Saiyaara box office day 3: Ahaan Panday and Aneet Padda's film earns highest on Sunday by earning Rs 37 crore

The film Saiyaara, starring debutants Aneet Padda and Ahaan Panday, is making waves at the box office. According to Sacnilk.com, the movie saw its highest collection yet on Sunday, indicating a strong run in theaters. With its engaging storyline and memorable performances, Saiyaara is capturing audiences' attention and ringing up impressive numbers.

The film raked in Rs 21 crore on its opening day and Rs 25 crore on the second day. Sunday saw a surge, with early estimates putting the earnings at Rs 37 crore, bringing the total to Rs 83 crore. This marks the second-highest Day 3 collection for a Bollywood film this year, following Chaava, which earned Rs 117 crore by Day 3.

On Sunday, July 20, 2025, Saiyaara boasted a remarkable 71.18% Hindi occupancy rate. The film is drawing packed houses in major cities and smaller towns alike.

Saiyaara marks the directorial venture of Mohit Suri and the debut of Ahaan Panday and Aneet Padda. The film tells an intense love story, delving into the complexities and emotional depth of the characters' relationships. Produced by Yash Raj Films, Saiyaara has garnered attention for its strong box office performance and positive audience response.

At the box office, Saiyaara has performed well, earning Rs 21 crore on its opening day, Rs 24 crore on the second day, and Rs 37 crore on the third day, totaling Rs 82 crore in India. The audience has praised the film's emotional storytelling, music, and performances, drawing comparisons to classic romantic dramas like Aashiqui 2.

Review by India Forums

With Saiyaara, Mohit Suri has not just made a film. He has made a statement. That love stories still matter. That feelings still matter. That sincerity, when crafted with care, will always outlast spectacle. He has made a film that reminds you of his earliest strengths but also shows how much he has grown as a storyteller. In Ahaan Panday and Aneet Padda, he has found collaborators who understand what it means to be emotionally naked on screen. They are not chasing charm. They are chasing truth. And they have found it. This is a near-perfect film. And it is a true one. And in the world of romantic cinema, that is a lot rarer than it should be.