Blast from the Past Thread #11, pg 135, epi 132 - Page 48

Originally posted by: ArshiHamesha

DISCLAIMER:DON'T COPY MY WORKS AND CONCEPTS WITHOUT GIVING ME CREDIT

YOU HAVE SEEN MY HUMBLE SIDE. TRUST ME YOU WON'T LIKE THE OTHER...

ARSHI"S INDEX

Episode Part119-120

DEAL:"No Talking with each other"

"Aisa na ho who Larki yahan aati rahe .aur eik din Sale Sahib Lavanyaji se Shadi karne se inkar kardain"

Translation: It could happen if that girl keep coming here , Arnav might refuse to marry La'

A future prediction right from the horse mouth'.He gets sucker punch from two ladies here.👏👏As his plan is getting weaker regardless of his superb slouchy games so his frustration .A person who sees his defeat near always ends up making more mistakes .Love Anjali here for shutting him up in an very assertive yet firm way.Her anger after all can cause him lose millions'.

He goes to Khushi and use this money guilt and gets straight punch of comparison with her LG as she takes his name first . [didn't like his way of talking with her how dare he?]She makes it clear she will help La always till she gets married.Love this girl without looking at him "aapko pareshan hone ki zaroorat nahin hai'.hum jante hain hm theek kar rahe hain..[Don't worry about me .. I know I am doing the right thing]

Scoundrel leaves by hiding ring in his pocket'.What a scumbag😡

Khushi closes her eyes with settling sadness deep within but Payal ,her jiji knows how to cheer her up as Khushi is worried about being married so early before her'but she surely knows how to make her innocent baby sis happy..

Later Anjali found out the Jewelry shop receipt in his pocket during Laundry routines.He snatches it away and turns around.The moment which grabbed my attention is he was testing her for the other day when she saw him red handed with that lady giving him money back but didn't say anything.He told her after her inquiry that he is going to get marry but without telling her'. at the top her reaction while hugging him is reflecting her blindness as she knows but does not want to acknowledge it,have no courage or faith to accept it.His Faith got stronger that he can get away from her all the time as "hum sach bhi bolain tou bhi aap hum par vishwas nahin kartin"'[even if I tell the truth you don't believe me].what a pitty on both of em.Today his repulsive and sickening actions are make me noisome.

Mamiji and her strange Dal is giving her indigestion while searching the right answer of calling Khushi in RM as she does not want her here at all but other three ladies are doing their best to bring her in the RM.

During giving tuition to kids for an Akhroo child,Khushi's monologue "DM tou janti hain keh iss dharti par sirf eik LG hi kafi hai' aww she is taking his name with such cuteness..no anger ,no grudge'.

Over there Arnav is recollecting moments of Sheesh Mahal when she fell in his arms just like today while watching tv.He wants to close the TV but of course La comes in to tell him how Khushi helped her changing her views of marriage,Arnav gets fumed over this,"Oh stop it Lavanya will you'I a marrying yoy,not with her thinking, her principles or her views about marriage"

I adored the scene of Arnav and Khushi ,Arnav opened the door and here is she but unlike last time when she was praying to DM for not seeing him and he fulfilled her wish ,this time they are standing facing each other like they are ready to talk again but then they both remember their new deal.They both try to slip away through side ways but each time their direction is same.[good no matter what they will be together]Arnav leaves by bumping into her leaving her with signature "O" on her face but she is trailing him this time.😆

PONDERING CONNECTED DOTS:Today's frustration of him will be his urge to bring a smile on her face ,after kidnapping"bas yehi tou mein chahta tha keh eik bar tumhare chre par smile aajaye"[I just wanted to bring a smile on your face]- good connection

