Indian Army in 1995 were not the ones soldiers use in the movie. The stars on the collar dogs for Brigadiers and above were introduced in 2000s and a Brigadier (portrayed by Ashish Vidyarthi in the film) couldn't have worn them in 1995. Indian Army didn't have a RPG-7 in its inventory and the RL-84 Rocket launchers that it used never set buildings to fire. They just drilled holes through the walls.

Often, houses where militants were holed in were set to fire by the soldiers as a matter of last resort by late evening to prevent escape of militants under the cover of darkness. At times, explosives were used by soldiers in daring moves to blast such houses. Of course, grenades never cause fire in such high intensity but that is a problem of depiction with Hollywood too. Suicide vests, using Chinese grenades, might be a cinematic device used here because suicide bombing and fidayeen attacks started a couple of years after 1995 when HuM, HuA and LeT became dominant players in the terror game in Kashmir. And yes, Srinagar was no way as clean and tidy then as shown in the movie. It was a dark, dirty, gloomy place which is unimaginable now.

These nitpickings aside, Haider is a movie we should welcome whole-heartedly. More than the quality and the message of the movie, the fact that such a political movie can be made and released in this country is something we should be justifiably proud of. Let a thousand more Haiders bloom.

A retired army officer, the author served in the Kashmir Valley from 1994 to 1997.

Read more on:
Afspa
|
Indian Army

Created

Last reply

Replies

5

Views

2.2k

Users

1

Likes

16

Frequent Posters

vssaras thumbnail
16th Anniversary Thumbnail Rocker Thumbnail + 2
Posted: 10 years ago
#2
There are so many things about Kashmir that I did not know about...are coming out thanks to Haider film...and more people are speaking out and explaining in more detail like this Army officer!!...

I found the below para especially interesting...looks like the tortures are still going on..if so they need to stop pronto!!...😡...this is the main thing Haider is targeting regards Kashmir...the whole beautiful monologue of Haider was for this...👏



On AFSPA, even if we concede that the law was needed at the peak of militancy in Kashmir in the 1990s, there is no reason for it to still be applied to urban areas of Kashmir at the current levels of violence. Chief Minister Omar Abdullah has cogently made the case but to little avail. Let's hope the new, unfearing government at the Centre will have the courage to take that bold step and send a message to Kashmir which its predecessor governments failed to do.
Edited by vssaras - 10 years ago
vssaras thumbnail
16th Anniversary Thumbnail Rocker Thumbnail + 2
Posted: 10 years ago
#3
I think VB has done a beautiful play of words in Haider...Haider refers to Chutzpah in the same breath as AFSPA...both end with the same syllable!...
Chutzpa means "insolence", "cheek" or "audacity"
Also Chutzpa reminds me of Chutia which is a cuss word and means a fool or idiot

Definitely Haider film is targeting AFSPA!...
vssaras thumbnail
16th Anniversary Thumbnail Rocker Thumbnail + 2
Posted: 10 years ago
#4
The Armed Forces (Special Powers) Act (AFSPA), is an Act of the Parliament of India which was passed on 11 September 1958.[1] It is a law with just six sections granting special powers to the armed forces in what the act terms as "disturbed areas". Although the usefulness of the act has been universally acknowledged in particular for stabilizing the Kashmir valley and maintaining peace[citation needed], the Act has received criticism from several sections for alleged concerns about human rights violations in the regions of its enforcement, where arbitrary killings, torture, cruel, inhuman and degrading treatment and enforced disappearances have alleged to have happened.[2]
vssaras thumbnail
16th Anniversary Thumbnail Rocker Thumbnail + 2
Posted: 10 years ago
#5



A Kashmiri speaks: Why Haider is a must-see film for every Indian



Srinagar: No other state evokes patriotism among Indians in quite the same way that Kashmir does. So when it comes making movies on a strife-torn region, Bollywood filmmakers have always chosen to view the issue through nationalistic goggles.

That may perhaps explain a widely held opinion among the people in Kashmir that Bollywood has failed to present a realistic picture of political and societal tensions in this 24-year-old conflict.

Movies in the past two decades have either talked about the sacrifices made by the soldiers in Kashmir or present the people in a stereotypical fashion.

There is no doubt that no movie can perfectly portray the sense of injustice and alienation that the people of Kashmir feel today. But Vishal Bharadwaj's Haider, an adaptation of William Shakespeare's play Hamlet, has not just come close to portraying that uncomfortable picture but for the first time many Kashmiris are feeling an association with this movie.

Haider is a brilliant political movie

Sheikh Saliq, a Kashmiri journalist based in Delhi said, "I can't recall any movie coming even close to what Haider has achieved."

Portraying the uncomfortable political reality of Kashmir remains a challenge for any filmmaker, more so when the issue lies at the heart of tension between the people of Kashmir and India.

