Originally posted by: IssPKaur
Et tu, Kate? What's with you girls?? How do you even manage "working" on these shots?!!😕 I can't go past staring...i've practically stared the last two or three hours😆😆
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Originally posted by: IssPKaur
Et tu, Kate? What's with you girls?? How do you even manage "working" on these shots?!!😕 I can't go past staring...i've practically stared the last two or three hours😆😆
Ok My riddler ,This rennaissance man and his actions are over rated.You are too much 🤣 ...Making me laugh hysterically 😆
Originally posted by: ArshiHamesha
Indi this is the most significant scene is ever.The whole lay out of his character starts here.He lands like an ASR and then take off his aviators, symbolically his ASR avatar and here you go music changes and he is back to that night as a 14 years old boy whose past is in his emotionless eyes where darkness has been prevailed over these years.His attitude changes to a determined man yet with the attitude of a young boy with immense anger and revenge...he is here on a mission to get back something which was his at the first place and from no one else from his own Chachaji...with his body guards as he is guarding him as ASR in his shell ...very well designed scenePaisa mera shouq nahi paisha hai...says a lot and here we go Aviators are back as Symbolically ASR avatar is back with BG score loud and clear and he walks but my grabber is surroundings...The place seems got its life back...The pigeons which are symbolically represents his pure heart and at the same time his painful emotions ...Jazbat ki koi jagha nahi...and those are flying freely here and there .Those are free from its jail , its Ghutan after that many years that HE IS HOME...Remember my analysis, I mention pigeons around him and one is doing busines with him...now take that scene with the scene when he buys all of em for hat small girl on his parents anniversary.and who is in the BG , Khushi apure soul and here She is coming to Sheesh Mahal to purify him from his darkness.Very well designed and thoughtful process in IPK at least in the beginning ...Thnx Kat for such a lovely Gif...👏
DISCLAIMER:DON'T COPY MY WORKS AND CONCEPTS WITHOUT GIVING ME CREDIT
YOU HAVE SEEN MY HUMBLE SIDE. TRUST ME YOU WON'T LIKE THE OTHER...
EPISODE 183-PART 184
Jadu hai nasha hai....
"Itni aasani se sanka devi aapka peecha nahin chode gi "[Sanka devi is not going to spare you that easily].A pointer which covers the future of IPK.Khushi's Bidai never happens from Guptas properly until the very end and this covers the whole IPK.Buaji's dialogue..."aaj eik gudiya jae rahi hai aur..."[Today one doll is going...] is a pointer too.
Symbolism and connection: Epi 7 there were 10 pics of different Gods and now the # is reduced to six...Six circles of chakarvyue are getting way too tight ,# 6 is clearly in the picture for Anjali and Khushi.It is also going to take in Payal and Guptas for a while too.Six a mothery # of scarification treated as doormat by ppl and that is coming up.
In Gupta's house ,Sisters emotional scene for parting away as a Bidai...was really natural and touchy which brought smiles with tears in parents and Buaji's eyes.
While In RM, NK seems to be picking up a lot on Shyam's Slithery moves ...Poor story structure as the camera supposed to have all and could be used later as key witness to wake up sleeping souls...especially for Arnav to provide him enough to believe in ...
Pause here: Later they did use it by bringing NK back and during revelation he was the key ally of Khushi against all the odds.
Guptas ambit to RM house where a greeting family welcomes them with open arms.Arnav reaches at the nick time for his lady love.Both share an intense gaze or I should say he is not willing to let her have herself save from his daggers.The love ,affection ,hankering, fondness, longing but above all soft passion with endearment is so so visible in these eyes.His internal peace and joy is dressing his visage and same with Khushi as a woman's beauty enhances and glows around her man.His proud blandishment is alluring her beauty and that makes her face glow with crimson blush which makes him to adore her more than ever.He turns her desires on by his soft stare and settling smile and she turns him on with her innocent yet amorous eyes.My grabber is Khushi's stance gets broken by Mamaji's blessing words"Sada Sukhi Raho.."Khushi received the blessings indeed...welcome to your home Mrs Raizada...
Among all Naniji is happy at her new Bahu and that brings tears in Khushi's eyes when Naniji reminds her that Payal is now in Raizada's mention for Hamesha and that palpation makes her restless.. Arnav offers his kerchief after noticing Khushi's tears as he can't see his biggest deal out of proportion and tries to assuage her disquietude mood by making her confuse and speechless as this is his new way of enchanting this beauty to make her wordless."Bolna kya seekh liya ..humain hi chup kara daite hain..."[He makes me speechless since he learned how to speak..] comes on their own Shagun later but this is their new style shagun for making his bride quiet right here to welcome his Lady Love with his intense gazing...Khushi's lips move yet without words and that quivers the strings of his heart,"Khushi...tum se baat karni hai..."[Khushi ..I want to talk to you]How adoringly he is alluring his voice around her ?...Khushi asks him with astonishment, "Kaisi Baat..."[What kind of talking?...] Arnav in an enraptured way,in a "Laad mein" like the boys do with their mothers..."bas karni hai..."[just wanna talk...].He Starts moving towards her while Khushi steps backward as usually.