Khushi in Mandir teaching Geeta gayan to La who is learning how to trap Khushi to bring her back in RM.A phone call from Aman hmmm'..interesting and he wants her to give message to Arnav. While she was figuring out how to tell him ,He comes in and Arnavji is ready to slip through her lips'but DEAL is sealing that name for a while' "What the" and a ghost appears in front of him.She delivers the message in Khushi style but his amusement behind fake anger is amazing.Both can't live without seeing each other regardless it's a "Quiet Staring" sometimes in which they have an Academy award and why do I see him so relaxed and full of zing.Even though they are not speaking but each others proximity brings inner peace on their faces which brings fake war among em to make us fool.Amazing part is she mentions all these numbers in her gestures 2,3,10,1 as...2=sexual tension ...3=success as well as masculine# ...10=refers to God,Divinity

Symbolism and connections:12 Symbolizes the command,and governs the space and time of cosmology.It also represents the spiritual food and Divine mother.It also represents oneness.

Connection is easy as it completes oneness so It is taking us towards when they both will talk to each other through cosmos[stars]'Milk which is spiritual food is coming in the picture and so is the mother'.

PONDERING CONNECTED DOTS: Arnav made Aman to call Khushi to deliver message for him during remarriage."Ab Deal Paki hai"[Deal is done now]

She writes the message and tells Hari Prakash to deliver but Fate delivered in the form of Geeta itself.Mysterious messages are always delivered through mysterious ways.As R.Tagore said Love is an endless mystery, for it has nothing else to explain it.Poor HP has been shut up but message has been delivered.

Dining table ,La ,Anjali and Naniji's attempt to create a scene so Khushi can come in RM as usually but Mamiji's is insisted on"Bye Bye Pahtti saree"'..Too bad Mamiji Arnav's heart had already welcomed her with both arms holding her tightly''.Sweet dreams'.bye bye

MOMENT OF THE DAY

https://www.youtube.com/watch?v=dSG6GpVO5ec

[YOUTUBE]https://www.youtube.com/watch?v=dSG6GpVO5ec[/YOUTUBE]

Great review Arshi!! love the first two collages and the last one too. Great dive into Slimewa and his nasty intentions. some great connections as well. and especially love this. This Tagore guys is awesome!

Mysterious messages are always delivered through mysterious ways.As R.Tagore said Love is an endless mystery, for it has nothing else to explain it