As a subject for artists, Kashmir is highly political in nature and its mere representation ruffles feathers. That might be the reason Bollywood movies made on and in Kashmir are never taken seriously by the people of Kashmir. Talk to them and they will tell you how reality has been twisted and turned to suit the larger "nationalistic" narrative on Kashmir.

"There is every possibility that had there been cinemas operational in Kashmir, people would have repeated what they did after watching Omar Mukhtar's Lion of the Desert." Nadeem Mohammad, a Kashmiri fashion photographer based in Delhi, says.

Nadeem was referring to the Anthony Quinn starrer Lion of the Desert, a movie which every young Kashmiri wanted to watch, in the early years of insurgency in Kashmir. Young Kashmiris had besieged the theatre to see the film. It had reached the state four years after its international release and was screened at the Regal Cinema in Srinagar's city centre, Lal Chowk.

Omar Mukhtar's fiery heroism against the occupying forces in Libya electrified the students who conjured up parallels in their own lives. After watching the movie, the inflamed people charged at and tore down an outsized and ubiquitous billboard of the powerful political leader, Sheikh Abdullah.

Most of the young militants who later joined the insurgency in Kashmir had watched Mukhtar's film.

Two decades have already passed.

Today's Kashmir still presents a different political reality. If The Lion of the Desert' led to protests and tearing of a Sheikh Abdullah poster, Haider would have defiantly lead to a few stone pelting incidents.

But, thanks to the 7 September floods and the protracted war, people are scrambling to get their houses in order. The floods that hit the region have killed more than 280 people and rendered thousands homeless.

Bharadwaj's Haider is one of the finest political films we may ever see coming out of Bollywood and reflected in its making is also the brilliant mind of acclaimed Kashmiri writer, Basharat Peer who, along with Bharadwaj, wrote the script for the movie. (Full disclosure: The author personally knows Peer as a fellow Kashmiri reporter)

Many scenes have also been drawn from Peer's 2010 book, Curfewed Night, considered one of the most authentic narratives about the lives of the Kashmiri people. But instead of introspection, which is what a democratic society ought to do, right-wingers have taken to social media, calling for a boycott of the movie. #BoycottHaider trended on Twitter, while supporters of the movie are voicing their opinion on #HaiderTrueCinema.

Haider is a daring movie, and stands apart from Bollywood's fascination with the Valley's Dal Lake, flower-laden Shikaras and snow-capped mountains.

Although the movie has gone through 41 cuts, it still presents a strong political message about a period when most of the Indians chose to stay away from the famed Shikaras.

People should see it and introspect on the whats and whys of the wrongs committed in Kashmir.


vssaras thumbnail
16th Anniversary Thumbnail Rocker Thumbnail + 2
Posted: 10 years ago
#6


Haider review through the Kashmiri Pandit lens

BY UPASNA KAKROO OCTOBER 13, 2014

  • 41
  • 25
  • 1
  • 1

Several people wrote to me that I should see Haider. Ash said, it was uncanny to hear the same songs in the backdrop as she had heard at my sister's wedding. At this point, I am surprised at how well Kay Kay Menon & Tabu pulled off the song - with the accent that was really not bad. Shraddha Kapoor perfected lov-ed, but fell severely short of singing her Ophelia goes mad song. I could hardly understand what she was saying till I realized she was singing in Kashmiri. And there's a review I was reading about why all the actors did not speak a little more Kashmiri- well because it sounds weird when it's not done right. Although, I have to admit, I liked the nice touches around the Urdu sounds. Many were using the Kashmiri Urdu accent. We don't have the "gh"ar, "bh" sounds like Hindi/Urdu, and I still make mistakes. I also liked that Srinagar was not called Shrinagar- because we do not say it like that. Also, they retained the Kashmiri Muslim dialects, which is good. Mouji is not something a Kashmiri Pandit would call his maaej.

My favourite parts in the movie were: the fact that how it was the perfect backdrop for Hamlet. It had everything from mass graves, to monologues, to half-widows, to lack of trust, which naturally lend themselves to the Hamlet settings. I loved the fantastic touches in the "play within the play" song. Baramulla ke Sheeri pull se was my favourite lyrical treat from Gulzar in this one. I was also very excited with the Grave diggers song and enjoyed the interpretation of the doctor's Rooh. Although, for multiple reasons, the standout part for me surprisingly was not the subtlety but the madness in the bald avatar of Shahid talking about so many multiple things all at once.

