Great topic, drilabh 👍🏼
Like Prabha mentioned above, I think in cases like Aatmahatya Ya Khoon and Rahasya Shootout Ka, the story itself was so flawed that even good direction and visual work can't really elevate it much. For example in the Shootout episode, the motives of the bodyguard and reporter for killing the actor guy were so ridiculous that it's not even plausible, and the scenario it takes place in is also not impressive. The script itself was below standards.
I'll take the shootout episode as a small example. In this episode we see that a reporter gets so furious that the actor slapped him in public, that he takes great pains to install a small gun in his camera and enters a dangerous situation to kill the actor for revenge. And a similar reason for the bodyguard to shoot him. It's laughable, people like reporters get used to being roughly behaved with by
actors and other people they deal with, it's part of their job risk. The script makes no sense at all. I don't think even a good director can do much to elevate such a baseless story. It is the story itself that needs drastic changes for improvement. At least give them better motives for killing the guy! Even a simple thing like having the bodyguard being bribed by some enemy of the actor to kill him would've improved the story much more.
On the other hand I thought that episodes like Maut Ka Aashirwaad and Manav Bomb had good plots (especially Manav Bomb could've been a potentially great episode), but both were ruined by Salil Singh's poor direction. I'll write about them in a while.
Sorry for my boring essays! 😆
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