Originally posted by: indi52

episode 121

"there is the heat of love, the pulsing rush of longing, the lover's whisper, irresistible - magic to make the sanest man go mad."
~~~ homer, the illiad ~~~

heat percolated the episode. there was fun and games, scenes provoking laughter, great timing and blocking seen often on the comic stage. yet there was that sense of hotness rising within. and it was not just to do with the chillies in the daal. what mami had said was true, the whole menu had been changed.

beautifully said.loved the thought.

mami is the smartest in Raizada family. she always catches the loop first.

two people behaved like kids. won't talk to you. hah, gave him an important message, but instead of thank you, i get only gussa (of course, khushi has no idea that the ram charit manas and not the chit has reached him)... won't tell you there's loads of chilli in the daal, will act it out instead. and since i can't help but be concerned about you, let me try to get someone else to tell you.

this two are impossible, just two big kids.

oh, so she has made this daal, and la this one? then of course, i'll have the one made by la... but... but... "jaisa bhi hai. main yehi khaaoonga" however it is, this is the one i am going to eat.

while she watches horrified, he goes for the super hot daal. one spoonful and the heat hits. the man is evaporating almost at this temperature but nevertheless munching slowly... not giving up... she turns away... hiccc... up.

ah, she knows what's up, turns back with that see, i knew it look. well if he was even remotely considering desisting from the next spoon, that did it. the jawline is set.

loved Sanaya's expression.

thanks for the pics.

hiccc...

so you think i can't? say dark chocolate now molten caramel eyes to slight pink smile.

speed hiccup eating.

"itna ghamand ki woh mirchi wali daal khalenge..." so arrogant, he'll eat the chilli daal but won't admit he's wrong. this is what should happen to such people... she is seething as she walks away.

silly though this game may seem, it is intimate. two people caught in their own little circle, a separate enclosure within a larger space. there only she exists for him and he for her. albeit now only in irritation, anger, yet only the two. as the ire rises, so does the blaze. never occurs to either of these fairly intelligent people that this is childish, they can walk away from it.

very well said. how much promise they make, it's impossible for them to ignore each other.

he's by the pool, yelling at someone on the phone, mad at missing the conference call. but some girl had been told that the time had been changed. immediately, memories of khushi leaping around in frantic dumb charade trying to tell him something. but he's had it with her, he turns away from the memory, only to find her standing right before him, trayful of things in hands.

they can't talk. all he can do is make a face. but she can't leave, because his mouth is burning and she has to do something about it.

why khushi?

this man is rude to you. has done what he has that diwali night, told you categorically you mean nothing, koi matlab nahin, then after making sure your finger was secure, not bleeding any more, also told you he never wants to see your face or talk to you, now this ridiculous no speech condition is on. why do you care whether his mouth sizzles and goes up in flame or not?

I also have the same question, why khushi?

he can't not hold you. you can't not care for him.

but why get in so deep, let's play instead. sometimes it's just nice to be like kids. let it all out.

before she can help it, a tiny smile flickers... not good. he turns away. khushi clears throat, shows chilli, does the whole act, he is still burning, his expression reveals extreme discomfort and he just stands there watching her again... all that miming. why doesn't he leave? would he tolerate this from anyone else?

she offers the glass of milk to soothe the burning... can't bear to watch this arrogant mean awful terrible laad governor kahin ke suffer.

sanaya was too good in the scene.she is a charmer.
he is perhaps ready to take a sip. advances slowly, accepts the glass, looks at her and... again that i'll show you confrontation, the to hell with you accent in it. splash! into the pool goes milk. he is not giving in. no surrender. it's war to its bitter end...

and yet he will save her and feel things he has no idea what to do with... so will she.

and if everything were so funny and nothing else, would he approach her in their classic advance retreat movement again? and why would she walk backward, not turn away, and almost fall and he catch her and jerk her forward, close? still seething, still hurting but somehow wanting her even in that intense moment of physical pain and anger.

absolutely loved what you said.

later when khushi hears that he has asked hp for some milk, usually anathema to him, she is enraged, doesn't occur to her he has accepted her solution, just that he's rejected it from her hand. "pata nahin kahan ka laad governor samajhte hain apne aap ko," don't know he thinks he's the lg of which place. why was i feeling bad for him... he's getting milk... "uss lg ke na bahut nakhre hain..." that lg has too many hassles, what's wrong with my hands, are there worms on them that he wouldn't accept the milk i gave him?

oh she's mad at him. this is now personal. and she will retaliate. but again like a tween. he is talking on the phone. oh yeah? she brings out the metal pestle and mortar and starts banging loudly. disturbing him with joy. to emphasise her intent she looks at him, smiles sweetly, turns back and starts going at it with greater gusto.

i must say khushi is valiant. she has the courage to emulate LG.

he's furious. but helpless. his condition. no talking. now suffer.

only recourse, yell out to di. now how little boy is this. "di... di... i couldn't even hear myself..." so get this person to stop making noise. what noise, which person? she's disappeared, he's confused. who is 8 who is 14 and isn't di's comment terribly mother like? i was working, you disturbed me for nothing.

Di is not less than his mother.poor boy what how helpless he is and complaining to his mom about that naughty little girl.

something about the whole episode takes us back to childhood and creates a space for mother to enter. and she is waiting right there, in those kangans nani reminds anjali of.
so true.

but that pesky girl is hiding behind the platform... and then she's caught. gotcha.

the walls adults build are usually too high. they hem us in, don't let us feel, stop the flow, the qi. for the beautiful moments ahead, i guess they had to feel the uncomplicated innocence of children in themselves. it's been so so long since asr has felt this simplicity. only khushi could reduce the mighty tycoon to endless khela... play. he makes her feel all woman, she helps him get back in touch with his inner child.

very well said again.👏👏👏 what an awesome combination of sane and insane.

the importance of play in love can never be over emphasized. what was krishna doing but playing with his radha and the gopis all the time.

the chit made an interesting comeback and moved from hand to hand till anjali finally got what it meant.

my favourite from la today, "naniji aap itna overact... i mean aap itna overreact kyun kar rahi hain..." naniji why are you overacting so much, i mean over reacting today. got to agree, nani was overdoing a bit, la sensed it, so much is not needed. but of course, she makes enough hindi related mistakes to come out looking silly... poor la. but chilli idea was hers, so...

mami inshpektar did some don istyle talking and got to work. did a fantastic inspector clouseau-esque disclosing all to her nemesis nani, instead of phatti saree. she thought she'd been stumped, but the writers had given her the best lines as always. this episode, her gorgeous, "jaise humre tongue pe daragon tandav karat hai..." as though a dragon is doing a mad dance on my tongue. a tandav is about to begin and a fierce, practically mythical, creature it is that shall do it. dance begins this evening, 8pm.

natkhat nani... playful nani came up. in fact, the episode started with nani and anjali discussing all this mazak masti and tricks reminding them of being kids again and then averring all was for a good cause. but towards the end, a beautiful connection. nani and asr share another trait... playfulness... i read: child like innocence and intelligence (natkhat is always a krishna word somehow, thanks to epics, movies, songs, the works). he was a lively kid full of tricks and things once, a trait grandma proudly claims to be passed to him from her, "tabhi toh hum chhotey ke nani hain," that's why i'm chhotey's nani.

can't believe this grumpy man used to be a naughty kid some day.


"each of us is born with a box of matches inside us but we can't light them all by ourselves."
~~~ laura esquivel, like water for chocolate ~~~

