Bigg Boss 19 - Daily Discussion Topic - 13th Sep 2025 - WKV
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Yeh Rishta Kya Kehlata Hai Sep 13, 2025 EDT
PARAYI AURAT 13.9
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Tanya was fab today👏🏻
Two contradictory dialgues in single episode? Aurton se Rude nai hona?
Anupamaa 13 - 14 Sept 2025 Written Update & Daily Discussions Thread
Who is this actor?
Yeh Rishta Kya Kehlata Hai, 14th September '25 EDT.
KIARA THROWN 14.9
Katrina won't announce her pregnancy, is she?
Prayansh Aransh Anpi FF: Swapnakoodu
When a lie is repeated hundred times…
Bb top 5 - guess
Cocktail 2 begins shooting with Shahid ,Kriti and Rashmika!
🏏T20 Asia Cup 2025 India vs Pakistan, 6th Match, Group A, Dubai🏏
In 1943, she began recording for Keynote Records and released the 12-bar blues "Evil Gal Blues", her first hit. She then switched to her only other label, Chicago-based Mercury Records and from 1948 to 1955, she had numerous hits on the R&B charts, including "Am I Asking Too Much", "Baby, Get Lost," "Trouble in Mind", ""I Won't Cry Anymore", "TV is The Thing This Year", "Teach Me Tonight" and a cover of Hank Williams's "Cold, Cold Heart". In March 1957, she married tenor saxophonist Eddie Chamblee (formerly on tour with Lionel Hampton), who led the band behind her. In 1958 she made a well-received appearance at the Newport Jazz Festival.
With "What a Diff'rence a Day Makes" in 1959, Washington won a Grammy Award for Best Rhythm and Blues Performance. The song was her first top ten hit in the Pop charts, reaching #8 on the Billboard Hot 100, although most of her releases had reached the R & B Top Ten.
The commercially driven album of the same name, with its heavy reliance on strings and wordless choruses, was slammed by jazz and blues critics for being too commercial and for straying from her blues roots. Despite this, it was a huge success and from that point, Washington continued to favor more commercial, pop-oriented songs rather than traditional blues and jazz songs. Along with a string of other hits, she followed this with a new version of the 1952 hit for Nat 'King' Cole, "Unforgettable", which also sold well, reaching #17 Pop.
In 1960, she teamed up with another successful Mercury artist Brook Benton and the two had back-to-back top-10 hit duets with Brook Benton: "Baby (You've Got What It Takes)" (U.S. #5) and "A Rockin' Good Way (To Mess Around and Fall In Love)" (U.S. #7). Both hit the top spot on the R & B chart, "Baby" staying there for 10 weeks. Dinah scored a third R&B chart-topper the same year when her version of "This Bitter Earth" went all the way, also reaching #24 in the Hot 100. Her last major hit was "September in the Rain", which reached #23 in the USA, #35 in the UK, and #5 in the US R&B chart. In 1992, her 30-year-old version of Noel Coward's "Mad About the Boy" became a minor hit in the UK after being used in a TV commercial. These later recordings were supervised by Mercury's in-house producer in New York City, Clyde Otis, who also produced Benton's long run of hits.
Dinah was well known for singing torch songs.[7] Her rendition of the popular standard "Smoke Gets in Your Eyes" was well regarded. A 40-song box set of the same name was released in 1999.[8]
Jazz is an American musical art form which originated in the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. The style's West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note.[1]
From its early development until the present, jazz has also incorporated music from 19th and 20th century American popular music.[2] The word jazz began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915; for the origin and history, see Jazz (word).
Jazz has, from its early 20th century inception, spawned a variety of subgenres, from New OrleansDixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazzfusions such as Afro-Cuban and Brazilian jazz from the 1950s and 1960s, jazz-rock fusion from the 1970s and late 1980s developments such as acid jazz, which blended jazz influences into funk and hip-hop.
Originally posted by: oldblackjoe
some guy called madhav chari came to my house..
he's a jazz musician..he says that in the usa basically noone need to profile themselves like in mumbai..
thnk GOD!!! i'm fuming rite now coz of some stray dog entering this forum....i needed to listen to a song to cool down....thnx summer!!!!! 😊