Originally posted by: Bhabhi36
This is a question that everyone is asking.
Which sensible script writer will come up with so many levels and layers of rubbish?
Anyone who knows anything about effective writing knows that what is important is to take one theme and explore it along many dimensions, and that is what the earlier BALH did - it explored the multiple dimensions of an arranged marriage between independent people becoming, through gradual and credible steps, a relationship of love.
Now instead of one theme /topic we have dozens of "heavy" topics - Pihu's rape accusation, Varun's suicide, Priya in coma, Juhi's entry into KM, Naina's custody case, Karthik's re-entry, now the projected return of the old lover and the old villain in Rajat and Niharika ... each of these themes brings together a huge dimension into the script. And for our Mitu - whoever he/she/it may be - the supposed shock effect is more important than sensitive handling.
Mitu is no gourmet cook : she is a bit like the witches in Macbeth, throwing into her cauldron a bit of coriander here, a rubber tyre there, a couple of broken bits of glass, and a few rotten carrots.
EK should wave Mitu good bye. MANY people in this forum write better stuff than Mitu does.
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