Their enchanted and enamored lovely moments are sending fallacious neurotic impulses in the Basilisk's slithery brain whose growing rage & restlessness increasing the frequency of his twitchy meter as he is watching hiding himself behind curtains...He interrupts their private moment politely and sends Arnav away by using Akash as a bait .
Arnav seems glued to Khushi and so does she.None of them are ready to let go of each other at this moment and that makes Shyam to intervene a second time with his twitches but the message has been delivered and received ,"I want to talk to you...Bas...and I want to hear you Bas"...These two are reminding me Bobby's song "Mujhe Khuch Kehna hai...Mujhe Bhi Kuch Kehna hai" as Arnav and Khushi both to me are Lukhnow Nawabs and their train is near to be missed...
Shyam tries to talk to Khushi but she leaves him in an anguish and determined more than ever as he will make her to listen to him.His overacting to practice his dreams to be "bechara" miserable at Rani Sahiba'a death and Khushi's embracing him automatically with love is way too much to digest...Every time he rehearses for upcoming non occurring events yet this time he went so far...I found it bizarre...His relishing while Nani was getting worried at Anjali's delay made him look sick Psycho...creep...and Slithery Stink...😡
Love to see parallel scene of both Love birds going through with the same contemplation yet different ways of coping with it.One side Arnav was becoming embarrassed while unbuttoning Sherwani in a grappling manner "Tense...Why should I be Tense?...as his Dil and Dimgh is occupied with Lady Love's blushing face touching her locks... seems to me The Great ASR has been sent on vacation "Mujhe Jaldi kyuon hogi...Jaldi tou tumhain hogi ...tum ne Khushi ko jo milna hai..."...Yeap got it Sir you have an urgency in this deal as the state of this khoya khoya chand is very much noticed by Akash.Other side Khushi is way too noisy and chatty in her convulsive and baffled state.Unlike Arnav she releases the news "Humain Arnavji se bhi milna hai...unhon ne hum se khuch baat karni hai..." and that alerts Payal Sayani...
The next scene, Khushi comes near to mirror first suddenly and then Arnav...Both turn towards each other shyly..Khushi impulsively yet timidly asks ,"Arnavji aap hum se ....Arnav impulsively yet determinedly completes their wish,"Baat karna chahta hoon...".. They both start their famous forward-backward walk till she gets cornered by him ...They both get interrupted by guests twice..., Arnav's eyes don't leave Khushi's visage which just increases her heartbeat.She breaths heavily which brings his famous side smile to see his effect on her...while being few inches away from Khushi ,his eyes fell on something with amusement and he extends his hand.Khushi closes her eyes in while anticipating in this burning moment...Without uttering a word while keeping his piercing gazes at Khushi, He touches the mirror and presses something against it .On the other hand breathless ,and illuminated Khushi just keeps going on saying his name...Arnavji,..and an eloquent Arnav just utters "hmmm"..with million bucks smirk on his face...before Khushi can go on again with his lovely name as this is her fav name of all.
Symbolism and connection: First they were shown standing side by side facing forward and then they align while walking till they become one and both become each others shadow...parchaeen...both their bodies reflected one upon the other ,the very same way in the car they were together facing forward,Arnav looking up for Khushi and then Khushi sees him in the mirror...same concept here...That confirms the same... They are one ,no matter what angle their positions align from now on.
Arnavji ..the mobile rings ..but Arnav ignores it while Khushi reminds him of.Arnav with a soft smile disconnects the phone but the interruption comes in the form of waiter. He tells Arnav that Nani is calling him.Arnav walks away, stops and gives his registered turned yummilicious look. A bewildered Khushi probes the reason ,"kya.."Arnav with his tilted face smilingly points out at the Bindi on the mirror which he had stuck there..Khushi turns towards his pointer and gets baffled and ecstatic to see it..She turns to look at Arnav who has paused by the curtains and is looking proudly and expectantly .Second time waiter comes and requests Arnav's presence downstairs . My grabber is Arnav concedes and makes a movement towards Khushi but then reluctantly walks towards his family.While a joyous Khushi accepts the gift from Arnav with honor and puts Bindi on her forehead the. Khushi has given him the power and right over her in this small gesture. She handed over him , her happiness and her smiles her future,..
