In the past few days, I have observed something. They are butchering Kashi!!What the hell!!Her insecurity and innocence was looking cute in the initial days. But now they are portraying her as a spoilt brat, insensitive and spineless, who does not understand her husband one bit, and has nothing else to do all day long except whining about her husband. And to show it as contrast, they are portraying Mastani as the great thinker, intelligent warrior and selfless princess!What are they trying to show? That Kashi is a dumb wife, not upto Baji's standards. And so Mastani will come and save him!Now now, CVs. Your bias towards Bajirao-Mastani affair doesn't have to be so obvious! We all know Bajirao loved Mastani, and she was a talented woman. But to justify that romance, you dont need to pull down Kashi in this manner. Let her be. Kindly dont take us for fools. We understand exactly what you are doing there.Kusum Chopra in her novel 'Mastani' did the same thing. She portrayed Kashi as a shallow, dumb, insecure character to make the reader feel for Mastani. Otherwise, why else will the general public side for the 'mistress'?I will give a million likes to Bhansali in this regard. He didnt degrade the first wife to justify the so-called 'epic romance'. He showed all three of them with dignity, and let the audience choose their favourite. Needless to say, most preferred Kashi over Mastani, as her love and pain were more palpable than Bhansali-Mastani's 'Ibadat' (read husband-stealing).I have nothing against the historical Mastani though. I understand she lived in an era where such relationships were normal. I am not sure whether the real Mastani willingly seduced a married Bajirao or her relationship with him was more like submission to fate and eventually love. I do not know whether she indeed was his wife as Kusum Chopra tries to prove in her book, or his mistress. Either way, it makes not much difference to me, bcoz the mode of her relationship doesnt change the fact that her entry in Bajirao's life (whether as a wedded wife or mistress) brought a turmoil into the family, and strained Bajirao's equation with his wife - the major reason why I am not a fan of hers. And if she had been his wedded wife, it is unlikely that her son would be called Shamsher Bahadur!But those are historical debates. I do not know the exact details as historians are still arguing on this. So, I'll give the real Mastani the benefit of doubt. She may have been a willing seductress or a pawn in political alliances.But HERE, in this show, the character sketches are going haywire. Though Sony-Mastani is being portrayed as an ultra-perfect woman, which is, IMO, nothing but glorification, what is really bothering me immensely is the shameless butchering of Kashi! That is such a typical, cliched and below-standard way of glorifying such kind of affairs!Why not show the story as it is? Why not dare to show the truth? We all know the basic crux of this tale. We will happily accept it as history. Why distort it to suit the one man - one woman romance ideologies of 21st Century? If that had been the condition, then what was the point of making a show on ancient history!And Bhiu! The less said about her, the better! Ok, her husband is a jerk. For that she deserves utmost sympathy. But why does she keep taunting Kashi at the drop of a hat? Kashi, in her own grown-up days, never taunted her. The only thing she said is, Bhui, you are lucky! That is bcoz she is probably not fully aware of the equation between Bhui and her husband behind closed doors. And secondly, she is judging their relationship through the lens of her own. For her, husband's physical presence is of utmost importance as that is what she lacks. Granted she didnt understand Bhiu's turmoil, bcoz of her inexperience, but what is Bhiu doing?Taunting her at the drop of a hat without provocation! Aap mere bhau ko nahi janti! Aap mere bhau ke pasand ko nahi samajhti! Aapko mere bhau ke baare mein kuch nahi pata! What the hell!! I am pretty sure, she will be the first one to root for Bajirao-Mastani when the time comes.P.S. - Apologies to my fellow members for the rant, but the narrow-minded bias of the creative team compelled me to write this. 😭
Originally posted by: kahiliginger
You mentioned Mastani, the novel by Kusum Choppra. This is the official introduction to that fictional novel.Until recently, history had relegated Mastani to forgotten pages as a dancing girl... a myth kept alive by lack of evidence about her true place in the Peshwa household. Daughter of Maharaj Chhatrasal of Bundelkhand, Mastani married Peshwa Baji Rao I while he was in power, but she was obscured almost to anonymity by several forces. Her life as a strategist, both on the field and at home was veiled with intrigue due to the jealousies of women in zenanas and power-hungry relatives in the Peshwai. What was Mastani's story? Was being a true companion to the Peshwa as well as his most loved wife a threat large enough to snuff her out in the pages of history? Fascinated for years by the secrecy behind her life and death, Kusum Choppra unravels the mysteries surrounding the deaths of both Peshwa Baji Rao I and his second wife. The novel explores Mastani's royal lineage and the elegant bearing of a warrior princess caught in the political web of a changing empire.Kusum Choppra is a self-confessed Mastani fan who claims to have researched her chosen heroine for over 25 years before writing the book. When asked about which published historical resources she unearthed her facts from the writer was largely evasive, stating that her evidence was corroborated by several unpublished sources that have kept the real story alive. In other words she could not name a single credible source that condemns Radhabai, Chimaji, Balaji Bajirao and Kashi as perpetrators of the villainy her book blames them for from start to finish.The book is so hagiographically in Mastani's favour that after browsing through a few pages the reader realises that the writer's one point agenda is to affirm the identity of Mastani as a Bundela warrior princess who did not deserve the injustice meted out to her. All in all only Mastani and her supporters emerge smelling of roses while every Peshwa family member is either reduced to a bumbling greedy minion or to Mastani's Nemesis! Bajirao himself is painted as a romantic yet spineless lover. Incidentally Kusum Choppra is a journalist as well as a published writer.Wikipedia defines yellow journalism as follows: it is a type of journalism that presents little or no legitimate well-researched news and instead uses eye-catching headlines to sell more newspapers. Techniques may include exaggerations of news events, scandal-mongering or sensationalism.I am unsure if the scriptwriters of PB regard the novel Mastani as their Bible but they do seem inspired either by it or by yellow journalism. Whether or not this is an attempt to grab TRPs is anyone's guess. And you are absolutely right, unlike others who dared to touch the controversial subject only SLB brought dignity to his lead characters.I hope someone from the creative team of PB reads your posts. Because long after the series winds up the better informed viewers will judge them for decimating the reputation of iconic historical characters. And by then the damage to the writer's credibility will already be done.
Good post! Most of us here share the same opinion. I feel PB post leap would've been more layered plus closer to history IF Bajirao-Kashi's relationship was cordial and then it'll be interesting to see how he falls for another despite a good marital life. But sadly, Mastani is overpowering everything!
P.S plz send ur views to Sony as well.
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