Originally posted by: indi52

episode 119

an episode of awareness and extreme denial. he can sense her as he steps in trough the doors, even though he is in a foul mood. that singhania file is missing, and so is someone from his life because he has expressly told her to go away and never come back, ever. yet he knows she's around, like that day just before janmashtami.in episode 62/63 we saw this, here's a bit of that sequence:

the moment he walks in... do me so do, la la la la... and a waft of breeze rising. he feels it...

she feels it.

mehsoos is not in a mood to be messed with either. an interlude between the two, while standing by themselves. this is awareness, a gift in itself; and it comes wrapped with music and air.

today, on bhai dooj, a repeat of this mehsoos of each other. both now have sworn never to see the others face. but really, there's no need for any of the five senses, when the sixth one is so alive and super sharp. does this really happen i find myself asking? have to say, may be not every time, but often enough it does tend to when you're into another person in a huge way. well, perhaps not the wind and piano notes, but that going still, feeling someone's around... yes, that one.

after yelling at the hapless servant, (oh this politically incorrect, incorrigible brusque boy in brown suit, red tika, and bad mood, now why is it that even those who get regularly shouted at can't bring themselves to hate him roundly), he goes off to look for his file, while she perches precariously atop a stool (the same one from which he fell?) looking for oil for her lamp. instead they find each other... the instinct seems to know what you ought to be looking for.

he strides into the kitchen, still grumbling and shouting, "di!! meri singhania wali file...

and...

ting ting ting tong... there she si in pink suit on a stool in his kitchen but now falling.

nonplussed, he stares at her.

These edits are awesome!!!

she comes down toward him and without pause or thought his arms rise up and reach out to catch her. he can't let her fall on the floor, he won't let her get hit by a car, he can't let her die in a collapsing building, he won't let anyone lay a hand on her, he can't let her be wounded and alone, he has to be there to catch her. if he's dropped her quite callously and uncondonably once on purpose, he did make sure she landed on cases that broke her fall. but this landing is just so much more preferable.

dupatta does its floaty thing.

and look how cutely she sits there perched on his arms, her lissome arms securely around his neck.

they both seem to get a bit lost in each other... surprise, shock, and that other thing that's always there when they're together.

she remembers the shakal dekhni hai aaj ke baad thing. don't want to see your face after today, don't want to talk to you...

yet...

