triangle of life - Page 2

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Posted: 12 years ago
#11

Originally posted by: libsrocks

@bold
and do you think it is making the story interesting? i am sorry but i don't

What exactly are you apologizing for?😕
For disagreeing with me or for not finding it interesting?
Either ways no problem😊
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Posted: 12 years ago
#12

Originally posted by: shankythebest

Anandi didn't stay willingly,they were returning udaipur.But she was compelled to stay as Sanchi was doing her drama to stay in the haveli.If Shiv's sister is desperate and doesn't want to listen to anything then the most graceful thing would be shiv asking anandi to stay with sanchi.

A patient is coughing so its natural to be concerned about him.So anandi's hand automatically raised to give him water.She is not in love with jagya its a general concern which she will do for everybody.Here from where the concept of ex and current husband appeared,I don't understand.Inspite of all the wrong doings anandi forgave jagya,she doesn't hate jagya,she never hated jagya,thats the reason why people respect this character.I love this character for her this kind of gestures.

some people respect their choice, but this is not a quality to be respect. She does not hate jagya in fact she loves jagya. For her own ego, that she does not want to get back to him since he left him he married shiv by convincing with big lectures. Viweres got hooked by her big talks. But she is actually jagya's wife by all her deeds, running for every problem of his. Jagya being served by some one else's wife, supervised by his ex wife, and fantacised by a one sided love- where is his own mother and dadisa gone, maar gaye keya BV is disgraced anandi's charecter because the director feels woman are pleasure game for men.
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Posted: 12 years ago
#13

Originally posted by: aparnauma

This serial is all about one particular balika vadhu and her balak var and it traces their lives.It is not about AnSh and JG1/JG2.It is all about Anandi and Jagya and their relationship and how it takes variuos shapes at various phases of their lives.Obviously the serial will become meaningless if their tracks are completely separated.

Anandi happens to be the central character and any track doesn't involve the central character is some way or other becomes just a minor track.

It is one thing if the central character and the main male lead are paired with each other but if the central character and the male lead are not paired with each other their tracks to be mixed as often as possible to move the story forward and make it interesting.

I do agree with the TM the involvement of the central character is essential to keep the show going.



The serial started with Anandi as balika vadhu but we cannot say that this serial is only about one particular balika vadhu and her balak var and involvement of central charecter is essential to keep the show going. When the central charecters are no longer related to each other, they can easily show parallel stories. It defies all logic, the way they are involving Anandi and Jagya's story. Even Ganga staying with the Singhs and later (may be) her marriage to Jagya defies logic. People can give shelter to a woman who does not have anyone/anywhere to go. But keeping her like a family member/ expecting her to do work just like a bahu is strange. Even Jagya going out so often with Ganga and leaving Ganga alone to take care of Jagya (like she is actually his wife) is strange.
Edited by SPuja - 12 years ago
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Posted: 12 years ago
#14
A Soap and Reality have to be different Because besides the plot the unspoken feelings are also portrayed. In real life we can"t wear our heart on our sleave But a soap gives expression to that part of the human pshyche. In a man woman relationship there is nothing cut and dried. Real life parameters restrain us from doing many things and expressing many things .Despite their existance we have to leave them in the farthest recesses of our mind. But a soap has the liscence to do all the things which the human heart and mind yearn for. This particular soap takes cognizance of that.

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