His Films
Pather Panchali
Life, however, is a struggle so Harihara has to find a new job and departs, leaving Sarbojaya alone to deal with the stress of this family's survival, Durga's illness and the turbulence of the monsoon. The final disaster, Durga's death causes the family to leave their village in search of a new life in Benares.
Inspite of poverty and death the film leaves one not depressed but moved, filled with the beauty, and subtle radiance of life. The film suggests an intimate relationship between loss and growth or destruction and creation.
Ray's comment on this film: "It is true. For one year I was trying to sell the scenario, to peddle it...since nobody would buy it, I decided to start anyway, because we wanted some footage to prove that we were not incapable of making films. So I got some money against my insurance policies. We started shooting, and the fund ran out very soon. Then I sold some art books, some records and some of my wife's jewelry. Little trickles of money came, and part of the salary I was earning as art director. All we had to spend on was raw stock, hire of a camera and our conveniences, transport and so on......I had nothing more to pawn". The original negative of this film was lost in a film fire.
APARAJITO
This film dramatizes the death of Apu's father and mother and Apu's own growth into manhood and independence. Set in 1920, the family is living in Benares, where the father reads the scriptures to an audience of widows. They live in a small house in the city. Afflicted with old age and illness , he dies while on the ghats of Benaras. Sabajaya, is left alone to fend for herself and Apu. She decides to return to live in the country and becomes a cook in a 'zamindar's' house. She wants Apu to become a priest, but he wants to go to school. She makes sacrifices so that he might pursue his studies. Apu, having won a scholarship, departs for Calcutta, leaving her alone. When he returns to the country to see her, he is bored and can't wait to leave again. Sabajaya falls ill and Apu, delayed by his exams, arrives too late. He departs again for Calcutta, sad but free.Ray said about this film:" I was not able to achieve more than 60 percent of what the script demanded..(one of the reasons) being a peculiarly technical one. A camera had just come...and it jammed frequently during the shooting in Benaras. It became impossible to do more than one take of of a scene... And then we had to rush through the editing stage..because the date of release was getting near. Another problem was that Ravi Shankar should have composed half as much music than he did. There are blank moments as a result. But I find the psychological aspect--the relationship between a growing Apu and his mother--very successful."
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