"tum yahan kya kar rahi ho?" what are you doing here? he's rough, angry. since day break he's been struggling with the emptiness within. she was in his morning dream... going away, he'd woken up with her name on his lips and maybe a vacuum in his heart. but he wasn't prepared to go into all that heart stuff. instead, he'd summoned gussa to deal with the problem, and like aladdin's good genie, gussa was prepared top do anything for the young master. perhaps because he knew he was good of heart, his bark much worse than his bite. but please, what is this heart talk again. enough!

suddenly a thought connected. asr reminded me of the marvel heroes i was reading about today, the super heroes which appealed much to the new audiences of the seventies and eighties for they had human frailties and failings, unlike the 100 percent perfecto superheroes of the previous generation. wasn't asr a bit like that? an archetype, a hero sort in some ways... but with his weaknesses, his achilles' heels, almost. 👏

"wo lavanya ji..." she began haltingly, trying to extricate herself from all the feelings. easy to say uyou'd give anything not to see tehe man, but what if you do see him... have you prepared for that?

"maine kaha tha na apni shakal mat dikhana..." hadn't i told you not to show your face? he is in one nasty mood, and today it's offensive all the way from him. yesterday she'd been in this combative frame of mind when he reached the temple, but today he was in full attack mode.

"just get lost." mean, cutting.

"aap hume chhorenge tabhi toh hum..." if you leave me, only then it's possible, she archly points out to him, with a return spark of rage. he holds her firmly, even though there's no need to. if she is so intolerable, what's the need for this? shouldn't he have just let her go once the saving was done?

he realises she has a point.

this time he doesn't drop her, just dumps her unceremoniously.

the battle of words continues... to... fro... strike one... strike two... no break in rhythm.

"tum yahan aayi kyun..." why have you come here?

i have no desire to show you my face... she says witheringhly.

and yet here you are in my house, he comes back, standing right in front of me. yesterday you said you wouldn't come to this house, now what's happened. "jitni baar iss ghar se bahar nikalo... tum wapas aa hi jaati ho" no matter how many times you're thrown out of this house, you find your way back. he is now getting more and more insulting.

dekhiye... listen here, she starts. but who'll let her finish. this is break all rules of war combat.

"ab kya stoopid bahana hai tumhare paas..." now what stupid excuse do you have... love the easy city language and the youthful turn of phrase. of course the "stoopid," that's exactly how i say it too.

"kabhi lavanya ne bulaya, kabhi di ne bulaya... sab jhoot," sometimes lavanya has called, sometimes di, all lies. you must have made up something to come.

the gall of the man. she is angry.

if you don't want to hear the answer why ask a question? she returns sharply.

very spouse sort of convoluted going nowhere argument...nice.

then the money thing enters, how could it not. it is asr after all, to him women are gold diggers who go about breaking homes, well not all, but certainly the ones who seem to have this crazy hold over you... don't think you can get more money out of this house.

a threatening advance, she retreats, finger pointing harshly at her, thrust forward jaw, the works. gah, that "khushi?" he woke up with still grating somewhere. how could this girl be so important. a fear of loss in him at the mere thought of never seeing her. how could this be! he'll show her.

"aap har baat paiso pe..." why do you take everything to money? "kyunki main janta ho ki tum..." because i know that you are -

"chhotey!" di cuts in, sharp, angry. he has to listen. so di had to really scold bro on bhai dooj, alas.

khushiji isn't taking any money. he's shocked.contrite even?

khushi is giving tuitions, she is not employed by the raizadas, just helping out, on the condition there's no money involved. di leaves him looking chastened. khushi is ready to go too, but,

"khushi, ruko mujhe tumse kuch baat karni hai," khsuhi, wait i want to talk to you. matter of habit, she pretends not to have heard and moves ahead, pushing him a bit... she seems to always do that. he's irritated, she's too.

"enough!... hum jab bhi baat karte hain yahi hota hai... issliye ab se na main tumse kuch baat karoonga, na tum mijhse koi baat karogi," whenever we talk this is what happens, so from now on, neither will i talk to you, nor you to me.