Another ritual is over...according to some the symbolically marriage happened and right in front of Shyam to make him aware of God's powers...as he can't do anything now...as Arnav said later"Khushi meri Patni hai aur ab tum khuch nahin kar sakte..."This scene is connecting the Buaji's and Khushi's words now ...She will be married but her bidai is not properly done...My One Pickle jar is still on the table...Arnav leaves Happy Khushi under a Dark Shadow which he is very much unaware of and is Khushi...
PONDERING CONNECTED DOTS: Today she is putting his given Bindi and at the day of her remarriage his blood drops on her as a bindi...
ON Diwali night Arnav and Khushi both were unaware of their actions and they floating by their desires but today they were totally aware of their actions.Biggest grabber ,today he turns off the phone and ignores everything including waiter's call for Nani...as Khushi is his priority.They both accepted each others' magical pull consciously.Arnav's yeaning for his Khushi was way too strong here.But one thing his reluctant steps towards Khushi took over by family urgency...and that is clicking towards his future step.
Guptas emotional scene ,a father's blessings but interrupted by Social attyachar...money speaks...Mamiji we know that...
The impatient Shyam the Basilisk is busy in getting ready for "Karyakaram" of Rani Sahiba and and his own Good Luck...Love it he is buying things which will bring him closer to disownment of his throne... "Haiwan Preshan" isn't he what NK mentioned...👏
Khishi's monolgue to herself,"Kya aap wahi kehna chahte hain jo hum sunna ..."Incomplete words of a yearning desire which is not written yet but planned yes...Love this interpretation of writing on the mirror...Written destiny but time is off... and thoughts...are scattering all the baby boomed desires in all directions without any direction...
Naniji's disclosure of Dhamaka makes Arnav's world hollow for a second and the # 17 appears...
Symbolism and connection:The car plat #...DL04-7123 ...add all the #s =17
# of a man who evolves in both worlds...material and spiritual and all ...[See welcome post of thread 17 page 2] Arnav is going to be evolved and Anjali is the main reason...and Khushi's will be the helper...
GREEN TEA ,in Buddhism has concept of purifying soul...Green tea is made by steaming not by fermenting so it is close to the nature...Arnav indeed is going to be purified but after letting all the steam out...
PONDERING CONNECTED DOT: The very same car he hits to the tree for a fake accident and comes back to RM for his Rani Sahiba after Kidnapping...
MOMENT OF THE DAY...
[YOUTUBE]https://www.youtube.com/watch?v=aAK_hH0dvms[/YOUTUBE]
[YOUTUBE]https://www.youtube.com/watch?v=eZbCv7dZqKs[/YOUTUBE]
Originally posted by: ArshiHamesha
Indi this is the most significant scene is ever.The whole lay out of his character starts here.He lands like an ASR and then take off his aviators, symbolically his ASR avatar and here you go music changes and he is back to that night as a 14 years old boy whose past is in his emotionless eyes where darkness has been prevailed over these years.His attitude changes to a determined man yet with the attitude of a young boy with immense anger and revenge...he is here on a mission to get back something which was his at the first place and from no one else from his own Chachaji...with his body guards as he is guarding him as ASR in his shell ...very well designed scenePaisa mera shouq nahi paisha hai...says a lot and here we go Aviators are back as Symbolically ASR avatar is back with BG score loud and clear and he walks but my grabber is surroundings...The place seems got its life back...The pigeons which are symbolically represents his pure heart and at the same time his painful emotions ...Jazbat ki koi jagha nahi...and those are flying freely here and there .Those are free from its jail , its Ghutan after that many years that HE IS HOME...Remember my analysis, I mention pigeons around him and one is doing busines with him...now take that scene with the scene when he buys all of em for hat small girl on his parents anniversary.and who is in the BG , Khushi apure soul and here She is coming to Sheesh Mahal to purify him from his darkness.Very well designed and thoughtful process in IPK at least in the beginning ...Thnx Kat for such a lovely Gif...👏
Originally posted by: IssPKaur
Byas! Jotheshtho!!😆😆
Fably done, bhuns again. Breathtaking shots and mindnumbing edits. Uff. Crazy.
The sitting at the foot of Durga, for me that's the most precious touch in that shot ...and your words:
a certain bizarre energy to the gota border, the purist is long dead and has returned with a lust to see the new world.👏... where sits a long legged , lean boy with a mane at the foot of durga, as if he owned the world. and don't mess with him he will get up and be aright royal gabru. SIMPLY SMASHING ALL THE WAY!! 👏
But i see you hab a problem with the mika, you bhadralok type?😆 It is the beat and only the beat that comes first for the punjabi, ok?😆 Check with the bwoy if you like...he'll be doing that shoulder thing he does at the very mention of the song... But yes, keep him in the bongland i say...me loving cross overs meri kudiye!
'Haiku Harakiri' humari gavah hai😆
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