There's a massive dissonance in the Kashmiri pathos and expression as I understand it. The poetry and "lol" of the language, even the prayers are sufiana, are not always differentiating between Godly and earthly love, talking of spirituality in the same way as the love of moh maya oriented human beings. I have not yet found a direct way to say, I love you in Kashmiri. It often seems to be a language that uses indirect, flowery euphemisms to convey meanings. Yet, on the other hand, a Kashmiri person's love for personifications is often conflicted by an excessive- sometimes almost fake (to another person) display of emotions and drama. I have several dramatic cousins and I know several Kashmiri Muslims who will go all out and reach an extreme level in dramatics in real life. Sometimes even for situations that do not warrant those reactions. When I am excessively upset about something very small, I get dramatic in what may seem like filmy fake ways. But those are my real natural Kashmiri emotions coming to the fore. I wonder if it is because everything else is so indirect and subtle, that it is almost a let out to go overboard when you topple the balance. Kashmiris have also perhaps struggled (historically) to be believed a lot by others. Everyone has had their opinion of what story they'd like to believe in- even without experiencing anything first hand. I do think, Shahid's monologue could have been perfected by a better actor. But the element of fakeness or lack of finesse, especially in this one scene lends a lot of context to the setting. It makes me believe he is that Koshur Kot. Emotional, over the top and dramatic for effects, and because that's perhaps not what Kashmiris are far from, in reality. He did most things right in this scene- which was also very well written- from aping a certain dialect when talking about the Nehruvian blunder, to narating "Hum kya chahate...Azadi"- a slogan I heard multiple times as a child. It was also used as a weapon to scare us into leaving home (which was not orchestrated by Jagmohan, before anyone starts on that tangent). Another fear tool was the fact that, Kashmiri separatists and Muslims in the 90s had started calling Anantnag Islamabad. It's used exactly right in the movie because that's how the Muslims would use it.

haider amul ad

via Amul

I am not entirely sure if it is a modern classic as well. It's well made, and it made me question and compare things a lot. Maybe that was the intent too, but I did not feel bad. I felt Harud moved me more on the missing person phenomena, made me feel more empathetic. Haider, however kept me alert, on the edge, but at the same time, did not evoke empathy for characters. It made me feel as if they earned their nemesis. Like those NPR shows about army personnel who go to Afghanistan and come back with traumatic disorders. These which we do not talk much of in real lives. Children growing only in conflict grow up differently. I recognized that, but also that it is a movie. For me, it was not Vishal's best, but that's also because I am unable to see it without rationalizing it somehow and also knowing it far too well in ways that I can not ignore.

Mother said (about Basharat Peer) that it is dangerous that children who grew up only in conflict should share their stories because they never saw the good times and are extremely one-sided. I feel, they have their own stories and sharing those will only just add richness to the narrative. I did not think it was one-sided. It was one story. The jokers who had issues with the Indian army portrayal completely missed the plot. I also do not think the Kashmiri Pandit phenomena was missing. They had already been thrown out by 1990. Besides, this story belonged elsewhere.

My uncle had said, in conflict everyone suffered. But exposure to everyday conflict is temporary, eventually it goes away. Rootlessness however is permanent. I do not entirely believe that. I think in a person's lifetime both are equally permanent. For the generations ahead though, the roots do make a bigger difference when they disappear. My mother lived in downtown, 3rd bridge. The neighbour who shared a wall with them was an area commander (with Kalashnikovs) by the time we left in a truck in the night in 1990. The house with the rose garden that grandfather promised to grow me purple pansies in was burnt down in 1995. I did not understand the significance of calling Anantnag Islamabad as a child. Now if someone says it, I do not get scared, instead I feel they're erasing my childhood and insisting that it did not exist. Hum hain ki hum nahin?

Related Topics

Bollywood thumbnail

Posted by: Rangaaa · 1 months ago

https://www.ndtv.com/entertainment/ndtv-jai-jawan-2025-aamir-khans-day-out-with-indian-army-in-jammu-and-kashmir-9069929

Expand ▼
Bollywood thumbnail

Posted by: priya185 · 6 months ago

Deepika calls out Oscars for not recognising Indian cinema enough https://www.instagram.com/reel/DHiunMyyOYL/?utm_source=ig_embed

Expand ▼
Bollywood thumbnail

Posted by: Sparkle_Soul · 12 days ago

https://www.siasat.com/war-2-sets-record-as-biggest-flop-in-indian-cinema-history-3263878/amp/

Expand ▼
Bollywood thumbnail

Posted by: elaichichai · 1 months ago

And only the third film apart from Pathan and Jawan to gross 3mn UK pounds on the box office...

Expand ▼
Bollywood thumbnail

Posted by: priya185 · 1 months ago

Best books by Indian authors Name your favourites https://www.instagram.com/reel/DNX9LaQoZC0/?igsh=MXZrNWt3bWEyaHAwNQ==

Expand ▼
Top

Stay Connected with IndiaForums!

Be the first to know about the latest news, updates, and exclusive content.

Add to Home Screen!

Install this web app on your iPhone for the best experience. It's easy, just tap and then "Add to Home Screen".