"theek hai... " agrees khsuhi. you stay away from me, it'll be good for me.

and so it is that khushi and asr strike yet another deal. one that will be kept or broken who knows. the tycoon and the jhalli, and the business of love, sorry hate, goes on. but what to do about that wretched awareness.

one of my favourite songs by mohit chauhan and a r rahman, it reminds me so much of these two. and it is about the feeling, that awareness, that mehsoos of each other. "paas mere saath mere," near me, with me, very ipk words, remember when he goes to bring her back home? jitna mehsoos karoon tumko, utnahi pa bhi loon. the more i feel you, the more i get you/receive you. sounds like a song written for asr and khsuhi.

[YOUTUBE]http://www.youtube.com/watch?v=2iUZRSeqzz8[/YOUTUBE]
credit: uploader

Originally posted by: BarunDiwani

Friendly Disclaimer: My words, thoughts ideas and edited pics are mine only, please do not copy. You are welcome to use it, but credit accordingly. Thank you!

Episode 119-120

"Where the hell is my"-... Khushi??? ...oh i so want to finish that sentence for him! hahaha good observation.👍🏼He walks in like a hurricane but freezes like an ice storm at the feel of her mehsoos, then a soft warm summery breeze...some pretty tunes to go along, she also feels the breeze in the kitchen.

He devours it, as does she. She shakes it off, while Arnav is interrupted by JP. "Where is my Singhania file?" after an unsatisfactory answer he moves on full force to his room for the file

He searches high and low then asks for Di...and after getting his answer, he cuts HP off when the poor guy wants to tell him where his fianc is..."only answer what you're asked!"...uff what gussa on his nose, wonder what he would've said had he mentioned KHushi's name instead..

You got it. Arnav exasperated more hearing La's name.

He storms into kitchen and yells at the top of his lungs "DI mere singhanial wali file"...the loud sound of "DI", startles the girl up on the ladder getting the oil container, she waables and falls down.

His reflexes kick in and catches her, he always sambhaals, hamesha. How his arms have missed her, she fits so perfectly there... her eyes closed from the fall in fear,

yup, yup yup, just perfect in his arms. never saw a woman looks so perfect in a man's arm.

his are wide open but as if he's dreaming. Pure joy in his eyes, he forgets to blink...She opens her eyes, equally delighted to see his face, her dupata flies high in a dance of happiness for the newly engaged couple who meets for the first time after their engagement. You would think he hasn't seen her for ages, in their defense, this one day felt longer to both.

uff beautiful description. I'm getting ecstatic.

Soft beautiful melodic music... once this moment is soaked up, the bliss gives way to some anger. Both remember what they said to each other with tons of pride...He wasn't going to see her shakkal again and she was never to meet him, but here they are the very next day. She's back in his house, his life and in his arms.

"Tum yahan kya kar rahi ho??" (What are you doing here)

"w-Woh, Lavanyaji -"

"meine kaha tha na, apni shakkal mat dikhana!?...just get lost!" Just get lost he says, all the while still cradling her in his arms and she has her hands around his neck.. he forgot to put her down, how at home they both must feel.

Arnav was enjoying the moment to carry her in his arm.

"app hamme chodenge tab hi to hum.." (if you put me down then i..)

Arnave has an "ooops" moment but the pride the arrogance would never let him show it. Well he puts her down, But how he puts her down, is another story, it can be a quick "Rabba Ve" moment in its own way.

very sensuously he put her down. your pics are illustrating it more clearly. thanks for the pics.

All his yearning/desire he just can't help it, she felt the jatka and steps back, because he never would

"Why did you come here?" she tried to explain, but he keeps cutting her off, very reminiscent of her first day at the RM when he also found her in the Kitchen.And though the insults and the accusations were still there, it was as thought he had to say them unlike the last time, he really wanted her out. Today he wants to say she needs to go but he knows how badly he needs her to stay.

"jitni baar tumhe iss ghar se nikaalo, tum waapis aa hi jaati ho" yep, she always comes back in his heart..you hit the nail.we know he never could nikaal her from his heart. in fact he can never completely nikaal her. He asks what stupid excuse he has now. "Kabhi Lavany ne bulaya, Kabhi Di ne bulaya" teeh grinding "all lies!"

"Jab aap jawaab sun na hi nahi chahte to sawaal ky kar rahe hai (when you don't want to know the anster why are you asking the questions?)?" great point by Khushi.

He always has to come to money when trying to driver her away, "why do you always come to money"

"Because i know that you-"

Di interrupts his insult, "don't talk like this Chotey, she's here to help us. You should think about how many other people feel when you talk like this" Di goes on to tell him that Khushi is helping out for free, Ahhh, now he feels bad., he knows how much she needs the money. Anjali goes on to say that she's making money tutoring the kids..."she doesn't work for you and doen't work for me."

slight eye movements on his face, i see an apology for her. Anjali hands him the file that he was looking for so intently, doesn't seem so important now.

"Khushi rukko mujh tumse kuch baat karni hai (Khushi wait, i wasn't talk to you about something)" what a lover thing to say. As always she must defy even if its briefly. His teeth grind "didn't you hear? i want to talk to you!" what a hubby thing to say. She knows she has to stop "kahiye, ab kya kehna chahte hai, shayad aapko hamaar aur beizzati karni hai" His words really do hurt her, regardless of her understanding his behavior. "Enough" he doesn't want a reminder to how he hurts her.

"hum jab bhi baat karty hai yeh hi hota hai" he takes a deep breath to gather some strength knowing how hard this will be for him, then in his ASR tone " iss liye ab se, na mein tum se koi baat karoonga aur na tum mujhse koi baat karogi "you come here, do what want, but don't talk to me bas, this is what will be good for me and for you too...na hum koi bat karenge, na koi bahes hogi (if we don't talk there will be no tiffs)"

To this Khushi also has to gather some courage before turning around and puts her "farq nahi padta" mask on agrees to this deal.

Later on during the kidnapping when they talk to each other via the stars, they both say that they both tried so hard not to fall in love with each other, here is perfect example of their koshish. and like all of the koshish's (trying) this one also will only help them bring closer. good observation👏 A few lighter moments as a result of this deal are on the way all the while keeping their love front and center... and when finally this deal is broken by the instigator, how it will touch the other.

Before the new day with lots of loud silence comes, the night must come.

Arnav gets a reminder of her on tv, his first meeting with her at Sheeshmahel. He seems to have gotten the message that was being conveyed that his connection with her goes back to that day. His mind rushes to the moments he wishes to take back, anger kicks in, he goes to change the channel. but enter La. Thankfully the news guy stops talking about Khushi and starts talking about his engagement announcement to her. I just realized, La has no idea that Arnav met Khushi before she started to work for ASR. La is happy to be seeing news of they engagement and wedding.

"ASR, we're going to get married, thanks to Chamkili, if she wasn't here, this day would never come. I never believed in marriage till she showed me its importance" La goes on and on about Chamkili's thinking, her values...

Arnav becomes visibly agitated by the farq merely her name causes. He explodes, "OH stop it Lavany, will you!!?! i'm marrying you, uski thinking, uske principles, aur shaadi ko le kar uske khayalat se nahi! you get it?"...La was always less complicated, her relationship with her was so practical, but now even she can't stop bringing Khushi up in front of him...what is a man to do, he storms off.

At the Gh, Payal has managed to tickle the true feelings out of Khushi...atleast her true feelings about the marriage to Shyaam.

"haan jiji, i don't want' to, meaning not so soon...babuji is not feeling and how can i marry before you?" to this selfless Payal says, that's not big deal, but Khushi notifies it is a big deal, ofcourse she couldn't mention the whole being in love with Arnavji thing. Payal decides to tease her little sister a bit "do you know Bauaji is getting you married of so soon??" Khushi gets so serious and shakes her head then she braces herself for the answer

"because she wants this sanka devi off her back asap"...Khushi makes her O face and the tickle fight ensues. One things is for sure, after seeing her Arnavji and the fact that she will be seeing him on a regular basis had done wonders for Khushi's mood

great catch.

The next day, time to start living up the deal. Khushi arrives, and Arnav opens the door, both remember their words...not talking with each other. he tries to get past her and she him, only problem...they move the same direction, after a little left right, Leave it to Arnav to go past her with a little flirty bang-in brush with her shoulder. Reminds me of teenage flirting.

loved the scene.

Lots of things going on, La and Anjali still trying ways to keep Khushi around while Maami is in detective mode, trying to discover the "kaala " in the daal or the trying to figure out the brand new daaal being cooked.

Khush has picked up a call from Aman and is told to deliver an urgent message to Arnav. His London tele-conference has moved up from 1:00 to 12:00.

"hey Bhagwaan, how will i tell him, i'm not even talking to him" only Khushi would take their deal so literally, just like in Nainital when she fell in the ditch and scared the bejeseez out of Arnav simply b/c she was told to keep her quiet for 5 mins with the threat of half her salary. her innocence well captured here again

innocent and childish.

Gasp! she realizes there is not much time. Luckily he walks through the door.

"Aa-a" she stops herself, not allowed to talk, "i can't even say anything"

so she jumps in front of him, "what the!" slips out and cute game of sharades follows. she tries to give him the message in her own sign language..he is supposed to try and guess but is thoroughly confuesed, and surely amused, but leaves, so back to square one for Khushi.

Sanaya is truely the queen of these scenes that require so much out of her from expression to body language. brilliant. Barun ofcouse also compliments her antics perfectly with his unmatched expressions.

she was just adorable in the scene.

When he found her in the kitchen, he talked rudely to her again, insulted her again and initiated their "not talking to eachother" deal, this morning he bumped her in order to get past...she didn't have to get him the message...it's not like he could yell at her, yet she doesn't think twice about getting him the message. She knows how important his work is to him.

Gasp! again. Only 5 mins left, of course a pen and paper, she manages to jot down the message with the constant tugging of La, but is unable to get it to him so she asks HP to get "that" to Arnavji and whatever is written there is really important and to read carefully... Only problem? "That" flew away and the only thing left on the table was the Ram Charitra Manas, a religious book. So its not hard to imagine ASR's reaction

"yeh book, Khushi ne di, mujhe? kyu? " (this book? Khushi gave? to me? why?)

OP also becomes the innocent victim in all of this again...poor guy only here as a messenger "She said to read, its urgent"

"Pagal ho gayee hai kya woh (had she gone crazy)?"

"poochh ke aayee?" fearful HP afraid of saying the wrong thing

"oh shut-up! go from here!!"

Later when Khushi Asks to make sure that OP got the message to Arnav, he notifies "haan, gussa to bahu huye, par aap ne jo diya, rakh liya unohne (he kept what you sent). ...yes he kept a religious book because it was from Khushi, good observation. never thought like that. urely he didn't read it, and probably put back where it belongs, but it was from her...there was a sense of caring from her to him that he kept. They never really needed words to talk, their eyes, their connection, their mehsoos was enough...as for avoiding tiffs with this deal? well we'll soon see they don't need words for those either.

DROOL CORNER!!!!!!!!!!!!!!!

❤️❤️ Priceless!! ❤️❤️

Originally posted by: wiwy

Riddle No. 11:😃

Why does Shyam want to marry Khushi? Iss pyaar😕 ko kya naam doon?😡

1. Khushi is beautiful and sexy. I know this is the lamest answer

2. If he can marry Khushi he can be the hero of the show, as khushi is the heroine.

3. we know how greedy Shyam is. So if he can marry khushi he can earn easy money by selling Khushi's jalebis. Aish karo aur maze lo.

MAHARIDDLE (also on page1) :😉

ASR in an SUV can go from 0 to 200 in seconds. Which IPKKND character can accomplish the same feat using another machine?

1. Khushi's imagination what can make her anything in a second, like judge to the richest person of the world.

2. mami's brain also can be that that machine. she also can make Akash a brammhaachari within a second.

3. La's foolishness, what make us dumb in a second.

i know all my answers are dumb. but kya karoo, I'm really dumb in this matter.